The Sun-Cult in Ancient Egypt

Nature ◽  
1923 ◽  
Vol 111 (2790) ◽  
pp. 536-540
Author(s):  
AYLWARD M. BLACKMAN
Keyword(s):  
Abusir ◽  
2017 ◽  
Author(s):  
Miroslav Verner
Keyword(s):  
The Sun ◽  

This chapter examines the influence of the town of Heliopolis—the center of the sun cult in Egypt—on the foundation and development of the royal cemetery in Abusir. It begins with an overview of the history and meaning of the sun cult in ancient Egypt, showing that sun worship in the Nile Valley can be traced to prehistory. It then describes some pyramid complexes built in ancient Heliopolis, including the pyramid complex of Sahure, and the decline of the Abusir necropolis. It also discusses the decline of the Fourth Dynasty and the rise of the Fifth Dynasty; the mystery surrounding three royal mothers, all named Khentkaus; the papyri as fragmentary records of the Abusir pyramid temple administration and economy; Ptashshepses, the vizier and son-in-law of Nyuserre; and the funerary cult of the kings buried at Abusir. The chapter concludes with an assessment of sun temples of the Fifth Dynasty kings.


1982 ◽  
Vol 37 (135) ◽  
pp. 47
Author(s):  
M. L. Wilson ◽  
R. David
Keyword(s):  

Author(s):  
Joachim Friedrich Quack

The five visible planets are certainly attested to in Egyptian sources from about 2000 bce. The three outer ones are religiously connected with the falcon-headed god Horus, Venus with his father Osiris, and Mercury with Seth, the brother and murderer of Osiris. Clear attestations of the planets are largely limited to decoration programs covering the whole night sky. There are a number of passages in religious texts where planets may be mentioned, but many of them are uncertain because the names given to the planets are for most of them not specific enough to exclude other interpretations. There may have been a few treatises giving a more detailed religious interpretation of the planets and their behavior, but they are badly preserved and hardly understandable in the details. In the Late Period, probably under Mesopotamian influence, the sequence of the planets as well as their religious associations could change; at least one source links Saturn with the Sun god, Mars with Miysis, Mercury with Thot, Venus with Horus, son of Isis, and Jupiter with Amun, arranging the planets with those considered negative in astrology first, separated from the positive ones by the vacillating Mercury. Late monuments depicting the zodiac place the planets in positions which are considered important in astrology, especially the houses or the place of maximum power (hypsoma; i.e., “exaltation”). Probably under Babylonian influence, in the Greco-Roman Period mathematical models for calculating the positions and phases of the planets arose. These were used for calculating horoscopes, of which a number in demotic Egyptian are attested. There are also astrological treatises (most still unpublished) in the Egyptian language which indicate the relevance of planets for forecasts, especially for the fate of individuals born under a certain constellation, but also for events important for the king and the country in general; they could be relevant also for enterprises begun at a certain date. There is some reception of supposedly or actually specific Egyptian planet sequences, names and religious associations in Greek sources.


Arts ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 51
Author(s):  
Branko F. van Oppen de Ruiter

The popular yet demonic guardian of ancient Egypt, Bes, combines dwarfish and leonine features, and embodies opposing traits such as a fierce and gentle demeanor, a hideous and comical appearance, serious and humorous roles, an animalistic and numinous nature. Drawing connections with similarly stunted figures, great and small cats, sacred cows, baboons, demonic monsters, universal gods and infant deities, this article will focus on the animalistic associations of the Bes figure to illustrate that this leonine dwarf encompassed a wider religious significance than apotropaic and regenerative functions alone. Bes was thought to come from afar but was always close; the leonine dwarf guarded the sun god Ra along the diurnal solar circuit; the figure protected pregnant women and newborn children; it was a dancer and musician; the figure belonged to the company of magical monsters of hybrid appearance as averter of evil and sword-wielding fighter. Exploring the human and animal, demonic and numinous aspects of this leonine dwarf will not only further our understanding of its nature and function, but also its significance and popularity.


Author(s):  
N. B. Gubergrits ◽  
N. V. Byelyayeva ◽  
K. Y. Linevska

The Egyptian concept of medicine was complex and related to a widespread religious belief that combined the worship of gods and the medical arts. The healing properties of food, and especially mother’s milk, were well‑known and endowed with divine qualities. Half‑female‑half‑cow Hathor was usually depicted with cow horns and the sun between them. Since medicine and magic were tightly linked, the omens, facts, conscious and unconscious assumptions merged with a mystical mosaic that formed a volatile but honorable system that is currently regarded as a medical art. Supernatural powers were taken into account, and the meaning of art was associated with the powers attributed to the deities. Despite their obvious social and religious‑political experience, the Egyptians had limited knowledge of the internal structure of human body, paying considerable attention to magic, mysticism and afterlife. They deeply believed that most of the diseases originated in the intestines due to their «contaminated» contents. The main problem in understanding diseases and developing their treatment in ancient Egypt was the restrictions associated with the prohibition of body’s desecration. This was based on the assumption that if the shape of the body is not preserved at the time of resurrection, the soul can be lost in void. Thus, the ancient Egyptians were especially concerned with the preservation of body, believing that desecration by animals or worms could also lead to the complete loss of remains for the soul. In the society of Ancient Rome, illuminated only by the flame of fire and the thirst for knowledge, the enjoyment of food and the continuation of the family were of great importance. Unsurprisingly, the ancients respected the sensations of eating. Thus, such exquisite dishes as lark tongue, black caviar, ostrich brain, Falernian wines at the time of Emperor Heliogabalus evoked a unique complex of sensations during eating. Examples of ancient Roman medical tools, including mirrors, found in the house of a surgeon from Pompeii (72 — 62 BC), prove the early tendency to visualize human insides. The qualification of the ancient masters of medical tools is confirmed by the fact that the principles used two thousand years ago have changed slightly. Thus, there were initial concepts of nutrition, digestion, diseases of the digestive tract, and even the rudiments of diagnosing these diseases in Ancient Egypt and Ancient Rome. They served as the basis for the further development of gastroenterological science.  


Author(s):  
Joachim Friedrich Quack

This chapter studies Egyptian astronomy based on the very few surviving texts. The Egyptian calendar was purely solar, unlike most ancient calendars. The oldest astronomical monuments from Egypt are the star clocks, mainly on the interior of coffin lids from the Eleventh and Twelfth Dynasties. They divide the year into 36 ten-day intervals (decades), each with 12 stars, to mark the hours of the night for religious purposes. The major text of Egyptian astronomy is the Book of Nut, the sky goddess, which describes the behavior of the sun, moon, and especially fixed stars, as well as shadow clocks and water clocks. The Egyptian constellations were fundamentally different from ours (based on Mesopotamian and Greek myths), with Osiris (our Orion), Seth (our Big Dipper), and Sirius playing a prominent role, plus the Ship, the Sheep, and the Two Tortoises. Late Egyptian astronomy borrows some techniques from Mesopotamian astronomy. In the Greco-Roman period, Egyptian astronomy borrows elements from Greco-Roman astronomy.


Nature ◽  
1923 ◽  
Vol 111 (2789) ◽  
pp. 499-502
Author(s):  
AYLWARD M. BLACKMAN
Keyword(s):  

2019 ◽  
pp. 32-41
Author(s):  
Nicolai L. Pavlov

The regularities of constructing crucial architectural forms are shown based on the architecture of Ancient Egypt, Western Europe, and Russia: obelisks, pyramids, statues, tents, and spires. It is shown that the source of projection for these and some other architectural forms was the Sun 1 or its image in the shape of a golden ball. The sun ray is serving as a tool for solar elevation.


2021 ◽  
pp. 100-106
Author(s):  
Nikolay L. Pavlov

Using the example of a number of cultural traditions, the author considers a construction of the temple structure along a rising sun ray. There are two main types of temples built according to the rising sun ray: the temples oriented towards the sunrise by their sanctuaries, and the temples oriented towards the sunrise by the entrance portal. Examples of such a construction are given for the temples of Ancient Egypt, Ancient Greece, Orthodox and Catholic Christianity, Hinduism and Shintoism. The first type of temple in Ancient Egypt is shown to represent the birth of the sun in its sanctuary. In Christianity, this type of temple represents a ray of the sun entering the temple from an apse window – from the God depicted there. The second type of temples in Ancient Egypt represents the revival of image of the pharaoh-god located in his sanctuary, with the rising sun ray. In the ancient tradition, this type of temple represents the meeting of the rising sun over the large pre-temple altar, along with a statue of a deity in the depths of the sanctuary. It is shown that the main cathedral of Catholic Christianity, St. Peter’s Cathedral in Rome, is oriented towards sunrise not according to Christian, but according to ancient tradition. In the Hindu Shaiva tradition, the meeting of the rising sun in front of the temple portal is associated with penetration of its ray into the sanctuary and the highlighting of the statue or the main attribute of the god. In the Shinto tradition, the ascendant is presented in a special portal. The welcoming sacrifice takes place on the pre-temple altar. In general, the paper deals with the semantic, spatial, decorative, and ritual aspects of the construction performed of both types of temples.


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