Urban Scale Shifts since the Bronze Age: Upsweeps, Collapses, and Semiperipheral Development

2015 ◽  
Vol 39 (2) ◽  
pp. 175-200 ◽  
Author(s):  
Hiroko Inoue ◽  
Alexis Álvarez ◽  
Eugene N. Anderson ◽  
Andrew Owen ◽  
Rebecca Álvarez ◽  
...  

This is a study of the growth and decline of cities for the purpose of identifying those events in which they significantly increased in size. Significant changes in the scale of cities are important for understanding the long-term trend toward more complex and hierarchical human societies. We report the results of an inventory of cycles, upsweeps, and collapses of settlements in five separate interpolity systems. Upsweeps are instances in which the largest settlement in a world system significantly increases in size. Collapses occur when the size of the largest settlement greatly decreases and stays down for a significant period of time rather than rebounding. We use regional interpolity systems (world systems) rather than single polities or settlements as our unit of analysis. Because the accurate designation of sweeps requires interval scale measures, we are limited to those regions and time periods for which quantitative estimates of largest settlement sizes are regularly available. We find a total of 18 upsweeps and five downsweeps, and only two instances of prolonged systemwide settlement collapse. We also investigate whether or not the rate of cycles has increased over the long run, and we find that cycles of city growth and decline have not accelerated. We also find a greater rate of urban cycles in the Western (Central) System than in the East Asian System, which supports the usual notion that the Western city system was less stable than the Eastern city system.

Author(s):  
Joakim Goldhahn

This chapter offers a long-term perspective on rock art in northern Europe. It first provides an overview of research on the rock art traditions of northern Europe before discussing the societies and cultures that created such traditions. It then considers examples of rock art made by hunter-gatherer societies in northern Europe, focusing on the first rock art boom related to Neolithization. It also examines the second rock art boom, which was associated with social and religious changes within farming communities that took place around 1600–1400 bc. The chapter concludes by analysing the breakdown of long-distance networks in the transition from the Bronze Age to the Iron Age and its consequences for the making of rock art within the southern traditions, as well as the use of rock art sites during the Pre-Roman Iron Age, Roman Iron Age, and Migration Period.


Author(s):  
MARSADOLOV L. ◽  

Many decades the life and work of Mikhail Petrovich Gryaznov (1902-1984) was connected with the State Hermitage museum. Long-term friendship bound him with Vladimir Ivanovich Matyushchenko (1928-2005). These archaeologists were lucky in the excavations in the field and in the office behind a desk that was reached by stressful daily work. The most valuable materials from the excavations of M.P. Gryaznov were transferred to the Hermitage (Pazyryk-1, Arzhan-1), and in the museum's funds he taught a course in tracology for students of LSU. Archaeologists are well aware of the scientific works of VI. Matyushchenko on the history of Siberian archaeology, materials from excavations of the Bronze Age sites in the Tomsk and Omsk regions (Elovka, Rostovka and others), and the mounds of the Xiongnu era in Sidorovka. This article briefly discusses the main stages of M.P. Gryaznov's work in the Hermitage and his further relations with this museum. The author of the article was familiar with M.P. Gryaznov and VI. Matyushchenko, studied archaeology with them, gained experience and repeatedly helped them, both in the Hermitage and beyond. Keywords: M.P Gryaznov, V.I. Matyushchenko, hermitage, Pazyryk, Arzhan, state award


2007 ◽  
Vol 2 (2) ◽  
pp. 161-175 ◽  
Author(s):  
Kristian Kristiansen

In this article I examine how long-term economic strategies in the Bronze Age of northern Europe between 2300 and 500 BCE transformed the environment and thus created and imposed new ecological constraints that finally led to a major social transformation and a "dark age" that became the start of the new long-term cycle of the Iron Age. During the last 30 years hundreds of well-excavated farmsteads and houses from south Scandinavia have made it possible to reconstruct the size and the structure of settlement and individual households through time. During the same period numerous pollen diagrams have established the history of vegetation and environmental changes. I will therefore use the size of individual households or farmsteads as a parameter of economic strength, and to this I add the role of metal as a triggering factor in the economy, especially after 1700 BCE when a full-scale bronze technology was adopted and after 500 BCE when it was replaced by iron as the dominant metal. A major theoretical concern is the relationships between micro- and macroeconomic changes and how they articulated in economic practices. Finally the nature of the "dark age" during the beginning of the Iron Age will be discussed, referring to Sing Chew's use of the concept (Chew 2006).


2012 ◽  
Vol 53 (3) ◽  
pp. 210-229 ◽  
Author(s):  
Hiroko Inoue ◽  
Alexis Álvarez ◽  
Kirk Lawrence ◽  
Anthony Roberts ◽  
Eugene N Anderson ◽  
...  

2016 ◽  
Vol 20 (1) ◽  
pp. 183-196
Author(s):  
Chris Hann

Noting a lack of consensus in the recent literature on the Anthropocene, this article considers how social anthropologists might contribute to its theorizing and dating. Empirically it draws on the author’s long-term fieldwork in Hungary. It is argued that ethnographic methods are essential for grasping subjectivities, including temporal orientations and perceptions of epochal transformation. When it comes to historical periodization, however, ethnography is obviously insufficient and proposals privileging the last half-century, or just the last quarter of a century, seem inadequate. Influential theories, which define ‘modernity’ in terms of developments emanating from the countries of the North Atlantic in the sixteenth to the nineteenth centuries (Gellner, Polanyi, Wolf), remain partial and Eurocentric. To comprehend the social preconditions of the Anthropocene in a holistic fashion (the crucial contribution of comparative anthropology), it is necessary to follow Jack Goody and trace how the urban revolutions of the Bronze Age united Eurasia through the diffusion of new forms of economy, polity and cosmology.


AmS-Varia ◽  
2020 ◽  
pp. 77-86
Author(s):  
Marianne Lönn

This article discusses the meaning of stones and the practice of gathering stones, in graves, clearance cairns and stone-covered hillocks. The emphases are on stone-covered hillocks and their long-term usage (up to 1500 years), analyzed using the concept of longue durée. In this paper I propose that the stones in themselves have a cultic meaning as well as the actions, i.e. the remodeling of hillocks and the placing of clearance cairns among graves. In this, I see a connection between stone-covered hillocks, graves and clearance cairns. The underlying concept is a stable, but slowly changing, prehistoric religious tradition that lasted from the Bronze Age to the Migration Period and possibly also through the Late Iron Age. A basic change in this does not take place until the coming of Christianity in the Medieval Period. The reason that Medieval and later clearance cairns were placed together with graves is probably due to their similar appearance.


Author(s):  
Dedakhanov Bakhodir

The article reveals the problem of the development of military architecture in the territory of ancient Fergana, based on the long-term research of archaeologists of Uzbekistan. It identifies the main factors that have contributed to the improvement of this architecture. In each separately taken historical period, starting from the Bronze Age, the author defines the characteristic features of the fortification architecture of Fergana cities based on specific examples. At the same time, a comparative analysis with neighboring historical and cultural regions (Sogd and Khorezm) is performed, and the issues of the continuity of traditions and evolutionary development in this type of structure are revealed using the examples of military architecture of the early medieval period.


1987 ◽  
Vol 53 (1) ◽  
pp. 351-362 ◽  
Author(s):  
Richard Bradley

Some recent literature on the problem of hoards is reviewed, dealing particularly with the distinction between votive deposits and stores of objects. An alternative approach is developed, considering the long-term variations in the nature of intentional deposits in European prehistory. Three stages are suggested. In the initial stage, a unitary system of deposits prevailed, especially of food and selected artefacts, including metal when available. In the developed stage, characteristic of the Bronze Age, a dual system allowed both votive deposition and accumulation and recycling, especially of non-local metal. The final stage, in the later Iron Age, saw renewed emphasis on votive deposits, especially on the borders of emerging polities.


2002 ◽  
Vol 68 ◽  
pp. 165-183
Author(s):  
Robin Skeates

Using the approach of visual culture, which highlights the embeddedness of art in dynamic human processes, this paper examines the prehistoric archaeology of the Lecce province in south-east Italy, in order to provide a history of successive visual cultures in that area, between the Middle Palaeolithic and the Bronze Age. It is argued that art may have helped human groups to deal with problems in subsistence and society, including environmental changes affecting the cultural landscape and its resources, the breaking up of old social relations and the establishment and maintenance of new ones. More specifically, art appears to have become increasingly related to the expression of religious and even mythical beliefs, and in particular to the performance of ceremonies and rituals in selected spaces such as caves. This may reflect the existence of a long-term tradition of performance art in prehistory, involving performers and viewers, in which art helped to structure and heighten the sensual and social impact of the acting human body.


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