Servants, Cottagers and Tied Cottages during the Later Middle Ages: Towards a Regional Dimension

Rural History ◽  
1995 ◽  
Vol 6 (2) ◽  
pp. 125-154 ◽  
Author(s):  
H.S.A. Fox
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Middle Ages ◽  
Temporal Trends ◽  
Rural Society ◽  
The Other ◽  
Short Supply ◽  
Dramatic Shift ◽  
The One ◽  
Pastoral Farming

Over recent years much attention has been given to temporal trends between 1550 and 1900 in the proportions within English rural society of living-in servants in husbandry on the one hand and, on the other, cottage labourers. According to Ann Kussmaul there were two periods when the balance shifted towards labourers and away from servants: one took in the latter half of the sixteenth century and the first part of seventeenth; the other began in the latter part of the eighteenth century and continued throughout the nineteenth. These were both periods when population was rising rapidly and when labour was not in short supply. Between the mid seventeenth century and the mid eighteenth, by contrast, there was a quite dramatic shift in the balance and a growing tendency among farmer-employers to hire farm servants on yearly terms. A relative shortage of labour as population declined, a shift towards pastoral farming (in which resident labour on the farm was all the more desirable to cope with the constant needs of animals as well as crises of birth and death which could occur at any time of the day and night), the falling costs of providing board: all of these encouraged farmers to begin to bind young people to annual contracts and to keep them on the farm.

scholarly journals Dynamics of Continuity and Change: Shifts in Labour Relations in the Potosí Mines (1680–1812)

2016 ◽  
Vol 61 (S24) ◽  
pp. 93-114 ◽  
Author(s):  
Rossana Barragán Romano
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
The Other ◽  
Economic Sectors ◽  
Labour Relations ◽  
Continuity And Change ◽  
The One

AbstractLabour relations in the silver mines of Potosí are almost synonymous with the mita, a system of unfree work that lasted from the end of the sixteenth century until the beginning of the nineteenth century. However, behind this continuity there were important changes, but also other forms of work, both free and self-employed. The analysis here is focused on how the “polity” contributed to shape labour relations, especially from the end of the seventeenth century and throughout the eighteenth century. This article scrutinizes the labour policies of the Spanish monarchy on the one hand, which favoured certain economic sectors and regions to ensure revenue, and on the other the initiatives both of mine entrepreneurs and workers – unfree, free, and self-employed – who all contributed to changing the system of labour.

scholarly journals Preservation and Creation Plainchant Notation of the Pauline Order in 14th–18th-century Hungary

2018 ◽  
Vol 59 (3-4) ◽  
pp. 399-418
Author(s):  
Gabriella Gilányi
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Catholic Church ◽  
18Th Century ◽  
The Other ◽  
Gregorian Chant ◽  
Long Period ◽  
Liturgical Manuscripts ◽  
The One

Abstract This study surveys the musical notation appearing in the liturgical manuscripts of the Order of St. Paul the First Hermit from the fourteenth until the eighteenth century. As a Hungarian foundation, the Pauline Order adopted one of the most elaborate and proportionate Gregorian chant notations of the medieval Catholic Church, the mature calligraphic Hungarian/Esztergom style, and used it faithfully, but in a special eremitical way in its liturgical manuscripts over an exceptionally long period, far beyond the Middle Ages. The research sought to study all the Pauline liturgical codices and codex fragments in which this Esztergom-Pauline notation emerges, then record the single neume shapes and supplementary signs of each source in a database. Systematic comparison has produced many results. On the one hand, it revealed the chronological developments of the Pauline notation over about four centuries. On the other hand, it has been possible to differentiate notation variants, to separate a rounded-flexible and a later more angular, standardized Pauline writing form based on the sources, thereby grasping the transition to Gothic penmanship at the turn of the fifteenth and sixteenth centuries. A further result of the study is the discovery of some retrospective Pauline notation types connected to the Early Modern and Baroque period, after the Tridentine Council. The characteristics of the notations of the choir books in the Croatian and the Hungarian Pauline provinces have been well defined and some individual subtypes distinguished – e.g. a writing variant of the centre of the Croatian Pauline province, Lepoglava.

Merchants and Trade in Early Modern Iraq

1991 ◽  
Vol 6 ◽  
pp. 53-86 ◽  
Author(s):  
Dina Rizk Khoury
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Arab World ◽  
The Other ◽  
Regional Studies ◽  
Trade Patterns ◽  
Northern European ◽  
History Of ◽  
The One

The literature on merchants and trade in the early modern Middle East is still rudimentary. Although the period witnessed basic changes in trade patterns of the region, there have been very few regional studies addressing the nature of trade and the various groups engaged in it, either from an internal or local perspective or from an international one (Masters, 1988; Raymond, 1984; Abdel-Nour, 1982). For much of the Arab world there is a gap in the literature between Goitein's and Ashtor's works on the Middle Ages on the one hand, and the eighteenth century on the other when northern European companies acquired a strong foothold in the area (Goitein, 1966, 1967; Ashtor, 1978). For Iraq there exist almost no general works on the early Ottoman period and the Iraqi archives remain inaccessible. Thus, any conclusions on trade and merchants in Iraq during this period are by necessity tentative and general. There are a number of issues that can be raised with respect to early modern Iraq, however, which are relevant to the history of early modern trade in general.

Ratramn’s Eucharistic Doctrine and its Influence in Sixteenth-Century England

1965 ◽  
Vol 2 ◽  
pp. 54-77
Author(s):  
J. N. Bakhuizen Van Den Brink
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
Ninth Century ◽  
The Body ◽  
The Other ◽  
Body Of Christ ◽  
Early Middle Ages ◽  
Reliable Interpretation ◽  
The One ◽  
The Church

In the two ninth-century treatises on the Eucharist written by Paschasius Radbertus and Ratramnus two opinions are expressed which seem to be in complete contradiction with each other. Both, however, are founded in the liturgy of the Church and spring from the same orthodox root. Their doctrines, therefore, do not differ from each other in every detail of the argumentation. The one may be characterised as the realistic-metabolic doctrine, the other as the symbolic doctrine. J. R. Geiselmann in his penetrating studies of the eucharistic doctrine in the early Middle Ages prefers to distinguish between three tendencies: (1) the metabolism of St Ambrose and the Gallican liturgies; (2) the realism of the Roman liturgy; (3) the dynamism of St Augustine’s more spiritual doctrine. The most diverse answers were inspired by closer inquiries into the realisation of the sacrament, i.e. the question firstly how the conversion of the elements should be understood and, secondly, how the relation should be seen between the consecrated elements and the body of Christ ascended to heaven. In these answers the terminology used is not always the same, so that a reliable interpretation offers great difficulties.

Modal and Tonal Aspects in Two Compositions by Heinrich Schütz

1992 ◽  
Vol 117 (1) ◽  
pp. 86-122
Author(s):  
Eva Linfield
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
The Other ◽  
Tonal Language ◽  
Elementary Stage ◽  
Harmonic Language ◽  
Compositional Language ◽  
The One

Our understanding of the long-term tonal relationships that grow out of seventeenth-century harmonic language is at an elementary stage. An enormous gap seems to exist between our ability to deal with, on the one hand, a sixteenth-century compositional language that basically adheres to a contrapuntal technique and tonally abides by the rules of modality and, on the other, an eighteenth-century tonal language for which we quietly assume harmonic functionality. That scholars have largely avoided an investigation of harmonic language in the seventeenth century is perhaps surprising. Problematic and somewhat enigmatic features of seventeenth-century music are, in some cases, not very different from the characteristics Harold S. Powers attributed to late sixteenth-century modal music: ‘sometimes faintly exotic, often charmingly vague and undirected to our ears, but hardly alien’. Benito V. Rivera appeared to corroborate Powers's perception when he characterized some of the idiosyncrasies of seventeenth-century harmonic practice as ‘isolated harmonic quirkiness’.

Introduction

2017 ◽  
Author(s):  
Anh Q. Tran
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
Pragmatic Approach ◽  
History Of ◽  
The One ◽  
Vietnamese Studies

The Introduction gives the background of the significance of translating and study of the text Errors of the Three Religions. The history of the development of Confucianism, Buddhism, and Daoism in Vietnam from their beginning until the eighteenth century is narrated. Particular attention is given to the different manners in which the Three Religions were taken up by nobles and literati, on the one hand, and commoners, on the other. The chapter also presents the pragmatic approach to religion taken by the Vietnamese, which was in part responsible for the receptivity of the Vietnamese to Christianity. The significance of the discovery of Errors and its impact on Vietnamese studies are also discussed.

The Musical Topic of the Mass in B Minor

2018 ◽  
Author(s):  
Daniel R. Melamed
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Church Music ◽  
Sacred Music ◽  
The Other ◽  
Entire Spectrum ◽  
Giovanni Pierluigi Da Palestrina ◽  
Early Eighteenth Century

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.

Bastard Feudalism and the Framing of Thirteenth-Century England

2018 ◽  
Author(s):  
Peter Coss
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
The State ◽  
The Other ◽  
Great Work ◽  
Early Middle Ages ◽  
The One ◽  
The Relationship

In the introduction to his great work of 2005, Framing the Early Middle Ages, Chris Wickham urged not only the necessity of carefully framing our studies at the outset but also the importance of closely defining the words and concepts that we employ, the avoidance ‘cultural sollipsism’ wherever possible and the need to pay particular attention to continuities and discontinuities. Chris has, of course, followed these precepts on a vast scale. My aim in this chapter is a modest one. I aim to review the framing of thirteenth-century England in terms of two only of Chris’s themes: the aristocracy and the state—and even then primarily in terms of the relationship between the two. By the thirteenth century I mean a long thirteenth century stretching from the period of the Angevin reforms of the later twelfth century on the one hand to the early to mid-fourteenth on the other; the reasons for taking this span will, I hope, become clearer during the course of the chapter, but few would doubt that it has a validity.

A Comparison of Wolff’s and Kant’s Receptions of Emanuel Swedenborg

Kant-Studien ◽  
2021 ◽  
Vol 112 (1) ◽  
pp. 1-22
Author(s):  
Laura Follesa
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
Christian Wolff ◽  
Emanuel Swedenborg ◽  
German Philosopher ◽  
The One

Abstract Kant’s Dreams of a Spirit-Seer (1766) did not provide the sole perspective through which Emanuel Swedenborg’s work was known in Germany in the eighteenth century. Before Kant, another German philosopher was interested in Swedenborg from a completely different perspective: Christian Wolff. On the one hand, this paper analyzes the meaning of Wolff’s anonymous reviews of Swedenborg’s early writings published in Acta Eruditorum, the authorship of which was only recently discovered, in order to show Swedenborg’s intertwinement with German scholars during the 1720s. On the other, I juxtapose Kant’s and Wolff’s evaluations of Swedenborg’s work at the origins of their different attitudes towards fundamental problems such as the nature of the soul and immortality.

The Reformation of the Sixteenth Century in Renaissance Italy

1981 ◽  
Vol 17 ◽  
pp. 149-166 ◽  
Author(s):  
Philip M. J. McNair
Keyword(s):  
Sixteenth Century ◽  
The Other ◽  
Protestant Reformation ◽  
Modern World ◽  
The Reformation ◽  
Giordano Bruno ◽  
The Subject ◽  
Renaissance Italy ◽  
The One

Between the execution of Gerolamo Savonarola at Florence in May 1498 and the execution of Giordano Bruno at Rome in February 1600, western Christendom was convulsed by the protestant reformation, and the subject of this paper is the effect that that revolution had on the Italy that nourished and martyred those two unique yet representative men: unique in the power and complexity of their personalities, representative because the one sums up the medieval world with all its strengths and weaknesses while the other heralds the questing and questioning modern world in which we live.

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