Susan David Bernstein. Roomscape: Women Writers in the British Museum from George Eliot to Virginia Woolf. Edinburgh Critical Studies in Victorian Culture series. Edinburgh: Edinburgh University Press, 2013. Pp. 248. $120.00 (cloth).

2014 ◽  
Vol 53 (1) ◽  
pp. 236-237
Author(s):  
Gail Turley Houston
Keyword(s):  
Women Writers ◽  
Virginia Woolf ◽  
George Eliot ◽  
British Museum ◽  
Victorian Culture ◽  
Critical Studies

Women writers: setting the terms of the debate

2019 ◽  
pp. 49-66
Author(s):  
Ann Brooks
Keyword(s):  
Women Writers ◽  
Print Culture ◽  
Virginia Woolf ◽  
George Eliot ◽  
18Th Century ◽  
Political Commentary ◽  
Wide Range ◽  
The World ◽  
Elizabeth Carter ◽  
The 19Th Century

This chapter explores the idea of the bluestockings and other women writers and how they were partially enfranchised by the expansion of print culture in the 18th century. Many of the bluestockings were published writers. Indeed, Elizabeth Montagu and Elizabeth Carter showed that women could succeed in areas traditionally defined as areas where men excelled. Regardless of the success of these women writers — and probably as a result of it — at the start of the 19th century, the combined social and intellectual prominence of so many intelligent women was responded to with both resentment and disgust by many men. Nevertheless, the establishment of a recognized and significant presence of women in the ‘world of letters’ paved the way for a wide range of social and political commentary from women writers such as Jane Austen, George Eliot, and, later, Virginia Woolf.

Gendered Ecologies

2020 ◽  
Keyword(s):  
Nineteenth Century ◽  
Women Writers ◽  
George Eliot ◽  
Sir Isaac Newton ◽  
Robert Boyle ◽  
Isaac Newton ◽  
Natural Domain ◽  
Diachronic Study ◽  
Natural Philosophers ◽  
Michael Faraday

Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century is comprised of a diverse collection of essays featuring analyses of literary women writers, ecofeminism, feminist ecocriticism, and the value of the interrelationships that exist among human, nonhuman, and nonliving entities as part of the environs. The book presents a case for the often-disregarded literary women writers of the long nineteenth century, who were active contributors to the discourse of natural history—the diachronic study of participants as part of a vibrant community interconnected by matter. While they were not natural philosophers as in the cases of Sir Isaac Newton, Robert Boyle, and Michael Faraday among others, these women writers did engage in acute observations of materiality in space (e.g., subjects, objects, and abjects), reasoned about their findings, and encoded their discoveries of nature in their literary and artistic productions. The collection includes discussions of the works of influential literary women from the long nineteenth century—Mary Wollstonecraft, Mary Shelley, Caroline Norton, Charlotte Brontë, George Eliot, Mary Elizabeth Braddon, Jane Johnston Schoolcraft, Margaret Fuller, Susan Fenimore Cooper, Celia Thaxter, Laura Ingalls Wilder, Francis Wright, and Lydia Maria Child—whose multi-directional observations of animate and inanimate objects in the natural domain are based on self-made discoveries while interacting with the environs.

Introduction

Ladies' Greek ◽  
2017 ◽  
Author(s):  
Yopie Prins
Keyword(s):  
Women Writers ◽  
Virginia Woolf ◽  
Greek Tragedy ◽  
Classical Antiquity ◽  
Elizabeth Barrett Browning ◽  
Ancient Greek ◽  
Collective Identification ◽  
Victorian Women ◽  
Greek Alphabet ◽  
Women Of Letters

This book examines why Victorian women of letters such as Elizabeth Barrett Browning, Sara Coleridge, and Virginia Woolf self-consciously performed collective identification with Greek letters and showed literary interest in their translations of with Greek tragedy. It considers how these women engaged with ideas about classical antiquity, and how much they contributed to the idealization of all things Greek. It discusses the ways in which women learned to read the Greek alphabet, to discover all the letters between alpha and omega, and how they turned ancient Greek into a language of and for desire. The book argues that nineteenth-century women writers turned to tragedy in particular as a literary genre for the performance of female classical literacy, and that their passionate reading of Greek led them into various forms of translation. Five tragedies are analyzed to elucidate the legacy of Ladies' Greek: Agamemnon and Prometheus Bound, Electra, Hippolytus, and Bacchae.

Sign in / Sign up

Export Citation Format

Share Document