A Guide to the Antiquities of the Bronze Age in the Department of British and Mediaeval Antiquities, British Museum

Nature ◽  
1904 ◽  
Vol 69 (1800) ◽  
pp. 605-605
1987 ◽  
Vol 107 ◽  
pp. 182-182
Author(s):  
Reynold Higgins

A recent discovery on the island of Aegina by Professor H. Walter (University of Salzburg) throws a new light on the origins of the so-called Aegina Treasure in the British Museum.In 1982 the Austrians were excavating the Bronze Age settlement on Cape Kolonna, to the north-west of Aegina town. Immediately to the east of the ruined Temple of Apollo, and close to the South Gate of the prehistoric Lower Town, they found an unrobbed shaft grave containing the burial of a warrior. The gravegoods (now exhibited in the splendid new Museum on the Kolonna site) included a bronze sword with a gold and ivory hilt, three bronze daggers, one with gold fittings, a bronze spear-head, arrowheads of obsidian, boar's tusks from a helmet, and fragments of a gold diadem (plate Va). The grave also contained Middle Minoan, Middle Cycladic, and Middle Helladic (Mattpainted) pottery. The pottery and the location of the grave in association with the ‘Ninth City’ combine to give a date for the burial of about 1700 BC; and the richness of the grave-goods would suggest that the dead man was a king.


1987 ◽  
Vol 82 ◽  
pp. 85-94 ◽  
Author(s):  
Sinclair Hood

Four letters written in 1879, 1880, and 1884, by Thomas B. Sandwith, the British Consul in Crete, to the British Museum throw light on the early history of the site of the Bronze Age palace at Knossos. The first of these letters (1879) contains a brief eyewitness account of the excavations of Minos Kalokairinos there in the winter of 1878–9 and urges the British Museum to continue his work. The two later letters (1884) deal with his gift of a pithos from the palace excavations to the Museum. The letters also refer to clandestine excavations in the Sanctuary of Demeter at Knossos.


2014 ◽  
Vol 109 ◽  
pp. 97-110
Author(s):  
Nicoletta Momigliano ◽  
Laura Phillips ◽  
Michela Spataro ◽  
Nigel Meeks ◽  
Andrew Meek

This article presents the curatorial context of a newly discovered fragment of Minoan faience, now in the Bristol City Museum and Art Gallery (BCMAG), and the technological study conducted on this piece at the British Museum. It also discusses the British Museum study of comparable fragments, now in the Ashmolean Museum, belonging to the Town Mosaic from Knossos, an important and unique find brought to light during Sir Arthur Evans's excavations of the ‘Palace of Minos’ at the beginning of the twentieth century. Both the stylistic study and the analytical results suggest that the Bristol fragment is genuine, and most likely belonged to the Town Mosaic. The Bristol piece does not possess features that can advance our understanding of Crete in the Bronze Age, but its curious biography adds something to the history of collecting and the history of archaeology.


1928 ◽  
Vol 48 (1) ◽  
pp. 64-74
Author(s):  
H. R. Hall

In my forthcoming publication of the Rhind Lectures, 1923, on The Civilization of Greece in the Bronze Age I have briefly referred (pp. 225–6) to the remarkable discovery by Dr. Walter Andrae for the Deutsche Orient Gesellschaft, at Ḳala'at Sharḳat, the site of the ancient Assyrian city of Ashur, on the Tigris, of a series of objects in fayence not only of precisely the same type as the remarkable fayence vases and other objects found by the British Museum excavators at Enkomi and Maroni in Cyprus, but some of them, one would think, made by the same hand. These Assyrian objects were among those brought back to England from Mesopotamia after the war, and finally assigned to the British Museum, when eventually a division-was made of the whole between London and Berlin. Before this division was effected I had recognized these particular fayence objects as the counterparts of those already in the British Museum from Enkomi, and Dr. Andrae and I, after I had pointed out the fact to him on a visit made by him to London, agreed that we should publish them separately, he as their discoverer in their context in his full publication of his finds, I in order to emphasize their identity with the Enkomi finds and their Minoan character.


Archaeologia ◽  
1920 ◽  
Vol 69 ◽  
pp. 1-30 ◽  
Author(s):  
Reginald A. Smith

Mr. Thomas Layton died on 4th September 1911 at the advanced age of ninety-two years, having been a Fellow of this Society since 1868. He had contributed to the Bronze Age Exhibition at Somerset House in 1872, and in 1883 gave a remarkable Roman sword and sheath (fig. 25) to the British Museum; but otherwise his energies were devoted to collecting, unhappily with little method or discretion, and the task of carrying out the terms of his will was anything but a formality. Most of his antiquities came to light during dredging operations in the Thames at Kew, where he resided, and these were left to the Brentford Public Library as the nucleus of a Layton museum. The Librarian, Mr. F. A. Turner, has cleaned, sorted, and exhibited the specimens with infinite pains and considerable success; and it is to him and the Brentford Library Committee that we are indebted for the present exhibition and for permission to examine and describe the principal items of the collection.


Radiocarbon ◽  
1992 ◽  
Vol 34 (3) ◽  
pp. 916-927 ◽  
Author(s):  
Janet Ambers ◽  
Sheridan Bowman ◽  
Alex Gibson ◽  
Ian Kinnes

The beginning of the Bronze Age in the British Isles has traditionally been marked by the appearance, in the archaeological record, of Beaker assemblages, mainly characterized by the Beaker pottery form itself. Ceramic typologies based on this style, which is undoubtedly continental in origin, have been used both for relative dating and as evidence of the social and economic developments of the period. Systematic radiocarbon dating has been attempted for the continental European Beaker material (Lanting, Mook & van der Waals 1973), but no such program has been carried out on British material. An examination of the existing radiocarbon results for the British Beakers showed many to be flawed in some way, particularly in the use of materials, such as mature wood, where there is no a priori reason for assuming a direct relationship between sample death and context. An attempt has been made at the British Museum to test the validity of archaeologically derived chronologies for the Beaker pottery of the British Isles. This involved analysis of a group of carefully selected human bone samples from Beaker burials, where there is a known direct association between ceramic usage and the cessation of carbon exchange. Twenty such samples have been identified and measured. The results presented here, combined with other previously produced determinations, show no obvious relationship between pottery style and calendar date of deposition.


1987 ◽  
Vol 107 ◽  
pp. 182-187 ◽  
Author(s):  
A. J. Holladay

A recent discovery on the island of Aegina by Professor H. Walter (University of Salzburg) throws a new light on the origins of the so-called Aegina Treasure in the British Museum.In 1982 the Austrians were excavating the Bronze Age settlement on Cape Kolonna, to the north-west of Aegina town. Immediately to the east of the ruined Temple of Apollo, and close to the South Gate of the prehistoric Lower Town, they found an unrobbed shaft grave containing the burial of a warrior. The gravegoods (now exhibited in the splendid new Museum on the Kolonna site) included a bronze sword with a gold and ivory hilt, three bronze daggers, one with gold fittings, a bronze spear-head, arrowheads of obsidian, boar's tusks from a helmet, and fragments of a gold diadem (plate Va). The grave also contained Middle Minoan, Middle Cycladic, and Middle Helladic (Mattpainted) pottery. The pottery and the location of the grave in association with the ‘Ninth City’ combine to give a date for the burial of about 1700 BC; and the richness of the grave-goods would suggest that the dead man was a king.


Archaeologia ◽  
1955 ◽  
Vol 96 ◽  
pp. 159-195 ◽  
Author(s):  
Vera I. Evison

The various objects listed below were found in the course of commercial digging for sand and gravel in the large pit about half-way between Rainham and Up-minister in Essex (see figs, 1 and 2), on the opposite side of the road to Gerpins Farm. In 1937 Mr. George Carter, a local Public Health official, heard that archaeological finds were being made, and purchased a number of objects from the workmen. He brought these to the attention of Mr. (now Sir Thomas) Kendrick at the British Museum, who identified the objects and arranged for an exhibition of the collection at the Museum. At this time, too, Sir Thomas took photographs, some of which are published here. It is solely to this prompt and accurate recording that we owe our knowledge of the Bronze Age beaker and the gold coin pendant, for these are now missing. Mr. Carter presented the collection to the Borough of Dagenham, to be kept in the museum of local history being assembled at Valence House. There is no record of the gold pendant ever being housed there, however, and the present Librarian, Mr. J. O';Leary, has no knowledge of it. The Bronze Age beaker was stolen. The collection is otherwise intact, with the exception of a certain amount of deterioration in the condition of some of the iron objects.


1934 ◽  
Vol 7 (3) ◽  
pp. 289-322 ◽  
Author(s):  
L'Abbe Henri Breuil

I must first of all thank you, and more especially Professor Childe and Mr. Maynard, as colleagues and fellow-workers in the research of Prehistoric Man, for the special honour you have paid to my labours, by appointing me your President for this year. I owe, I think, this exceptional mark of esteem to the many personal friends I have amongst you and to the fact that you are particularly alive to the attention with which I have tried to follow the valiant efforts of many of you, and to absorb on the actual sites the unusually important stratigraphical facts which these efforts have helped to bring to light.It was in 1898 that I came for the first time to your island, to study the Bronze Age of France at Nashmills, the home of your great fore runner, John Evans, one of the three English savants who gave their allegiance to Boucher de Perthes.I came back again in 1904 to study the Bruniquel collection at the British Museum, where Charles Reid and Reginald Smith gave me a generous welcome. Haddon and Henry Balfour, by their small but very instructive books on the evolution of primitive art, opened for me hitherto unsuspected vistas on the ornamental art of the Reindeer Age. It is to them that I owe my introduction in 1912, to Miles Burkitt, whom I took with me when he was quite young on my Spanish explorations and excavations, and who is now one of your masters.


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