Beyond the Ethnic-Civic Dichotomy: Cultural Citizenship as a New Way of Excluding Immigrants

2011 ◽  
Author(s):  
Arjan Reijerse ◽  
Kaat Van Acker ◽  
Norbert Vanbeselaere ◽  
Bart duriez
Keyword(s):  
Cultural Citizenship

Young Muslim America

2018 ◽  
Author(s):  
Muna Ali
Keyword(s):  
Public Discourse ◽  
Participant Observation ◽  
Cultural Citizenship ◽  
Ethnographic Study ◽  
Muslim American ◽  
Daily Lives ◽  
Community Culture ◽  
Identity Studies ◽  
Anthropology Of Islam ◽  
Dominant Narratives

This book explores the identities, perspectives, and roles of the second and subsequent generations of Muslim Americans of both immigrant and convert backgrounds. As these younger Muslims come of age, and as distant as they are from historical processes that shaped their parents’ generations, how do they view themselves and each other? What role do they play in the current chapter of Islam in a post-9/11 America? Will they be able to cross intra-community divides and play a pivotal role in shaping their community? Culture figures prominently in the discussions about and among Muslims and is centered on four dominant narratives: 1) culture is thought to be the underlying cause of an alleged “identity crisis,” 2) it presumably contaminates a “pure/true” Islam, 3) it is the cause for all that divides Muslim American immigrants and converts, which could be remedied by creating an American Muslim community and culture, and 4) some Americans fear an “Islamization of America” through a Muslim cultural takeover. In this ethnographic study, Muna Ali explores these questions through these four dominant narratives, which are both part of the public discourse and themes that emerged from interviews, a survey, social and traditional media, and participant observation. Situating these questions and narratives in identity studies in a pluralistic yet racialized society, as well as in the anthropology of Islam and in the process and meaning of cultural citizenship, Ali examines how younger Muslims see themselves and their community, how they negotiate fault lines of ethnicity, race, class, gender, and religious interpretation within their communities, and how their faith informs their daily lives and how they envision a future for themselves in post-911 America.

scholarly journals What is Safe? Cultural Citizenship, Visual Culture and Risk

2005 ◽  
Vol 10 (2) ◽  
pp. 157-166 ◽  
Author(s):  
Nick Stevenson
Keyword(s):  
Visual Culture ◽  
Consumer Culture ◽  
Cultural Citizenship ◽  
Risk Society ◽  
Commercial Culture ◽  
Ecological Citizenship ◽  
Contemporary Media

Questions of cultural citizenship and risk have become central to contemporary sociological debates. This paper seeks to relate these concerns to a discussion of ecological citizenship and questions of visual and commercial culture. In the first section, I argue that ecological citizenship needs to avoid a moralistic rejection of the pleasures of contemporary visual and consumer culture. Such a possibility I argue has become evident in recent debates on the risk society. However, I argue despite Beck's realisation that questions of risk become defined through contemporary media his analysis remains overly distant from more everyday understandings. In order to address this question, I seek to demonstrate how an interpretative understanding of visual culture (in this case the 1995 film Safe) might help us develop more complex understandings of the competing cultures of risk and citizenship.

scholarly journals Mediating Influences: Problematising facilitated digital self-representation

2014 ◽  
Vol 1 (1) ◽  
Author(s):  
Sonja Vivienne
Keyword(s):  
Social Change ◽  
Digital Technology ◽  
Digital Storytelling ◽  
Cultural Citizenship ◽  
Authentic Self ◽  
Face To Face ◽  
Exemplary Model

While Digital Storytelling has been lauded as an exemplary model of participatory cultural citizenship (particularly in initiatives for and with marginalised people), many mediating influences make ‘authentic’ self-representation far from straightforward. In this article, I consider some of these mediating influences, from both theoretical and practical perspectives, and underline their regulatory and constitutive nature. While some of these mediating influences are timeworn and pre-date digital technology, others are perpetuated and ampli- fied, as is the case in networked personal storytelling disseminated online. I draw on some well-established strategies derived from anthropology and narrative practices to propose a new purpose for old tools. These tools support the nuanced and sensitive facilitation of both face-to-face and online Digital Storytelling workshops as well as the curation of web spaces in which they eventually circulate. I argue that making complex mediating influences visible to participants affords redress of the inherent social and technical privileges of institutions, facilitators and platforms. Finally, I consider the implications of these strategies for voice, marginalised identity, cultural citizenship and social change.

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