Zheng Junli, Complicity and the Cultural History of Socialist China, 1949–1976

2006 ◽  
Vol 188 ◽  
pp. 1048-1069 ◽  
Author(s):  
Paul G. Pickowicz

This article explores cultural producation during the Mao era (1949–76) by focusing on the evolving relationship between artists and the party-state. The emphasis is on state direction of art in the all-important film industry. From 1949, well-known bourgeois Republican-era artists willingly began the complicated, painful and sometimes deadly process of adjusting to Communist Party state building, nation building and political domination. The career of influential film director Zheng Junli is examined as a case study of creative and strategic accommodation to new circumstances on the one hand, and of complicity on the other. Zheng is seen in his dual and contradictory roles as both trusted, ever loyal insider and unreliable, even degenerate, outsider. His Mao-era films, especially the spectacular Great Leap Forward production of Lin Zexu, are analysed in terms of their political thrust and reception in the difficult-to-predict world of the People's Republic.

2019 ◽  
Vol 18 ◽  
pp. 137-162
Author(s):  
Thomas Eich

This paper analyzes the so-called Ibn Masʿūd ḥadīth (see below) on two levels: the specific wording of the ḥadīth on the one hand and a significant portion of the commentation written about it since the 10th century until today on the other. This aims at three things. First, I will show how the ḥadīth’s exact wording still developed after the stabilization of the material in collections. Although this development occurred only on the level of single words, it can be shown that it is a reflection of discussions documented in the commentaries. Therefore, these specific examples show that there was not always a clear line separating between ḥadīth text and commentaries on that text. Second, the diachronic analysis of the commentaries will provide material for a nuanced assessment in how far major icons of commentation such as Nawawī and Ibn Ḥajar al-ʿAsqalānī significantly influenced following generations in composing their respective commentaries. Third, I will argue that in the specific case study provided here significant changes in the commentation can be witnessed since the second half of the 19th century which are caused by the spread of basic common medical knowledge in that period.


Author(s):  
Elena V. Glukhova ◽  

The article discusses the modification of the “estate topos” of Russian sym- bolism in Andrei Bely’s memoir prose. The estates Shakhmatovo, Dedovo, Serebrianyj Kolodez played a key role in the cultural history of Russian symbolism. The peculiarity of Bely’s “estate text”, on the one hand, is that he found an original neo-mythological mode in the image of these estates, on the other hand, gave them heterotopic properties. The article shows how the tonality of his memoirs about Alexander Blok changes from the first edition in journal “Notes of Dreamers” (1922) to the last part of his memorial trilogy “The Beginning of the Century” (1932). If in the first version “Shakhmatovo” appears in neo-mythological meaning and a number of significant symbolic universals are realized, then in the latter version this way of representing the estate is practically erased. The image of Alexander Blok as a spiritual and symbolic center of estate cul- ture is changing: if originally he had the folklore features of Ivan Tsarevich, the ideal symbolist poet on a background of nature, and his wife was Tsarevna, the embodiment of Sophia the Wisdom of God, then later Blok appears as a Lord, carried away only by the issues of managing the estate, and his wife gets the features of an ordinary woman. The estate Serebrianyj Kolodez appears as a heterotopic space, and the features of the estate Dedovo are recognizable in the novel “The Silver Dove”.


Numen ◽  
2002 ◽  
Vol 49 (4) ◽  
pp. 406-426
Author(s):  
Paolo Xella

AbstractA historico-religious study focusing on "priesthood" and "priest" has to face many difficulties, in terms of terminology and of content. On the one hand, it is methodologically incorrect to link "priesthood" to debated modern concepts such as "religion" or "cult" which, like the former, need to be (even conventionally) defined each time for every particular culture, and not to be assumed as universal keys of historical understanding. On the other hand, previous studies on the topic - where the aim has been to determine latent forms and/or particular manifestations of "priesthood" in other cultures and also to write a "general history" of this phenomenon - exhibit the total historical irrelevance of such an approach, based only on our modern (Christian) concept of "priest(hood)." In order to limit ethnocentrism and, at the same time, to employ useful conceptual categories, new heuristic parameters must be found. In addition to the criterion indicated by J. Rüpke (the religious specialist as a control-agent within the framework of symbolic systems), I propose to distinguish between professional specialisation and practical (cultic) function. The case study I present here to illustrate some aspects and problems of this research is that of ancient Syrian (Ugaritic) culture, where "priests" in our meaning are difficult to be found, whereas a fully new concept emerges if we look at the issue from a functional (and "emic") perspective.


2016 ◽  
Vol 26 ◽  
pp. 79-101 ◽  
Author(s):  
Matthew McCormack

ABSTRACTHeight is rarely taken seriously by historians. Demographic and archaeological studies tend to explore height as a symptom of health and nutrition, rather than in its own right, and cultural studies of the human body barely study it at all. Its absence from the history of gender is surprising, given that it has historically been discussed within a highly gendered moral language. This paper therefore explores height through the lens of masculinity and focuses on the eighteenth century, when height took on a peculiar cultural significance in Britain. On the one hand, height could be associated with social status, political power and ‘polite’ refinement. On the other, it could connote ambition, militarism, despotism, foreignness and even castration. The article explores these themes through a case-study of John Montagu, earl of Sandwich, who was famously tall and was frequently caricatured as such. As well as exploring representations of the body, the paper also considers corporeal experiences and biometric realities of male height. It argues that histories of masculinity should study both representations of gender and their physical manifestations.


Author(s):  
Sung-sheng Yvonne Chang

Taking midcentury wartime Taiwan literary production as an emblematic case study, and relying heavily on the diaries of Taiwan author Lü Heruo as a revealing window into the literary field during this period, this chapter examines the relationship between the sociopolitical backdrop against which this particular literary field emerged, on one hand, and the internal structural constitution of the literary field itself, on the other. Using a specific literary phenomenon in wartime Taiwan as material for a case study, and in dialogue with some recent scholarship on the Japanese colonization of the island, this chapter further argues that the putatively aberrant structural elements characteristic of this particular literary field are in fact quite common in the cultural history of modern East Asia.


2011 ◽  
Vol 19 (2) ◽  
pp. 299-306
Author(s):  
Svend Erik Larsen

Modernism and everything modern have always been identified with the avant-garde. If something had not at a certain juncture in cultural history been avant-garde,eo ipsoit had also not been modern. But the history of literary Modernism shows a more complex picture. The various arrière-garde movements celebrating the regional, the traditional, the anti-urban aspects of life stood, on the one hand, in manifest contrast to the metropolitan and globally oriented Modernism, but were on the other hand also fostered by the same modernist wave from ca. 1850 onwards. I here discuss the dichotomies between the local and the global, and between the avant- and arrière-garde as constitutive of Modernism as a whole from its very beginnings.


2018 ◽  
Vol 31 (64) ◽  
pp. 151-172
Author(s):  
Valerio Torreggiani

Abstract This article challenges a historiographical understanding of corporatism as an appendix of fascist ideology by examining the elaboration and diffusion of corporatist cultures in Britain during the first half of the 20th century. The case study seeks, on the one hand, to highlight the changing nature of corporatism by showing the different forms - fascist and non-fascist - that it took in Britain in the given time period. On the other hand, the article connects British corporatism with the European corporatist movement, as well as with the British constitutional heritage, underlining the close entangling of national and transnational issues.


Author(s):  
Colby Dickinson

In his somewhat controversial book Remnants of Auschwitz, Agamben makes brief reference to Theodor Adorno’s apparently contradictory remarks on perceptions of death post-Auschwitz, positions that Adorno had taken concerning Nazi genocidal actions that had seemed also to reflect something horribly errant in the history of thought itself. There was within such murderous acts, he had claimed, a particular degradation of death itself, a perpetration of our humanity bound in some way to affect our perception of reason itself. The contradictions regarding Auschwitz that Agamben senses to be latent within Adorno’s remarks involve the intuition ‘on the one hand, of having realized the unconditional triumph of death against life; on the other, of having degraded and debased death. Neither of these charges – perhaps like every charge, which is always a genuinely legal gesture – succeed in exhausting Auschwitz’s offense, in defining its case in point’ (RA 81). And this is the stance that Agamben wishes to hammer home quite emphatically vis-à-vis Adorno’s limitations, ones that, I would only add, seem to linger within Agamben’s own formulations in ways that he has still not come to reckon with entirely: ‘This oscillation’, he affirms, ‘betrays reason’s incapacity to identify the specific crime of Auschwitz with certainty’ (RA 81).


2018 ◽  
Vol 59 (1) ◽  
pp. 65-79
Author(s):  
Katarzyna Nikorowicz-Zatorska

Abstract The present paper focuses on spatial management regulations in order to carry out investment in the field of airport facilities. The construction, upgrades, and maintenance of airports falls within the area of responsibility of local authorities. This task poses a great challenge in terms of organisation and finances. On the one hand, an active airport is a municipal landmark and drives local economic, social and cultural development, and on the other, the scale of investment often exceeds the capabilities of local authorities. The immediate environment of the airport determines its final use and prosperity. The objective of the paper is to review legislation that affects airports and the surrounding communities. The process of urban planning in Lodz and surrounding areas will be presented as a background to the problem of land use management in the vicinity of the airport. This paper seeks to address the following questions: if and how airports have affected urban planning in Lodz, does the land use around the airport prevent the development of Lodz Airport, and how has the situation changed over the time? It can be assumed that as a result of lack of experience, land resources and size of investments on one hand and legislative dissonance and peculiar practices on the other, aviation infrastructure in Lodz is designed to meet temporary needs and is characterised by achieving short-term goals. Cyclical problems are solved in an intermittent manner and involve all the municipal resources, so there’s little left to secure long-term investments.


1995 ◽  
Vol 31 (8) ◽  
pp. 301-309 ◽  
Author(s):  
Govert D. Geldof

In integrated water management, the issues are often complex by nature, they are capable of subjective interpretation, are difficult to express in standards and exhibit many uncertainties. For such issues, an equilibrium approach is not appropriate. A non-equilibrium approach has to be applied. This implies that the processes to which the integrated issue pertains, are regarded as “alive”’. Instead of applying a control system as the model for tackling the issue, a network is used as the model. In this network, several “agents”’ are involved in the modification, revision and rearrangement of structures. It is therefore an on-going renewal process (perpetual novelty). In the planning process for the development of a groundwater policy for the municipality of Amsterdam, a non-equilibrium approach was adopted. In order to do justice to the integrated character of groundwater management, an approach was taken, containing the following features: (1) working from global to detailed, (2) taking account of the history of the system, (3) giving attention to communication, (4) building flexibility into the establishing of standards, and (5) combining reason and emotions. A middle course was sought, between static, rigid but reliable on the one hand; dynamic, flexible but vague on the other hand.


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