The Nineteenth-Century Missionary-Translator: Reflecting on Translation Theory through the Work of François Coillard (1834–1904)

2017 ◽  
Vol 53 ◽  
pp. 376-388
Author(s):  
Esther Ruth Liu

In the discussion of the history of Christianity, the issue of translation is inevitably present, and yet the discipline of Translation Studies too often neglects the potential for insight that this rich history of translation can bring. This article seeks to reconcile these academic fields, allowing each to enlighten the other. In particular, by presenting the example of the nineteenth-century French Protestant missionary François Coillard (1834–1904) and his translation methods, the article posits colonial missionary narratives as useful not only for considering historical translation processes but also for reconsidering some of the assumptions of contemporary translation theory. By employing sources written by Coillard as well as those written about this ‘Livingstone français’, it challenges the assumptions prevalent in translation theory that the translator is invisible and that he works alone.

1996 ◽  
Vol 38 (3) ◽  
pp. 411-433 ◽  
Author(s):  
Nancy L. Green

The garment industry is a good example of the relative autonomy of academic fields. Two histories of the industry are being written simultaneously but separately. One is a history of women; the other, a history of immigrants. Two types of workers have indeed come to the sweatshops, and each have had distinct reasons for doing so. The nineteenth century saw the shift from tailormade to ready-made garments, from the (hand-held) needle to the sewing machine, from tailors and dressmakers to garment workers, and from more to less skill in the making of clothing. The ready-to-wear revolution was also accompanied by a global shift in the sewing labor force, from men to women and from natives to immigrants. The story is a complicated one, yet one which has most often been told in parallel fashion.


1996 ◽  
Vol 55 (4) ◽  
pp. 412-434
Author(s):  
Richard Witman ◽  
Richard Wittman

Félix Duban's restoration of the Château de Blois (1843-1870), one of the most ambitious and celebrated of the nineteenth century in France, has been neglected by historians more concerned with the restoration of medieval monuments and with the activity and influence of Eugène-Emmanuel Viollet-le-Duc. This study interprets some of Duban's archaeologically unjustified alterations to this complex monument in the light of the historicist architectural theory associated with Duban and the other Romantic architects Labrouste, Duc, and Vaudoyer. The château is an accretion of buildings from several centuries in a variety of styles, and Duban's restoration of the medieval segment, the Salle des États-Généraux, is shown to be particularly crucial. It emerges from this study that Duban was concerned to highlight specific, politically meaningful aspects of the long and rich history of the monument, and to illustrate the Romantics' views about the dependence of architectural style on the evolution of human society. Duban's restoration presents a sharp counterpoint to the idealist theories of restoration associated with Viollet-le-Duc, and shows that restoration could be a powerful polemical weapon. The reading presented here places the restored château in the thick of the theoretical conflicts that characterized contemporary architectural debate.


This book addresses the sounds of the Crimean War, along with the many ways nineteenth-century wartime is aurally constructed. It examines wide-ranging experiences of listeners in Britain, France, Turkey, Russia, Italy, Poland, Latvia, Daghestan, Chechnya, and Crimea, illustrating the close interplay between nineteenth-century geographies of empire and the modes by which wartime sound was archived and heard. This book covers topics including music in and around war zones, the mediation of wartime sound, the relationship between sound and violence, and the historiography of listening. Individual chapters concern sound in Leo Tolstoy’s wartime writings, and his place within cosmopolitan sensibilities; the role of the telegraph in constructing sonic imaginations in London and the Black Sea region; the absence of archives for the sounds of particular ethnic groups, and how songs preserve memories for both Crimean Tatars and Polish nationalists; the ways in which perceptions of voice rearranged the mental geographies of Baltic Russia, and undermined aspirations to national unity in Italy; Italian opera as a means of conditioning elite perceptions of Crimean battlefields; and historical frames through which to understand the diffusion of violent sounds amid everyday life. The volume engages the academic fields of musicology, ethnomusicology, history, literary studies, sound studies, and the history of the senses.


2014 ◽  
Vol 42 (4) ◽  
pp. 755-771 ◽  
Author(s):  
Richard A. Kaye

Much of the critical writingon Queer Theory and Sexuality Studies in a Victorian context over the last decade or so has been absorbing, exploring, complicating, and working under the burden of the influence of Michel Foucault's theoretical writings on erotic relations and identity. The first volume of Foucault'sThe History of Sexuality(1978), in fact, had begun with a gauntlet thrown down before Victorian Studies, a chapter-long critique of Steven Marcus'sThe Other Victorians(1966), a work that had offered an entirely new and at the time, quite bold avenue of exploring nineteenth-century culture – namely, through the pornographic imagination that Marcus taxonomized with precise, clinical flair as a “pornotopia” in which “all men . . . are always infinitely potent; all women fecundate with lust and flow inexhaustibly with sap or both. Everyone is always ready for everything” (276). In Foucault's telling, however, Marcus demonstrated a theoretically impoverished faith in Freudian models of “repression” in Marcus's examination of “underground” Victorian sexualities. It was Marcus's reliance on the “repressive fallacy,” his conviction that there existed a demarcated spatial and psychic Victorian counter-world thatThe History of Sexualityhad so forcefully undermined.


2019 ◽  
Vol 15 (1) ◽  
pp. 111-141
Author(s):  
Arthur Aritonang

“Kekristenan dan Nasionalisme di Indonesia” membahas mengenai sejarah kekristenan di Indonesia yang diasumsikan sebagai agama yang pro terhadap penjajah dari Barat namun asumsi itu tidak benar sebagai bukti ada banyak tokoh Kristen yang ikut memperjuangkan kemerdekaan Indonesia dengan didasarkan semangat nasionalisme. Kemudian pasca-kolonial Belanda kekristenan ingin menampilkan wajah baru yang sungguh-sungguh keindonesiaan dengan lahirnya organisasi DGI/PGI. Namun seiring waktu ketika berakhirnya era orde baru dan memasuki era reformasi, kekristenan dan masyarakat lainnya di Indonesia menghadapi arus gelombang yang mengatas-namakan agama yang pergerakannya cukup masif dibandingkan di era orde lama diantaranya: kelompok Islam fundamentalis yang ingin menjadikan NKRI bersyariat Islam, adanya gerakan politik transnasional HTI yang ingin menghidupkan kembali kejayaan Islam pada abad ke-6 dan faham Wahabisme yang sarat dengan kekerasan. Persoalan lainnya ialah adanya kemiskinan yang terstruktur akibat dari krisis moneter yang melanda di Indonesia tahun 1997. Melalui masalah ini, setiap agama-agama di Indonesia harus melakukan konvergensi atas dasar keprihatinan yang sama. Abstract: Christianity and Nationalism in Indonesia” discuss the history of Christianity in Indonesia, which is assumed to be a religion that is pro to Western colonialism. Still, this assumption is incorrect as evidence that many Christian figures fought for Indonesian independence based on the spirit of nationalism. Then post-colonial of Dutch, Christianity wanted to be presented a truly Indonesian face with the birth of the DGI / PGI organization. But over time when the end of the new order and entering the era of reform, Christianity and the other societies in Indonesia faced challenges in the name of religion whose movements were quite massive compared to the old order including fundamentalist Islamic groups who wanted to make the Republic of Syariat Muslim Indonesia, a transnational HTI political movement that wanted to revive the glory of Islam in the 6th century and the ideology of Wahhabism which is loaded with violence. Another problem is the existence of structured poverty due to the monetary crisis that hit Indonesia in 1997. Through this problem, every religion in Indonesia must converge on the basis of the same concerns.


Clerk Maxwell’s investigation into the constitution and stability of Saturn’s Ring was based upon the fundamental supposition that the rings were composed of particles arranged in concentric circles. Although the particles could perform small oscillations about their mean positions, it is evident that the outline of the ring would be to all appearances circular. A line in Clerke’s ‘Popular History of Astronomy in the Nineteenth Century’ (page 299) suggests that some observers have regarded the outline of the ring as elliptical. It is therefore of interest to enquire under what conditions an elliptical ring could exist. The ellipse is a more general form than a circle. If, therefore, it can be shown that an elliptic ring is possible, any explanation of the origin of the rings must take account of this fact. In this paper a single ring of particles is examined. The actual Ring of Saturn probably consists of numerous rings, one within the other. By their gravitational attraction, each will affect the motions of the others. As a first approximation, however, it is sufficient to consider the case of a single ring.


Author(s):  
Anders Lundgren

The reception of Mendeleev’s periodic system in Sweden was not a dramatic episode. The system was accepted almost without discussion, but at the same time with no exclamation marks or any other outbursts of enthusiasm. There are but a few weak short-lived critical remarks. That was all. I will argue that the acceptance of the system had no overwhelming effect on chemical practice in Sweden. At most, it strengthened its characteristics. It is actually possible to argue that chemistry in Sweden was more essential for the periodic system than the other way around. My results might therefore suggest that we perhaps have to reevaluate the role of Mendeleev’s system in the history of chemistry. Chemistry in Sweden at the end of the nineteenth century can be characterized as a classifying science, with chemists very skilled in analysis, and as mainly an atheoretical science, which treated theories at most only as hypothesis—the slogan of many chemists being “facts persist, theories vanish.” Thanks to these characteristics, by the end of the nineteenth century, chemistry in Sweden had developed into, it must be said, a rather boring chemistry. This is obviously not to say that it is boring to study such a chemistry. Rather, it gives us an example of how everyday science, a part of science too often neglected but a part that constitutes the bulk of all science done, is carried out. One purpose of this study is to see how a theory, considered to be important in the history of chemistry, influenced everyday science. One might ask what happened when a daring chemistry met a boring chemistry. What happened when a theory, which had been created by a chemist who has been described as “not a laboratory chemist,” met an atheoretical experimental science of hard laboratory work and, as was said, the establishment of facts? Furthermore, could we learn something about the role of the periodic system per se from the study of such a meeting? Mendeleev’s system has often been considered important for teaching, and his attempts to write a textbook are often taken as the initial step in the chain of thoughts that led to the periodic system.


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