Sinking Feelings: Representing and Resisting theTitanicDisaster in Britain, 1914–ca.1960

2013 ◽  
Vol 52 (2) ◽  
pp. 464-490 ◽  
Author(s):  
Andrew Wells
Keyword(s):  
Cultural History ◽  
First World War ◽  
World War ◽  
Apparent Lack ◽  
International Context ◽  
The Public ◽  
The United Kingdom ◽  
The First World War ◽  
The Press ◽  
First World

AbstractThe apparent lack of representations of theTitanicdisaster in Britain between the start of the First World War and the end of the 1950s was due, not to a lack of interest, but to active resistance to such representations. Shipping interests, the press, government, and the public all opposed portrayals of the catastrophe, but their opposition depended much on the medium by which the sinking was to be represented, on the broader international context, and on the nature and status of individual memories of the events of 1912. Questions of fact, fiction, national prestige, and the ethics of representation dominated the first half century of theTitanic's cultural history in the United Kingdom.

scholarly journals The Press Bureau, ‘D’ Notices, and Official Control of the British Press's Record of the First World War

2021 ◽  
pp. 1-26
Author(s):  
David Monger
Keyword(s):  
First World War ◽  
World War ◽  
The Public ◽  
Official Control ◽  
The First World War ◽  
The Press ◽  
History Of ◽  
Media Manipulation ◽  
The Impact ◽  
First World

Abstract Concerns about fake news and media manipulation are commonplace in contemporary society, and, throughout the twentieth century, historians regularly presented the First World War as an era of manipulated public messages. Yet, despite broad statements about the impact of press censorship in First World War Britain, publication of an official history of the ‘D’ notice system, and growing revision of historical understanding of the interaction between the state, the press, propaganda, and the public during the war, no thorough assessment of the content of the D notices issued by the Press Bureau to newspaper editors has been undertaken. This article provides a thorough analysis of the more than seven hundred notices issued during the war years. While drawing attention to several exceptions which exceeded plausible claims of a threat to security, it argues that most notices genuinely sought to protect potentially dangerous information and that casual assumptions about misleading state press management are not borne out by a close reading of the actual notices issued.

scholarly journals Problematyka odbudowy miast w polskim dyskursie prasowym lat pierwszej wojny światowej i wojny polsko-bolszewickiej

2021 ◽  
Author(s):  
Kamil Śmiechowski
Keyword(s):  
Public Discourse ◽  
First World War ◽  
World War ◽  
Country House ◽  
The Public ◽  
The First World War ◽  
The Press ◽  
Architectural Model ◽  
The Subject ◽  
First World

The subject of this article is the discussion about the rebuilding of cities in the press of the Kingdom of Poland during the First World War and the Polish-Bolshevik war. This almost eight-year period was characterized by the constant appearance of reflection on the devastation of war and the necessity of rebuilding and reforming of Polish cities. In the public discourse of those times, there were some recurring themes that should be considered a testimony to the importance of this problem for contemporary people, but also to the modernizing nature of their dilemmas and comments at the time. The most important of them is the nationalist tone of the writers combined with the conviction that it is necessary to develop a new architectural model of the Polish city. This period was, therefore, a subsoil for the development of the “country house style”, so characteristic of the public architecture of the Interwar Poland.

Image at War

Vulcan ◽  
2016 ◽  
Vol 4 (1) ◽  
pp. 76-111 ◽  
Author(s):  
Andrea Siotto
Keyword(s):  
First World War ◽  
World War ◽  
The Public ◽  
The People ◽  
The First World War ◽  
The Press ◽  
Challenges And Opportunities ◽  
First World ◽  
At Home

The press was well accustomed to utilizing illustrations and photographs at the start of the First World War. This widespread use of images helped the people at home to better understand a war that differed enormously from previous conflicts. Images became a powerful instrument of propaganda, but also retained their usual function in entertaining and educating the reader. In this regard, technology offered new challenges and opportunities to the press in that the novelties of warfare had to be described to the public at home and images offered immediacy and clarity, and at the same time the new weapons’ marvel, even if terrifying, caught the attention and curiosity of the reader and “sold” magazines. The ample use of illustrations and photographs depicting technology in the magazines suggests how important the role of the press was in influencing both how the public understood the events on the frontline and how difficult it was for them to comprehend the new technological warfare.

« Bourrage de crânes » et « slogans qui éternisent le mensonge » : les écrivains anarchistes face à la propagande

2021 ◽  
pp. 127-148
Author(s):  
Vittorio Frigerio
Keyword(s):  
First World War ◽  
Point Of View ◽  
Fake News ◽  
World War ◽  
The Public ◽  
Objective Information ◽  
The First World War ◽  
The Press ◽  
First World

The French anarchist press positions itself from the beginning as the purveyor of honest and objective information, as opposed to the mainstream bourgeois newspapers, close to political power, who tailor their news to the needs of propaganda. This article offers an analysis of the role of the press as a vehicle for fake news from the point of view of anarchist writers and journalists, starting with Proudhon’s own newspapers (1848-1850), but focusing most of all on the polemics around the “bourrage de crânes" (brainwashing of the public) during the First World War. This through the writings of two of the most active writers of the individualist branch of the anarchist movement, Manuel Devaldès and Gérard de Lacaze-Duthiers, and their critique of language and the use of tropes, clichés and slogans for propaganda purposes.

End of War or End of State? 1918 in the Public Memories of Post-Communist Croatia and Serbia

2021 ◽  
pp. 1-16
Author(s):  
Tea Sindbæk Andersen ◽  
Ismar Dedović
Keyword(s):  
Public Memory ◽  
Positive Outcome ◽  
First World War ◽  
History Textbooks ◽  
Historical Narrative ◽  
World War ◽  
War Memory ◽  
The Public ◽  
The First World War ◽  
First World

Abstract This article investigates the role of 1918, the end of the First World War, and the establishment of the Yugoslav state in public memories of post-communist Croatia and Serbia. Analysing history schoolbooks within the context of major works of history and public discussion, the authors trace the developments of public memory of the end of the war and 1918. Drawing on the concepts of public memory and historical narrative, the authors focus on the ways in which history textbooks create historical narratives and on the types of lessons from the past that can be extracted from these narratives. While Serbia and Croatia have rather different patterns of First World War memory, the authors argue that both states have abandoned the Yugoslav communist narrative and now publicly commemorate 1918 as a loss of national statehood. This is somehow paradoxical, since the establishment of the South Slav State in 1918 was supposedly an outcome of the Wilsonian principle of national self-determination. In Serbia, the story of loss is packed in a fatalistic narrative of heroism and victimhood, while in Croatia the story of loss is embedded in a tale of necessary evils, which nevertheless had a positive outcome in a sovereign Croatian state.

Chronic post-amputation pain & blast injury: An analysis of British First World War Veterans’ pension records, 1914-85

2021 ◽  
Author(s):  
Sarah Dixon Smith ◽  
David Henson ◽  
George Hay ◽  
Andrew S.C. Rice
Keyword(s):  
Blast Injury ◽  
First World War ◽  
World War ◽  
The Public ◽  
The First World War ◽  
Future Care ◽  
Medical Teams ◽  
The Uk ◽  
First World

LAY SUMMARY The First World War created the largest group of amputees in history. There were over 41,000 amputee Veterans in the UK alone. Recent studies estimate that over two thirds of amputees will suffer long-term pain because of their injuries. Medical files for the First World War have recently been released to the public. Despite the century between the First World War and the recent Afghanistan conflict, treatments for injured soldiers and the most common types of injuries have not changed much. A team of historians, doctors, and amputee Veterans have collaborated to investigate what happened next for soldiers injured in the war and how their wounds affected their postwar lives, and hope that looking back at the First World War and seeing which treatments worked and what happened to the amputees as they got older (e.g., if having an amputation put them at risk of other illnesses or injuries) can assist today’s Veterans and medical teams in planning for their future care.

scholarly journals Historical Significance of the Spanish Neutrality in the First World War

2014 ◽  
pp. 26-34
Author(s):  
I. Y. Mednikov
Keyword(s):  
Social Stratification ◽  
Social Evolution ◽  
Negative Impact ◽  
First World War ◽  
World War ◽  
The Public ◽  
Historical Significance ◽  
The Social ◽  
The First World War ◽  
First World

The article deals with an insufficiently studied problem, Spanish neutrality during the First World War. The author analyzes its historical significance in the international context, as well in the context of political, economical and social evolution of Spain. Spain was one of the few major European Powers that maintained its neutrality throughout the First World War. Although all Spanish governments during the conflict declared strict neutrality, it was, in actual fact, benevolent towards the Entente Powers, and by the end of hostilities Spain turned into "neutral ally" of Entente. This benevolence towards the future winners and a wide humanitarian campaign supported and headed by the King Alfonso XIII enabled Spain to improve her position in the postwar system of international relations; Spain became one of the non-permanent members of the League of Nations Council. Nevertheless the Spanish neutrality had a negative impact upon the social, political and economical evolution of Spain. The social stratification was increased, the public opinion was deeply divided and the social conflicts were aggravated, that considerably affected the further evolution of the Spanish society.

The Land of Cockaigne: The German Art Market and the First World War*

2020 ◽  
Author(s):  
Maddalena Alvi
Keyword(s):  
German Economy ◽  
Art Market ◽  
First World War ◽  
World War ◽  
The Public ◽  
Paper Money ◽  
Tangible Assets ◽  
The First World War ◽  
German Art ◽  
First World

Abstract This article reconstructs changes in the German art market during the First World War on the basis of an art-price index for the years 1910 to 1918. The art market during the war was closely tied to the monetary deterioration of the German economy, which undermined trust in paper money. Through an analysis of prices and auction reports, this article shows that from 1916 onwards, the public invested in art, evidence that the pattern of expenditure for tangible assets more commonly associated with postwar hyperinflation had already taken off during the war. At the same time, the First World War precipitated the disintegration of a bourgeois milieu of collectors, marking a transition from the traditional market into a modern and rational auction more open to speculative incentives. The inflow of new buyers shook the hierarchies and conventions of the market. Reports published in the auction journal Der Kunstmarkt provide insight into the reactions of insiders from Germany’s Bildungsbürgertum to this transformation. The more visible the monetary value of art, the bigger these insiders’ contempt for newcomers, whom they found guilty of overthrowing the rules of patronage of the old market. Derogatory depictions of new buyers as either investors or war profiteers were a means for insiders to define their own socio-cultural standing at a time of crisis, establishing a pattern that would subsequently characterize many postwar debates on both politics and culture.

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