"Education and the 'woman question'": Erratum.

During a debate on the franchise reform bill in the Austrian Reichsrat on 12 September 1906, the Czech National Socialist Party deputy Václav Choc demanded that suffrage be extended to women as well as men. Otherwise, Choc asserted, the women of Austria would be consigned to the same status as “criminals and children.” Choc was certainly not the only Austrian parliamentarian to voice his support for votes for women during the debates on franchise reform. However, his party, the most radical of all the Czech nationalist political factions, was unique in that it not only included women's suffrage in its official program, as the Social Democrats had done a decade earlier, but also worked hard to change the political status of women in the Monarchy while the Social Democrats generally paid only lip service to this goal. Moreover, Choc and his colleagues in the National Socialist Party helped change the terms of the debate about women's rights by explicitly linking the “woman question” to the “national question” in ways entirely different from the prevailing discourse of liberalism infin-de-siècleAustria. In the last decades of the nineteenth century, liberal reformers, whether German or Czech, tried to mold the participation of women in political life to fit the liberal view of a woman's “proper” role in society. By contrast, the radical nationalists who rose to prominence in Czech political culture only after 1900, attempted to recast the debate over women's rights as central to their two-pronged discourse of social and national emancipation, while at the same time pressing for the complete democratization of Czech political life at all levels, not merely in the imperial parliament. In so doing, and with the active but often necessarily covert collaboration of women associated with the party, these radical nationalists helped extend the parameters of the debate over the place Czech women had in the larger national society.

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Framing Anna Karenina: Tolstoy, the Woman Question, and the Victorian Novel. By Amy Mandelker. Columbus: Ohio State University Press, 1993. xv, 241 pp. Illustrations. Bibliography. Index. Hard bound.

Slavic Review ◽

10.2307/2500909 ◽

1994 ◽

Vol 53 (4) ◽

pp. 1190-1192

Author(s):

Dale E. Peterson

Keyword(s):

Victorian Novel ◽

Ohio State University ◽

Woman Question ◽

State University ◽

Anna Karenina

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Science corrupted: Victorian biologists consider ?The Woman Question?

Journal of the History of Biology ◽

10.1007/bf00127770 ◽

1978 ◽

Vol 11 (1) ◽

pp. 1-55 ◽

Cited By ~ 14

Keyword(s):

Woman Question

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Women, Writing and the Iraqi Ba'thist State

10.3366/edinburgh/9781474441759.001.0001 ◽

2020 ◽

Author(s):

Hawraa Al-Hassan

Keyword(s):

Cultural History ◽

The State ◽

Woman Question ◽

The Novel ◽

Cultural Resistance ◽

Cultural Revival ◽

Counter Narratives ◽

History Of ◽

A Site ◽

Material Form

The book examines the trajectory of the state sponsored novel in Iraq and considers the ways in which explicitly political and/or ideological texts functioned as resistive counter narratives. It argues that both the novel and ‘progressive’ discourses on women were used as markers of Iraq’s cultural revival under the Ba‘th and were a key element in the state’s propaganda campaign within Iraq and abroad. In an effort to expand its readership and increase support for its pan-Arab project, the Iraqi Ba‘th almost completely eradicated illiteracy among women. As Iraq was metaphorically transformed into a ‘female’, through its nationalist trope, women writers simultaneously found opportunities and faced obstacles from the state, as the ‘Woman Question’ became a site of contention between those who would advocate the progressiveness of the Ba‘th and those who would stress its repressiveness and immorality. By exploring discourses on gender in both propaganda and high art fictional writings by Iraqis, this book offers an alternative narrative of the literary and cultural history of Iraq. It ultimately expands the idea of cultural resistance beyond the modern/traditional, progressive/backward paradigms that characterise discourses on Arab women and the state, and argues that resistance is embedded in the material form of texts as much as their content or ideological message.

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