scholarly journals French researcher asks for share

Nature ◽  
1989 ◽  
Vol 341 (6243) ◽  
pp. 556-556
Keyword(s):  
French Researcher

scholarly journals Graffiti as a Form of Public Opinion Expression

2021 ◽  
Vol 27 (1) ◽  
pp. 145-150
Author(s):  
R. Yu. Porozov ◽  
◽  
P. S. Klusova ◽  
Keyword(s):  
Public Opinion ◽  
Urban Space ◽  
Social Processes ◽  
Roland Barthes ◽  
Main Task ◽  
French Researcher ◽  
Opinion Expression ◽  
Public Consciousness

This article deals with the problem of the functioning of urban space as a communicative platform for the expression of public opinion. The aim of the work is to analyze the culture of graffiti, which draws attention to modern social processes, and the main task is to assess the semantic and sociocultural content of graffiti and their influence on the formation of public consciousness. Based on the concept of the French researcher Roland Barthes, the authors analyzed the location “Bukashkin’s Yard” in Yekaterinburg. The article summarizes the ideas about social processes in cultural, sociological and philosophical terms.

scholarly journals The image of the thunder god Perun in the pagan outlook of ancient Russia

1999 ◽  
pp. 64-67
Author(s):  
N. Fatyushyna
Keyword(s):  
Modern Humans ◽  
French Researcher

One of the most famous gods of the pagan pantheon of Ancient Rus is the Thunder Perun. Usually, in the minds of modern humans, the image of Perun is perceived as the embodiment of the terrible and unaffiliated forces of nature, as the personification of thunderstorms, thunder and lightning. Certainly, such a perception came to us from the ancient pagan times as a kind of accumulation inherent in our ancestors ideological paradigm. However, the idea of ​​Perun as the personification of thunder and lightning is confirmed by numerous linguistic intelligence. In particular, at one time, this well-known French researcher L. Lezhe found that the Slavic meaning of the word - lightning. The concept Perun (Piorun, Paron, Pyurun) in the Russian, Ukrainian, Byelorussian, Polish and Slovak languages ​​means the same thing. It is lightning. Apparently, in the pagan worldview, this god appears as a symbol of something scary, frightening. The ancient Slavs leaned over to Perun's force, as they generally bowed to any force, considering everything that was stronger than them, "strange", and therefore worthy of respect and worship.

Clausewitz, War, and Meaning Formation: Raymond Aron’s Experience of Philosophical Reflection

2020 ◽  
Vol 63 (1) ◽  
pp. 40-65
Author(s):  
Vasily K. Belozerov
Keyword(s):  
Military Force ◽  
Scientific Legacy ◽  
Self Reflection ◽  
Personal Attitude ◽  
French Researcher ◽  
Long Time ◽  
Theory Of War ◽  
Political Philosopher ◽  
Raymond Aron ◽  
The Military

The article studies the influence of the ideological heritage of the Prussian war theorist Carl von Clausewitz on the works, worldview, and political views of the French researcher Raymond Aron. For a long time, in France the value and relevance of Clausewitz’s theory of war was acknowledged only in the light of specialized military issues. Aron was one of the first in the country to recognize the value and methodological potential of Clausewitz’s political philosophy of war for the understanding of the preparation and usage of military force, maintenance of national and international security, and Aron made efforts to popularize the Prussian theorist’s doctrine. The analysis of Aron’s works, in which he appeals to Clausewitz and the theory of war, has revealed the evolution that occurred in attitude towards the ideological heritage of the Prussian philosopher. Clausewitz’s works, which were primarily a source of citation for Aron at first, turned into the methodological framework for a philosophical conceptualization of war and international relations, in particular in the nuclear era. Based on the results of a thorough study of Clausewitz’s works and a deep reflection on his legacy, Aron in his later years wrote a two-volume work about him, seeing the Prussian thinker primarily as a political philosopher of war. An important reason for the interest of the French scholar was the personality and biography of Clausewitz himself: his character, relations with authorities, political position, acceptance by contemporaries, and the fate of his doctrine. In this regard, Aron’s understanding of Clausewitz is emotionally loaded, and the book about him significantly differs from Aron’s other works by the author’s personal attitude. The comprehension of Clausewitz and his ideological heritage encouraged Aron’s self-reflection and change of self-identification, a better understanding of the military culture of Germany and France. The article concludes on the importance of further conceptualization and development of the scientific legacy of Clausewitz and Aron.

scholarly journals Armação Baleeira de Itapocoroia na obra “Viagem á Província de Santa Catharina (1820)” do naturalista Auguste de Saint-Hilaire

2021 ◽  
Vol 5 (9) ◽  
pp. 332
Author(s):  
Vinícius Bosignari ◽  
Letícia Stiehler Machado
Keyword(s):  
Economic Activity ◽  
Social Condition ◽  
The State ◽  
Source Analysis ◽  
The Political ◽  
Santa Catarina ◽  
French Researcher

As armações baleeiras representaram uma importante atividade econômica para o Brasil em meados do século XVIII e início do século XIX. O presente artigo teve como objetivo analisar a condição político-administrativa-social da Armação Baleeira do Itapocoroia, situada no estado de Santa Catarina, a partir do relato do viajante Saint-Hilaire. Para tanto, utilizou-se como metodologia a análise do documento através de bibliografias sobre o tema e outras fontes do período. Por fim, pode-se perceber o caráter desbravador do pesquisador francês através da descrição geográfica do local. A partir disso, pode-se inferir que existiam três instâncias diferentes na organização da armação. São elas: a instância administrativa, a de caça e produção de derivados da baleia e a de moradia. Além disso, o trabalho desenvolvido por Saint-Hilaire é uma importante fonte para os estudos sobre a pesca da baleia no litoral catarinense, principalmente sobre a Armação de Itapocoroia.Palavras-chave: Armação Baleeira; Itapocoroy; Santa Catarina; Saint-Hilaire. AbstractWhaling stations represented an important economic activity for Brazil in the mid-18th and early 19th centuries. This article aimed to analyze the political-administrative-social condition of Whaling stations Itapocoroia, located in the state of Santa Catarina, based on the account of the traveler Saint-Hilaire. For that, the source analysis was used as methodology through bibliographies on the theme and other sources of the period. Finally, one can perceive the pioneering character of the French researcher through the geographical description of the place. From this, it can be inferred that there were three different instances in the organization of the frame. They are: the administrative, whaling and production of whale products and housing. In addition, the work developed by Saint-Hilaire is an important source of studies on whaling on the coast of Santa Catarina, mainly in Itapocoroia.Keywords: Whaling stations; Itapocoroy; Saint Catherine; Saint-Hilaire.

scholarly journals FRENCH RESEARCHER FREDERIC LE PLAY AS THE FOUNDER OF SOCIOLOGY OF BASHKIR RACE

2021 ◽  
pp. 125-132
Author(s):  
Rushan Gallyamov ◽  
◽  
Igor Kuchumov ◽  
Keyword(s):  
Material Culture ◽  
19Th Century ◽  
Life Support ◽  
Ethnic Relations ◽  
Structural Element ◽  
Race And Ethnic Relations ◽  
Advantages And Disadvantages ◽  
Patriarchal Family ◽  
French Researcher ◽  
The 19Th Century

The subject of the article is the analysis of the state of the Bashkir patriarchal family as a representative part of Bashkir society in the middle of the 19th century, undertaken by the French sociologist Frédéric Le Play (1806–1882). The object of the research is his monographic study on this topic. The aim of the article is to determine the methods, which Le Play applied for studying the everyday life, economy and material culture of the Bashkirs, to analyze the facts, which he revealed and the conclusions he drew. The tasks proceeding from this goal are based on studying the features of the author's research methodology, empirical material, identifying original conclusions regarding the life support system of a large Bashkir family in the 19th century as a structural element of Bashkir society. The article shows the necessity of using methods of qualitative sociological analysis, applied by the author, in the domestic science. For the first time, a critical analysis of a previously unknown in the Russian historiography is given, its advantages and disadvantages are appreciated, as well as the possibilities of its use in the sociology of race and ethnic relations and anthropology of the Bashkirs.

scholarly journals Commercial practices of the Italian merchantry during the XIII–XV centuries: cross-cultural communication

2021 ◽  
pp. 79-88
Author(s):  
Elizaveta Kravchenko
Keyword(s):  
Middle Ages ◽  
Research Field ◽  
Cross Cultural ◽  
Cultural Transfer ◽  
Cross Cultural Communication ◽  
Mediterranean Studies ◽  
French Researcher ◽  
First Time ◽  
Trade Partners

The problem of cross-cultural contacts is one of the most relevant topics in the research field of culturology. This article turns to the question of cross-cultural interaction on the example of medieval colonization of the maritime republics of the Apennine Peninsula. The object of this research is the economic and cultural processes of Italian expansion in the XIII–XV centuries. The subject is the commercial practices of the merchants, specifically from the republics Amalfi, Genoa, Venice, Pisa, and Florence. The goal of this article consists in the analysis of operations and practices introduced into the European economy from the culturological perspective. The leading methodological vector relies on the theory of cultural transfer developed by the French researcher Michel Espagne. It is established that that a range of economic and cultural phenomena is the product of cultural transfer. The application of M. Espagne’s theory of cultural transfer to the analysis of the phenomenon of Italian colonization is carried out for the first time, which defines the novelty of this work. The research results lies in the analysis of establishment of the economic and cultural phenomena, determination of cooperation of the republics of the Apennine Peninsula within the region and other European states and Arab culture, as well as the consideration of the republics of the Apennine Peninsula as trade partners, rather than competing countries alone. The provided materials can me valuable in the sphere of Mediterranean studies, for the development of cross-disciplinary scientific projects in the area of culturology and economics, as well as for profound research of Italian culture and the phenomenon of expansion of the republics of the Apennine Peninsula in the Middle Ages.

scholarly journals ANÁLISE DE CONTEÚDO E SEU USO NA PESQUISA EDUCACIONAL: um estudo em duas escolas da Rede de Educação Profissional Científica e Tecnológica

2021 ◽  
Vol 27 (2) ◽  
Author(s):  
Anselmo Paulo Pires ◽  
Maria Auxiliadora Monteiro Oliveira ◽  
Sandra Fátima Pereira Tosta
Keyword(s):  
Qualitative Research ◽  
Content Analysis ◽  
Technological Education ◽  
Social Phenomena ◽  
Quantitative Studies ◽  
Analysis Technique ◽  
French Researcher ◽  
Investigación Cualitativa ◽  
La Red

Aproximadamente desde os anos de 1980 a pesquisa de natureza qualitativa alcançou larga receptividade no Brasil, objetivandosuperar os limites dos estudos quantitativos, até então predominantes na investigação dos fenômenos sociais. Notadamente, nos campos das Ciências Humanas e Sociais, a opção pela pesquisa qualitativa evidencia os usos de metodologias como o estudo de caso, a história oral, a pesquisa participante, dentre outras. Sendo assim, este artigo tem como objetivo descrever e analisar como a técnica da Análise de Conteúdo foi utilizada em um estudo realizado entre os anos de 2014 a 2017, de acordo com os pressupostos defendidos pela pesquisadora francesa Laurence Bardin. A referência é um estudo realizado com trabalhadores-alunos do ensino noturno em duas escolas da Rede Federal de Educação Profissional, Científica e Tecnológica (RFEPCT). Este artigo se justifica, dentre outras razões, por contribuir para prover o preenchimento de lacunas teóricas e metodológicas no aspecto das análises de dados, dada a carência de produções acadêmicas que se propõem a abordar a temática com o rigor que se faz necessário.Palavras-chave: Análise de Conteúdo. Ensino noturno. Trabalhadores-alunos.ANALYSIS OF CONTENT AND ITS USE IN EDUCATIONAL RESEARCH: a study in two schools of the Network of Scientific and Technological Professional EducationAbstractApproximately since the 1980s, qualitative research has reached wide acceptance in Brazil, aimingto overcome the limits of the quantitative studies, hitherto predominant in the investigation of social phenomena. Notably, in the fields of Humanand Social Sciences, the option for qualitative research evidences the uses of methodologies such as case study, oral history, participant research, among others. Thus, this article aims to describe and analyze how the Content Analysis technique was used in a study conducted between 2014 and 2017, according to the assumptions advocated by the French researcher Laurence Bardin. The reference is a study carried out with student sworking at night in two school softhe Federal Network of Professional, Scientific and Technological Education (RFEPCT). This article is justified, amongotherreasons, by contributing to fill the theoretical and methodological areas in the data analys is aspect, given the lack of academic productions that propose to approach the subject with the necessary rigor.Keywords: Content Analysis. Night teaching. Worker-students.ANÁLISIS DE CONTENIDO Y SU USO EN LA INVESTIGACIÓN EDUCACIONAL: un estudio en dos escuelas de la Red de Educación Profesional Científica y TecnológicaResumenAproximadamente desde los años 1980, la investigación de naturaleza cualitativa alcanzó una gran receptividad en Brasil, com el objetivo de superar los límites de los estúdios cuantitativos, hasta entonces, predominantes em la investigación de los fenómenos sociales. En particular, en los campos de las Ciencias Humanas y Sociales, la opción por la investigación cualitativa, evidencia los usos de metodologías como el estudio de caso, la historia oral, la investigación participante, entre otras. Siendo así, este artículo tiene como objetivo describir y analizar cómo la técnica del Análisis de Contenido fue utilizada en un studio realizado entre los años 2014 a 2017, de acuerdo con los presupuestos defendidos por la investigadora francesa Laurence Bardin. La referencia es un studio realizado con trabajadores-alumnos de la enseñanza nocturna en dos escuelas de la Red Federal de Educación Profesional, Científica y Tecnológica (RFEPCT). Este artículo se justifica, entre otras razones, por contribuir para proveer el llenado de lacunas teóricas y metodológicas en el aspecto de los análisis de datos, dada la carencia de producciones académicas que se proponen abordar la temática con el rigor que se hace necesario.Palabras clave: Análisis de contenido. Enseñanza nocturna. Trabajadores-estudiantes. 

Etnografia de tela e semiopragmática: um diálogo entre metodologias de análise fílmica.

2021 ◽  
Author(s):  
Alfredo Taunay Colins ◽  
Morgana Gama de Lima
Keyword(s):  
Queer Theory ◽  
Relevant Information ◽  
Film Analysis ◽  
Systematic Observation ◽  
Analysis Process ◽  
Starting Point ◽  
Anthropological Research ◽  
French Researcher ◽  
The Moment ◽  
Field Systematic

The “screen ethnography” is a proposal of analysis presented by the brazilian researcher Carmen Rial (2004) based on studies in the field of anthropology and has as its starting point the changes promoted by the poststructuralist bias in the field of humanities studies, such as decolonial theories, queer theory, and many others. Its methodology proposes the application of proper procedures of anthropological research - such as the researcher’s long immersion in the field, systematic observation, field notebook registration, etc. - as a method resource in the study of media productions, including cinema. The “semio-pragmatic” is an analytical model proposed by french researcher Roger Odin (2000) inspired by the contributions of semiology/semiotics to film analysis - a structuralist method - associated with a pragmatic perspective in such way the film’ narrative is considered according to conditions available the context of its reception. As a point of convergence, the two methodological proposals emphasize the importance of context in the analytical process of films. While screen ethnography considers the context of research as relevant information to conduct filmic analysis, semio-pragmatics emphasizes the context of reception in which the viewer is inserted at the moment of exhibition. By providing a synthesis of the main characteristics and strategies of each methodological proposal, our aim in this presentation is to contribute to a reflection on the modes of context appropriation in the film analysis process and its implications that each methodological choice has on the final result of the analysis.

scholarly journals Śmierć oswojona. Topika hagiograficznej sceny umierania kilka przykładów z literatury staroserbskiej

2019 ◽  
Vol 168 ◽  
pp. 413-425
Author(s):  
Izabela Lis-Wielgosz
Keyword(s):  
Old Age ◽  
Positive Attitude ◽  
Human Life ◽  
Modus Operandi ◽  
Imitatio Christi ◽  
Falling Asleep ◽  
French Researcher ◽  
Specific Scheme ◽  
The Moment ◽  
Point Of Departure

Familiarized death: The topoi of hagiographical dying scenes selected examples from Old Serbian literatureThe notion of familiarized death, introduced by the French researcher Philip Ariés in order to characterize the approach to the end of human life that was common in ancient culture, serves as the point of departure for considerations regarding hagiographical scenes of dying. This approach, adopted by people of the medii aevi, maintained a positive attitude towards the fundamental event of death. In this article, the structure and topics of hagiographical scenes of death are elaborated on, using examples from Old Serbian literature, in which the discussed problem is revealed in the adaptation context as an implementation of orders inscribed in the ancient textbooks of good dying — artes bene moriendi. The literary scene of death is, therefore, analysed with reference to a specific scheme. Its components constitute a series of common points of narrative, and contain a self-evident imperative of Christ’s imitation imitatio Christi, assuming such obligatory practices as prayer oratio, call clamatio, and cry ploratio that are to lead up to the moment of commending one’s soul to God commendatio, and giving up the ghost traditio. This template serves the purpose of familiarizing with elementary and characteristic ideas, conceptional constructions, and topoi, which are portrayed as the components of the whole structure along with its individual constitutive elements. It also forms the basis for the exposition of motifs acting in the hagiographical scene of death as obligatory and facultative means of conveying meanings. This eventually allows the article’s authoress to prepare a fundamental catalogue of these motifs. Due to the accepted modus operandi, the most important and frequent constructions in these literary narratives serve to describe and expose the event of death, namely, the topoi of old age, weakness, fear of infernal torture, bewailing human sinfulness, falling asleep — blessed sleep, wandering — spiritual climbing, angelic mission, etc.  Смрт припитомљена. Топика житијне сцене умирања неколико примера из старе српске књижевностиПолазна тачка је овде појам смрти припитомљене / укроћене који је увео Филип Аријес и који карактерише општи став према крају људског живота у средњем веку. Према томе о средњем веку може се рећи да је раздобље „припитомљене смрти”, онда је човек живео у стању духовне помирености са одласком са овог света. Средњовековни човек је био присан са смрћу, јер ју је прихватао као природни поредак, потчињавао се закону врсте и веровао је у спасење на оном свету. У раду се разматра житијна сцена смрти која је у средњовековној књижевности једна адаптација трајне схеме коју су пропагирале artes bene moriendi. Она је поновљење новозаветне слике Христове мученичке смрти, тако да се једноставно заснива на идеји imitatio Christi. Ову схему граде општа места: oratio молитва, clamatio мољење, ploratio плач, commendatio поверење i traditio предање духа. Све те канонске моменте прате одређене идеје, теме и мотиви. Дакле, у житијној сцени смрти појављују се различити топоси од којих неки су веома чести обавезни или факултативни, као су на пример топос старости, болести, слабости; топос страха од вечне муке; топос оплакивања, топос уснућа – блаженог сна; топос путовања – душевне лествице; топос анђела Божијег, топос светла итд. Сви су они својеврсни предоџбени носиоци и оруђа, начини мирења човека са смрћу у средњем веку. Тако у раду је направљен један каталог најважнијих и најчешће присутних топоса у житијној нарацији о одласку са овог света.

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