Ernest Hemingway's World War I short stories: PTSD, the writer as witness, and the creation of intersubjective community.

2013 ◽  
Vol 30 (1) ◽  
pp. 92-101
Author(s):  
Henry M. Seiden ◽  
Mark Seiden
Author(s):  
David A. Rennie

Perhaps more than any author, Stallings exemplified the multimedia and collaborative nature of World War I writing in America. Following his bitter anti-war novel Plumes, Stallings co-authored the popular play What Price Glory with Maxwell Anderson, which led to Stallings’s involvement in The Big Parade—one of the most lucrative films of the silent era—and a film adaptation of What Price Glory As well as his diversity of representational forms, Stallings’s war writing was marked by an increasingly positive attitude to warfare, which emerged in his later short stories and his World War I history, The Doughboys.


Author(s):  
S. Slonim

The roots of the South West Africa dispute relate back to the events that took place at the end of World War I and led to the creation of the League of Nations mandates system. More particularly, the conflict between the United Nations and South Africa cannot be understood except by tracing the manner in which South West Africa became a part of that system. The “great compromise” hammered out by President Wilson and the Dominion ministers at the Paris Peace Conference in 1919 produced a three-tiered system of mandates which reflected in a sliding scale a varied balancing of national and international interests. The result of the compromise was a divergency of interpretation that has endured to this day and in considerable measure has fostered and sustained the dispute in its present-day dimensions.


Author(s):  
Charlie Laderman

Although the League of Nations was the first permanent organization established with the purpose of maintaining international peace, it built on the work of a series of 19th-century intergovernmental institutions. The destructiveness of World War I led American and British statesmen to champion a league as a means of maintaining postwar global order. In the United States, Woodrow Wilson followed his predecessors, Theodore Roosevelt and William Howard Taft, in advocating American membership of an international peace league, although Wilson’s vision for reforming global affairs was more radical. In Britain, public opinion had begun to coalesce in favor of a league from the outset of the war, though David Lloyd George and many of his Cabinet colleagues were initially skeptical of its benefits. However, Lloyd George was determined to establish an alliance with the United States and warmed to the league idea when Jan Christian Smuts presented a blueprint for an organization that served that end. The creation of the League was a predominantly British and American affair. Yet Wilson was unable to convince Americans to commit themselves to membership in the new organization. The Franco-British-dominated League enjoyed some early successes. Its high point was reached when Europe was infused with the “Spirit of Locarno” in the mid-1920s and the United States played an economically crucial, if politically constrained, role in advancing Continental peace. This tenuous basis for international order collapsed as a result of the economic chaos of the early 1930s, as the League proved incapable of containing the ambitions of revisionist powers in Europe and Asia. Despite its ultimate limitations as a peacekeeping body, recent scholarship has emphasized the League’s relative successes in stabilizing new states, safeguarding minorities, managing the evolution of colonies into notionally sovereign states, and policing transnational trafficking; in doing so, it paved the way for the creation of the United Nations.


2020 ◽  
Vol 97 (3) ◽  
pp. 64-85
Author(s):  
Christopher Pollock

This article explores memorials placed in San Francisco's Golden Gate Park in the aftermath of World War I, with an emphasis on those of a botanical nature. Historical, general, and local inspirations behind creation of the memorials are discussed. A detailed description of the development of the park's three memorial groves follows. Context for the creation of the memorial groves is provided through discussion of related local events. Other in-park and local memorials to those who fell in World War I are also covered.


Author(s):  
Giorgio Mariani

This chapter examines the juxtaposition of war and gender in The Backwash of War, a collection of thirteen short stories by Ellen Newbold La Motte (1873–1961) based on her experience as a volunteer nurse in Belgium at a hospital behind the French lines during World War I. La Motte's stories literally devoted to the wounds of the Great War, as well as the psychological and moral degradation caused by the conflict. Yet La Motte also acknowledges how even her own critiques, no matter how intransigent, are always at risk of feeding back into the machinery of war on both ideological and practical grounds. As a woman, she understood quite well how war discourse strategically exploits the opposition it sets up between the peaceful virtues of womanhood and the warlike instincts of masculinity by constructing the protection of the former as a license for the latter. This chapter also considers the themes of medicine and torture in The Backwash of War.


Author(s):  
Roger E. Backhouse ◽  
Bradley W. Bateman ◽  
Tamotsu Nishizawa

This chapter establishes that the British welfare state was the creation of Liberals as much as socialists. By the early twentieth century, the “New Liberalism” was moving the Liberal Party away from Gladstonian Liberalism, and the Asquith government took major steps toward a welfare state before World War I. The economists arguing for the welfare state included many Liberals, notably Alfred Marshall, J. A. Hobson, A. C. Pigou, William Beveridge, and John Maynard Keynes. British Liberalism was varied, and influential strands within it were strongly supportive of the welfare state. Beveridge and Keynes, in particular, were responsible for much of the intellectual architecture of the welfare state as it was implemented by the first postwar Labour government of Clement Attlee.


Author(s):  
Anne O. Fisher

The writing duo collectively known as "Il’f and Petrov" is best known for two early Soviet satirical novels featuring the wisecracking con artist Ostap Bender, The Twelve Chairs (Dvenadtsat’ stul’ev, 1928) and The Little Golden Calf (Zolotoi telenok, 1931). They also collaborated on screenplays, short stories, essays, novellas, newspaper columns, and an American travelogue, as well as publishing individually. Both the Russian Orthodox Petrov and the Jewish Il’f were born and raised in the cosmopolitan port city of Odessa, renowned for its humor and vibrant Jewish culture. After enduring World War I and civil war in "hungry Odessa," both moved independently to Moscow in 1923 and wrote for humorous publications, including the newspaper Gudok (The Steam Whistle) along with Petrov’s brother Valentin Kataev, Mikhail Bulgakov, and Yuri Olesha. After the success of their Bender novels, they started writing for Pravda in 1932, which sent them to travel the United States by car in the winter of 1935–6, resulting in the travelogue One-Story America (Odnoetazhnaia Amerika, 1937). Their art’s ironic quotation and ambivalent intertextuality deeply influenced Russian everyday and literary language. Il’f died in Moscow in 1937 of tuberculosis. Petrov continued to write and became a war correspondent during World War II; he died in a plane crash outside Sevastopol in 1942.


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