Review of Enhancing Human Performance: Issues, Theories, and Techniques.

1988 ◽  
Vol 33 (8) ◽  
pp. 727-728
Author(s):  
Sheldon Zedeck

This chapter looks into horizontal issues in ICT advances and discusses how the factor of human performance could help in increasing the impact of eAccessibility and assistive technologies in the future. More specifically, it revisits some of the ideas presented in earlier chapters looking at them from a different angle. The one of maximizing the audience and target group for assistive technologies through the increase in human performance, issues related with exoskeletons for working environments and dual use of assistive technology, sports as a motivator, aesthetics and fashion of prosthetics are discussed from this same perspective. Human performance could be a critical factor for the future of assistive technologies, and today's people with disabilities could become tomorrow's people with super-abilities and leaders in human performance issues.


Author(s):  
Padmakshi Parkhe O'Neil

This chapter posits the use of Thomas Gilbert's Behavior Engineering Model to improve human performance in the workplace. The author suggests that it is critical to apply a holistic approach when approaching any human performance improvement initiatives. Sales within an organization is a human performance issue and recurring sales performance problems should be addressed by delving to the root of the human performance issues at hand. It is critical to consider not just the repertoire of human behavior, but also examine the supporting environment, to ensure it provides the necessary impetus to improving performance.


2014 ◽  
Vol 20 (1) ◽  
Author(s):  
Clifton Callender

While many of Nancarrow’s Studies for Player Piano have been arranged for live human performance, the Studies that are based on irrational tempo ratios pose extreme rhythmic challenges that would seem impossible to overcome without mechanical assistance. Nonetheless, Paul Usher’s arrangement of Study 33, Canon 2: \(\sqrt{2}\), has been successfully performed and recorded by the Arditti Quartet. The purpose of this paper is to explore some of the compositional, mathematical, and performance issues involved in the approximation of irrational rhythms, concentrating on Usher’s arrangement of Study 33 in order to more fully understand and appreciate this remarkable feat.


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