Research on Neural Activation Mechanism of Motor Imagery Based on Virtual Scene

2019 ◽  
Author(s):  
Ping Xie ◽  
Zihao Wang ◽  
Hualei Fang ◽  
Wei Chen ◽  
Jinxu Yu ◽  
...  
Keyword(s):  
Motor Imagery ◽  
Activation Mechanism ◽  
Neural Activation ◽  
Virtual Scene

Active, passive, and motor imagery paradigms: component analysis to assess neurovascular coupling

2013 ◽  
Vol 114 (10) ◽  
pp. 1406-1412 ◽  
Author(s):  
Angela S. M. Salinet ◽  
Thompson G. Robinson ◽  
Ronney B. Panerai
Keyword(s):  
Motor Imagery ◽  
Moving Average ◽  
Neurovascular Coupling ◽  
Neural Activation ◽  
Autoregressive Moving Average Model ◽  
Arterial Blood ◽  
Moving Average Model ◽  
End Tidal ◽  
The Right ◽  
Cognitive Paradigms

The association between neural activity and cerebral blood flow (CBF) has been used to assess neurovascular coupling (NVC) in health and diseases states, but little attention has been given to the contribution of simultaneous changes in peripheral covariates. We used an innovative approach to assess the contributions of arterial blood pressure (BP), PaCO2, and the stimulus itself to changes in CBF velocities (CBFv) during active (MA), passive (MP), and motor imagery (MI) paradigms. Continuous recordings of CBFv, beat-to-beat BP, heart rate, and breath-by-breath end-tidal CO2 (EtCO2) were performed in 17 right-handed subjects before, during, and after motor-cognitive paradigms performed with the right arm. A multivariate autoregressive-moving average model was used to calculate the separate contributions of BP, EtCO2, and the neural activation stimulus (represented by a metronome on-off signal) to the CBFv response during paradigms. Differences were found in the bilateral CBFv responses to MI compared with MA and MP, due to the contributions of stimulation ( P < 0.05). BP was the dominant contributor to the initial peaked CBFv response in all paradigms with no significant differences between paradigms, while the contribution of the stimulus explained the plateau phase and extended duration of the CBFv responses. Separating the neural activation contribution from the influences of other covariates, it was possible to detect differences between three paradigms often used to assess disease-related NVC. Apparently similar CBFv responses to different motor-cognitive paradigms can be misleading due to the contributions from peripheral covariates and could lead to inaccurate assessment of NVC, particularly during MI.

scholarly journals Neural Activation and Functional Connectivity during Motor Imagery of Bimanual Everyday Actions

PLoS ONE ◽  
2012 ◽  
Vol 7 (6) ◽  
pp. e38506 ◽  
Author(s):  
André J. Szameitat ◽  
Adam McNamara ◽  
Shan Shen ◽  
Annette Sterr
Keyword(s):  
Functional Connectivity ◽  
Motor Imagery ◽  
Neural Activation

Neural activation in cognitive motor processes: comparing motor imagery and observation of gymnastic movements

2008 ◽  
Vol 188 (3) ◽  
pp. 437-444 ◽  
Author(s):  
Jörn Munzert ◽  
Karen Zentgraf ◽  
Rudolf Stark ◽  
Dieter Vaitl
Keyword(s):  
Motor Imagery ◽  
Neural Activation ◽  
Motor Processes

The loading of motor imagery

2006 ◽  
Author(s):  
Andrew B. Slifkin
Keyword(s):  
Motor Imagery

Neural activation in mothers of preterm and full-term infants: Preliminary findings from a 3T fMRI study

2012 ◽  
Author(s):  
R. Montirosso ◽  
S. Moriconi ◽  
B. Riccardi ◽  
G. Reni ◽  
F. Arrigoni ◽  
...  
Keyword(s):  
Full Term ◽  
Neural Activation ◽  
Term Infants ◽  
Fmri Study

Experience Influences Brain Mechanisms of Watching Dance

2011 ◽  
Vol 29 (supplement) ◽  
pp. 352-377 ◽  
Author(s):  
Seon Hee Jang ◽  
Frank E Pollick
Keyword(s):  
Motor Imagery ◽  
Visual Experience ◽  
Primary Motor Cortex ◽  
Action Observation ◽  
Brain Area ◽  
Retrosplenial Cortex ◽  
Imagery Task ◽  
Temporoparietal Junction ◽  
Action Observation Network ◽  
Viewing Experience

The study of dance has been helpful to advance our understanding of how human brain networks of action observation are influenced by experience. However previous studies have not examined the effect of extensive visual experience alone: for example, an art critic or dance fan who has a rich experience of watching dance but negligible experience performing dance. To explore the effect of pure visual experience we performed a single experiment using functional Magnetic Resonance Imaging (fMRI) to compare the neural processing of dance actions in 3 groups: a) 14 ballet dancers, b) 10 experienced viewers, c) 12 novices without any extensive dance or viewing experience. Each of the 36 participants viewed short 2-second displays of ballet derived from motion capture of a professional ballerina. These displays represented the ballerina as only points of light at the major joints. We wished to study the action observation network broadly and thus included two different types of display and two different tasks for participants to perform. The two different displays were: a) brief movies of a ballet action and b) frames from the ballet movies with the points of lights connected by lines to show a ballet posture. The two different tasks were: a) passively observe the display and b) imagine performing the action depicted in the display. The two levels of display and task were combined factorially to produce four experimental conditions (observe movie, observe posture, motor imagery of movie, motor imagery of posture). The set of stimuli used in the experiment are available for download after this paper. A random effects ANOVA was performed on brain activity and an effect of experience was obtained in seven different brain areas including: right Temporoparietal Junction (TPJ), left Retrosplenial Cortex (RSC), right Primary Somatosensory Cortex (S1), bilateral Primary Motor Cortex (M1), right Orbitofrontal Cortex (OFC), right Temporal Pole (TP). The patterns of activation were plotted in each of these areas (TPJ, RSC, S1, M1, OFC, TP) to investigate more closely how the effect of experience changed across these areas. For this analysis, novices were treated as baseline and the relative effect of experience examined in the dancer and experienced viewer groups. Interpretation of these results suggests that both visual and motor experience appear equivalent in producing more extensive early processing of dance actions in early stages of representation (TPJ and RSC) and we hypothesise that this could be due to the involvement of autobiographical memory processes. The pattern of results found for dancers in S1 and M1 suggest that their perception of dance actions are enhanced by embodied processes. For example, the S1 results are consistent with claims that this brain area shows mirror properties. The pattern of results found for the experienced viewers in OFC and TP suggests that their perception of dance actions are enhanced by cognitive processes. For example, involving aspects of social cognition and hedonic processing – the experienced viewers find the motor imagery task more pleasant and have richer connections of dance to social memory. While aspects of our interpretation are speculative the core results clearly show common and distinct aspects of how viewing experience and physical experience shape brain responses to watching dance.

Simultaneous Classification of Multiple Motor Imagery and P300 for Increase in Output Information of Brain-computer Interface

2013 ◽  
Vol 133 (3) ◽  
pp. 635-641
Author(s):  
Genzo Naito ◽  
Lui Yoshida ◽  
Takashi Numata ◽  
Yutaro Ogawa ◽  
Kiyoshi Kotani ◽  
...  
Keyword(s):  
Motor Imagery ◽  
Brain Computer Interface ◽  
Computer Interface ◽  
Output Information
Sign in / Sign up

Export Citation Format

Share Document