Wealth in Fiction: Capitalism, Animism, and Ben Okri’s The Famished Road Trilogy

2018 ◽  
Vol 5 (3) ◽  
pp. 318-337
Author(s):  
Alexander Fyfe
Keyword(s):  
Karl Marx ◽  
Literary Texts ◽  
The Political ◽  
Literary Production ◽  
Political Dimension ◽  
Operating Concept

This article proposes the concept of noncapitalist wealth as a line of inquiry into the relations among capitalism, animism, and literary production. I begin by discussing the methodological implications of Harry Garuba’s influential essay on “animist materialism” and suggest that Garuba’s operating theory of capital means that his method ultimately leads to a mode of reading that understands animism as bearing primarily upon representation rather than on literary production. The result is a mode of reading that lacks sensitivity to the implications of the influence of specific animisms on individual texts. Eschewing an encompassing theory of animism’s relation to literary production, I propose the concept of noncapitalist wealth, derived in part from Karl Marx and anthropologists such as Jane I. Guyer, as a potential avenue of inquiry within the debate around literary animisms. I offer a reading of Ben Okri’s The Famished Road trilogy (1990–1998) to demonstrate the ways in which an operating concept of wealth, combined with a sensitivity to contemporary forms of capitalism, can help to reveal the political dimension of some literary texts.

Arte ConTexto

2020 ◽  
Vol 2 (3) ◽  
pp. 29-52
Author(s):  
Antonio Bellisario ◽  
Leslie Prock
Keyword(s):  
Public Space ◽  
Political Violence ◽  
Pictorial Representation ◽  
The Political ◽  
Left Wing ◽  
Political Dimension ◽  
Political Views ◽  
Socialist Government ◽  
The 1960S ◽  
The Military

The article examines Chilean muralism, looking at its role in articulating political struggles in urban public space through a visual political culture perspective that emphasizes its sociological and ideological context. The analysis characterizes the main themes and functions of left-wing brigade muralism and outlines four subpolitical phases: (i) Chilean mural painting’s beginnings in 1940–1950, especially following the influence of Mexican muralism, (ii) the development of brigade muralism for political persuasion under the context of revolutionary sociopolitical upheaval during the 1960s and in the socialist government of Allende from 1970 to 1973, (iii) the characteristics of muralism during the Pinochet dictatorship in the 1980s as a form of popular protest, and (iv) muralism to express broader social discontent during the return to democracy in the 1990s. How did the progressive popular culture movement represent, through murals, the political hopes during Allende’s government and then the political violence suffered under the military dictatorship? Several online repositories of photographs of left-wing brigade murals provide data for the analysis, which suggests that brigade muralism used murals mostly for political expression and for popular education. Visual art’s inherent political dimension is enmeshed in a field of power constituted by hegemony and confrontation. The muralist brigades executed murals to express their political views and offer them to all spectators because the street wall was within everyone's reach. These murals also suggested ideas that went beyond pictorial representation; thus, muralism was a process of education that invited the audience to decipher its polysemic elements.

Religion and the Construction of a Christian Roman Polity

2020 ◽  
Vol 4 (1) ◽  
pp. 76-113
Author(s):  
Francesco Rotiroti
Keyword(s):  
Theoretical Framework ◽  
Political Community ◽  
The Political ◽  
Political Dimension ◽  
Roman World ◽  
Recent Scholarship ◽  
Theories Of Religion ◽  
Ancient Christianity

This article seeks to define a theoretical framework for the study of the relation between religion and the political community in the Roman world and to analyze a particular case in point. The first part reviews two prominent theories of religion developed in the last fifty years through the combined efforts of anthropologists and classicists, arguing for their complementary contribution to the understanding of religion's political dimension. It also provides an overview of the approaches of recent scholarship to the relation between religion and the Roman polity, contextualizing the efforts of this article toward a theoretical reframing of the political and institutional elements of ancient Christianity. The second part focuses on the religious legislation of the Theodosian Code, with particular emphasis on the laws against the heretics and their performance in the construction of the political community. With their characteristic language of exclusion, these laws signal the persisting overlap between the borders of the political community and the borders of religion, in a manner that one would expect from pre-Christian civic religions. Nevertheless, the political essence of religion did also adapt to the ecumenical dimension of the empire. Indeed, the religious norms of the Code appear to structure a community whose borders tend to be identical to the borders of the whole inhabited world, within which there is no longer room for alternative affiliations; the only possible identity outside this community is that of the insane, not belonging to any political entity and thus unable to possess any right.

Introduction

2018 ◽  
Author(s):  
Thibaut d'Hubert
Keyword(s):  
South Asia ◽  
Bay Of Bengal ◽  
Religious History ◽  
Literary Texts ◽  
Fragmented Landscape ◽  
Literary Production ◽  
Literary Traditions ◽  
Bengali Literature

The introduction opens with a reflection on the relative marginality of the kingdom of Arakan and what it entailed in terms of historiography. I observe a reconfiguration of cosmographical imaginaries around the sixteenth and seventeenth centuries that conditioned the formation of vernacular literary traditions in eastern South Asia and around the Bay of Bengal. Then I provide a brief overview of the Bengali poet Ālāol’s life and works and discuss what the study of his poetics brings to our knowledge of Middle Bengali literature. I highlight the fragmented landscape of Middle Bengali literary production and the need to study Middle Bengali poems as literary texts and not only as sources for social or religious history. The last section of the introduction provides an overview of the contents of the book.

Economies of Prestige and the Editorial Program Era: Literary Sociology and Tim Groenland's The Art of Editing

2021 ◽  
Vol 55 (2) ◽  
pp. 502-507
Author(s):  
DANIEL ROBERT KING
Keyword(s):  
History Of The Book ◽  
First Century ◽  
Literary Texts ◽  
Turn Of The Millennium ◽  
Literary Production ◽  
Literary Marketplace ◽  
History Of ◽  
Literary Sociology ◽  
Significant Figures ◽  
Sociological Studies

Tim Groenland's The Art of Editing is an exciting new addition to the field of literary sociology, making a valuable contribution to a discipline which has seen a resurgence since the turn of the millennium. In his seminal early work in the field, John Sutherland traces the origins of this kind of publishing history to Robert Escarpit's Sociology of Literature (1958), which he describes as the beginning of “modern, serious work” in considering the effects of the literary marketplace on the fiction of a particular era. However, it is the first two decades of the twenty-first century that have seen the most significant growth in sociological studies of literary production, a trend that Alan Liu calls “the resurgent history of the book.” This is a “resurgence” that Liu argues has resulted in “restoring to view … vital nodes in the circuit” of literary production, including “editors, publishers, translators, booksellers,” and many others. This recent growth in scholarly interest in the production and circulation of literary texts includes other significant figures such as James F. English, Mark McGurl, John B. Thompson, Loren Glass, Paul Crosthwaite, and David D. Hall.

The Mexican social unconscious—part II: Politics and group analysis

2021 ◽  
pp. 053331642110139
Author(s):  
Reyna Hernández-Tubert
Keyword(s):  
Group Analysis ◽  
Analytic Theory ◽  
The Political ◽  
Political Dimension ◽  
Political Evolution ◽  
Social Unconscious

The origins of the Mexican people and their impact on their social unconscious have been presented in the first part of this article. This second part starts with a discussion of the unavoidable need to include the political dimension in any group-analytic theory and enquiry. It then sketches the socio-political evolution of the country up to the present and its impact on the collective mood and relations among individuals and groups.

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