Landscape Evolution and Human Settlement in the Iroise Sea (Brittany, France) during the Neolithic and Bronze Age

2014 ◽  
Vol 80 ◽  
pp. 105-139 ◽  
Author(s):  
Yvan Pailler ◽  
Pierre Stéphan ◽  
H. Gandois ◽  
C. Nicolas ◽  
Y. Sparfel ◽  
...  
Keyword(s):  
Bronze Age ◽  
Late Prehistoric ◽  
Geographic Isolation ◽  
Human Settlement ◽  
Iroise Sea ◽  
Late Prehistoric Period ◽  
Megalithic Tombs ◽  
Intense Exploitation ◽  
Cultural Choices ◽  
First Time

The Molène archipelago appears to be particularly rich in Neolithic and Bronze Age remains and an exceptional concentration of megaliths has been brought to light. Several settlements are confirmed by dry-stone structures or by shell middens. These data give precious indications on the occupation chronology of the area. Moreover they allow us, for the first time in Brittany, to reconstruct everyday life during the late Prehistoric period. A prerequisite to this reconstruction was a better understanding of the evolution of the environment during this period, which locally implies a better knowledge of paleogeographic changes related to Holocene sea-level rise as well as on floral and faunal resources.The results obtained through paleogeographic reconstructions show that the archipelago since 4500bcwas already disconnected from the mainland. The megalithic monuments must therefore have been erected and used by islanders present on the archipelago from the middle of the 5th to the 2nd millenniumbc. The distribution of the megalithic tombs reveals landscape occupation strategies which respond to both cultural choices and natural constraints. Throughout the entire period, geographic isolation has continued to increase, although it did not imply strong cultural specificities. Nevertheless, the increasing remoteness of the islands has fostered the search for livelihoods based on the intense exploitation of coastal resources. Despite their focus on the sea, these people did not neglect what inland areas could offer as evidenced by the early agro-pastoral practices in the archipelago.

scholarly journals Waar de doden woonden. De samenhang tussen de locaties van laat-prehistorische urnenvelden en nederzettingen

Paleo-aktueel ◽  
2018 ◽  
pp. 19-26
Author(s):  
Nynke de Boer
Keyword(s):  
Bronze Age ◽  
Location Choice ◽  
Physical Geography ◽  
Late Prehistoric ◽  
Funerary Monuments ◽  
Settlement Location ◽  
Megalithic Tombs ◽  
Burial Mounds ◽  
Type Water ◽  
Burial Grounds

Where the dead dwelt. The relation between the locations of late prehistoric burial grounds and settlements. This article addresses the question whether there is an association between the choice of locations of urnfields and contemporaneous settlements in the province of Drenthe. For both urnfield and settlement, three factors related to location choice have been tested in a GIS: physical geography (soil type, water table and geomorphology), visibility from the surrounding fields, and the presence of visible funerary monuments from earlier periods, especially megalithic tombs (Dutch: hunebedden) and Bronze Age burial mounds. The results have been compared: both urnfields and settlements show a preference for relatively high locations. Probably, this similarity is related to the requirements of dwelling and agriculture: burial follows habitation. However, in the choice of urnfield location, the proximity of earlier funerary elements was also taken into account. This does indicate a difference between urnfield and settlement location choice, despite the earlier-mentioned similarities between the two.

Bronze Age Cremation Cemeteries in the East Midlands

1987 ◽  
Vol 53 (1) ◽  
pp. 187-221 ◽  
Author(s):  
Carol S. M. Allen ◽  
Mary Harman ◽  
Hazel Wheeler
Keyword(s):  
Bronze Age ◽  
Direct Relationship ◽  
Small Cluster ◽  
Linear Arrangement ◽  
Thin Sections ◽  
Probable Function ◽  
East Midlands ◽  
Materials Used ◽  
First Time ◽  
Organic Remains

Two Bronze Age cremation cemeteries excavated between 1968 and 1975 are reported and discussed. At Coneygre Farm, Notts., fifty-one cremations were excavated, thirty-one in pots, six in cists, and fourteen uncontained. Cremations were deposited in a roughly linear arrangement and no barrow was found. At Pasture Lodge Farm, Lincs., twenty-seven pots were found, of which twenty-five had associated cremations, and fifteen further sherds could represent burials. Vessels in this cemetery form a small cluster. Pottery from these two cemeteries is broadly similar to Deverel-Rimbury ware and with vessels from other sites in the region is considered to form an East Midlands group of Bronze Age pottery. Vessels of this type from Frieston and Grantham, Lincs., are illustrated for the first time. Examination of thin sections of the pottery from the two cemeteries suggests that most, although not all, of the materials used could have been found locally. Organic remains found in thin sections provide environmental information. The effect of soils on durability of pots and their probable function is discussed. A direct relationship is noticed for the first time between the age of the cremated individual and the capacity of the pot in which the cremation was deposited.

Are Catalans ignoring archaeology?

Antiquity ◽  
2009 ◽  
Vol 83 (321) ◽  
pp. 844-848 ◽  
Author(s):  
N. James
Keyword(s):  
Bronze Age ◽  
Balearic Islands ◽  
Northern Europe ◽  
Late Prehistoric ◽  
Culture Area ◽  
Iberian Culture

So declares the new introduction to the Museum of Archaeology of Catalonia (MAC), in Barcelona. It is too modest. The collection is big. It concentrates on Catalonia and its culture area but there are finds from further afield, notably Bronze Age Argaric material. Extensive space is devoted to the late prehistory of the Balearic Islands, a magnificent collection from the Greek and Roman site of Empúries (Ampurias, ancient Emporium, Emporiae), and to the late prehistoric 'Iberian' culture, including the Tivissa treasure. There is also a good collection of Visigothic material. To the visitor from northern Europe, the museum is a reminder of how much there is to find in a country for so long heavily populated.

Cosmic Deer as an Archaic Symbol in the Narratives and Rituals of the Tungus-Manchus

2020 ◽  
pp. 112-121
Author(s):  
Татьяна Юрьевна Сем
Keyword(s):  
Bronze Age ◽  
The Sun ◽  
Time Model ◽  
Space And Time ◽  
The Earth ◽  
Cosmic Scale ◽  
First Time ◽  
The Universe ◽  
The Bronze Age

Статья посвящена мифологическому образу космического оленя в традиционной культуре тунгусо-маньчжуров. В работе рассматриваются материалы фольклора, шаманства, промысловых и календарных ритуалов, а также искусства. Впервые систематизированы материалы по всем тунгусо-маньчжурским народам. Образ космического оленя в фольклоре эвенов имеет наиболее близкие аналогии с амурскими народами, которые представляют его с рогами до небес. Он сохранился в сказочном фольклоре с мифологическими и эпическими элементами. В эвенском мифе образ оленя имеет космические масштабы: из тела его происходит земля и всё живущее на ней. У народов Амура образ оленя нашел отражение в космогенезе, отделении неба от земли. Своеобразие сюжета космической охоты характеризует общесибирскую мифологию, относящуюся к ранней истории. В ней наиболее ярко проявляется мотив смены старого и нового солнца, хода времени, смены времен года, календарь тунгусо-маньчжуров. В результате анализа автор пришел к выводу, что олень в тунгусо-маньчжурской традиции моделирует пространство и время Вселенной, характеризует образ солнца и хода времени. Космический олень является архетипичным символом культуры тунгусо-маньчжуров, сохранившим свое значение до настоящего времени в художественной культуре This article is devoted to the mythological image of cosmic deer in traditional Tungus-Manchu culture. It examines materials of folklore, shamanism, trade and calendar rituals as well as art and for the first time systematizes materials from all of the Tungus-Manchu peoples. The image of cosmic deer in the folklore of the Evens has its closest analogy in that of the Amur peoples, reflected in the image of a deer with horns reaching up to the sky. This image is preserved in fairytales with mythological and epic elements. In the Even myth, the image of a deer is on a cosmic scale, as the cosmos issues from its body. Among the Amur peoples, the image of a deer is also related to cosmogenesis, to the separation of the earth from the sky. The plot of a cosmic hunt is reflected in pan-Siberian mythology, dating back to the Bronze Age. It clearly illustrates the motif of the change of the old and new sun, the passage of time, the change of seasons, the Tungus-Manchu calendar. The author comes to the conclusion that deer in the Tungus-Manchu tradition, in depicting the image of the sun and the passage of time, model the space and time of the Universe. The cosmic deer is an archetypal symbol of Tungus-Manchu culture, which has retained its significance in artistic culture to the present day.

scholarly journals Ceramic Types from Late Prehistoric Sites along the East Fork of the Trinity River

2015 ◽  
Author(s):  
Wilson Crook ◽  
Mark Houghston
Keyword(s):  
Direct Evidence ◽  
Red River ◽  
Late Prehistoric ◽  
East Texas ◽  
Ceramic Assemblage ◽  
Trinity River ◽  
Late Prehistoric Period ◽  
Prehistoric Culture ◽  
The Trinity

Ceramics are one of the key diagnostic artifacts that define the Late Prehistoric culture of the peoples that lived along the East Fork of the Trinity and its tributaries. We are completing a 42 year re evaluation of the Late Prehistoric period of the area and have st udied nearly 32,000 artifacts, of which over 10,200 are ceramic sherds. From this study, 20 distinct ceramic types have been recognized. Plain ware, both shell tempered and sandy paste/grog tempered, are the predominant ceramic types present, comprising ov er 90 percent of the total ceramic assemblage. While there is little direct evidence for indigenous manufacture, the abundance of these types suggests they were produced locally. Lesser quantities of decorated ware of distinct Caddo ceramic types from the Red River and East Texas suggest they are likely the product of exchange. There is also a small amount of Puebloan material indicative of a longer distance exchange.

Pottery

2012 ◽  
Author(s):  
Peter S. Wells
Keyword(s):  
Bronze Age ◽  
Early Bronze Age ◽  
Late Prehistoric ◽  
Roughened Surface ◽  
Middle Bronze Age

This chapter analyzes the pottery of late prehistoric Europe. Jars, bowls, and cups were the three main categories of pottery vessels that were in use in the Early Bronze Age. Bowls and cups were decorated differently from jars, and their surfaces were finished differently. Jars are the only category that had a purposely roughened surface. Bowls and cups were polished smooth. And jars are the only category within which each individual vessel was distinguished from every other by the pattern of its ornament. From the latter fact, it is argued that jars in the Early and Middle Bronze Age were individualized in a way that bowls and cups were not; each was deliberately made different from all others in order that the household that owned it could mark it as its own, and perhaps even use it to display to others in the community that it had abundant stores of grain.

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