scholarly journals Interaction between musical and poetic form affects song popularity: The case of the Genevan Psalter.

2018 ◽  
Vol 28 (3) ◽  
pp. 127-151
Author(s):  
Yke Schotanus ◽  
Hendrik Vincent Koops ◽  
Judy Reed Edworthy
Keyword(s):  
Poetic Form ◽  
Genevan Psalter

The Cambridge Introduction to Poetic Form

2012 ◽  
Author(s):  
Michael D. Hurley ◽  
Michael ONeill
Keyword(s):  
Poetic Form

The Roman de Troie by Benoît de Sainte- Maure: A Translation. Translated by Glyn S. Burgess, Douglas Kelly. Woodbridge, UK, and Rochester, NY: D. S. Brewer, 2017. Gallica, 41. 486 pp.

Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 394-396
Author(s):  
Raymond J. Cormier
Keyword(s):  
Middle Ages ◽  
British History ◽  
Geoffrey Of Monmouth ◽  
Poetic Form ◽  
Trojan War ◽  
Roman De Troie ◽  
History Of ◽  
Extensive Introduction ◽  
Roman De Brut ◽  
Roman De Thebes

In his Roman de Brut (1155), the Norman Robert Wace of Caen recounts the founding of Britain by Brutus of Troy to the end of legendary British history, while adapting freely the History of the Kings of Britain (1136) by Geoffrey of Monmouth. Wace’s Brut inaugurated a new genre, at least in part, commonly known as the “romances of antiquity” (romans d'antiquité). The Roman de Troie by Benoît de Sainte-Maure, dating to around 1165, is, along with the Roman de Thèbes and the Roman d’Énéas, one of the three such romances dealing with themes from antiquity. These creations initiated the subjects, plots and structures of the genre, which subsequently flowered under authors such as Chrétien de Troyes. As an account of the Trojan War, Benoît’s version of necessity deals with war and its causes, how it was fought and what its ultimate consequences were for the combatants. How to explain its success? The author chose the standard and successful poetic form of the era—octosyllabic rhyming couplets; he was fond of extended descriptions; he could easily recount the intensity of personal struggles; and, above all he was fascinated by the trials and tribulations of love, a passion that affects several prominent warriors (among them Paris and his love for Helen, and Troilus and his affection for Briseida). All these elements combined to contour this romance in which events from the High Middle Ages were presented as a likeness of the poet’s own feudal and courtly spheres. This long-awaited new translation, the first into English, is accompanied by an extensive introduction and six-page outline of the work; two appendices (on common words, and a list of known Troie manuscripts); nearly twenty pages of bibliography; plus exhaustive indices of personal and geographical names and notes. As the two senior scholars assert (p. 3), By translating Benoît’s entire poem we seek to contribute to a greater appreciation of its composition and subject-matter, and thus to make available to a modern audience what medieval readers and audiences knew and appreciated.

Ted Berrigan’s Stanzaic Spaces

2018 ◽  
Author(s):  
Yasmine Shamma
Keyword(s):  
New York ◽  
Second Generation ◽  
John Donne ◽  
New York School ◽  
Poetic Form ◽  
Verse Form

After suggesting (and agreeing) that Berrigan led the Second Generation New York School, this chapter treats the actual forms of Berrigan’s poems, focusing on his sonnets to show that these poets interpret poems as spaces in which to recreate rooms. Berrigan, perhaps more obviously than any other New York School poet, took deliberate steps towards integrating aspects of traditional poetic verse form: Where John Donne encouraged: “We’ll build in sonnets pretty rooms,” Berrigan retorts (repeated throughout his Sonnets): “Is there room in the room that you room in?” riddling the form with domestic, urban and aesthetic complications. Berrigan explained to an interviewer: “I always thought of each one of my poems, like the sonnets, as being a room. And before that, I used to think of each stanza as being a room.” Accordingly, this chapter examines Berrigan’s stanzas as rooms, arguing that this responsive poetic form functions organically.

Fulke Greville and the Culture of the English Renaissance

2018 ◽  
Keyword(s):  
Ottoman Empire ◽  
Political Power ◽  
Sir Philip Sidney ◽  
English Renaissance ◽  
Poetic Form ◽  
Religious Thought ◽  
Diverse Range ◽  
Stuart Period ◽  
The Status ◽  
Fulke Greville

This book intends to provide a comprehensive reappraisal of the work of the Renaissance poet and politician Sir Fulke Greville, whose political career stretched from the heyday of the Elizabethan age into the Stuart period. While Greville’s literary achievements have traditionally been overshadowed by those of his more famous friend Sir Philip Sidney, his oeuvre comprises a highly diverse range of works of striking force and originality, comprising a sonnet sequence, a biography of Sir Philip Sidney, a series of philosophical treatises, and two closet dramas set in the Ottoman Empire. The essays gathered in this volume investigate the intersections between poetics, poetic form, and political and religious thought in Greville’s work, arguing how they participate in all of the most important debates of the post-Reformation period, such as the nature of grace and the status of evil; the exercise of sovereignty and scope and limits of political power; and the nature of civil and religious idolatry. They examine Greville’s career as a courtier and patron, and foreground both his own concerns with the posthumous life of authors and their works, and his continuing importance during the Interregnum and Restoration periods.

Poetic Form in Blake's Milton. Susan Fox.

1977 ◽  
Vol 8 (3) ◽  
pp. 233-236
Author(s):  
Donald Wesling
Keyword(s):  
Poetic Form
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