The Red Cap’s Gift: How Tipping Tempers the Rational Power of Money

2015 ◽  
Vol 16 (1) ◽  
pp. 5-50 ◽  
Author(s):  
DANIEL LEVINSON WILK
Keyword(s):  
United States ◽  
The United States ◽  
Labor Standards ◽  
Human Relations ◽  
Fair Labor Standards Act ◽  
History Of ◽  
Rational Power ◽  
Fair Labor

Modern people are obsessed with money, but the practice of tipping a waiter or chambermaid is a counterbalance against money’s tendency to infect human relations. People who tip infect money back, with nonmonetary values. This article provides a general history of tips investing money and monetary exchange with ideals such as status, dignity, waste, care, and play, in certain parts of the United States, c. 1880–1929. It also offers a case study of railroad red caps’ tips in the five years following passage of the Fair Labor Standards Act of 1938; when tipping declined, it reduced red caps’ ability to invest their work with nonmonetary values.

scholarly journals Disabled Laborers And The Equal Employment Opportunity Commission’s (EEOCs) Nightmare

2017 ◽  
Vol 11 (2) ◽  
pp. 17-26
Author(s):  
C. Kenneth Meyer ◽  
Allen Zagoren ◽  
Kelsie Wolfe ◽  
Tristan Lynn ◽  
Bill Moorman
Keyword(s):  
The United States ◽  
Labor Standards ◽  
Actual Case ◽  
Mentally Disabled ◽  
Fair Labor Standards Act ◽  
Americans With Disability Act ◽  
History Of ◽  
Disabled Workers ◽  
Bright Blue

In 2012, EEOC v. Henry’s Turkey Service was one of the largest disability settlements in American history.  Henry’s Turkey Service was ordered to pay $240 million for paying mentally disabled workers with I.Q.s estimated in the 60-70 range, 41 cents per hour and housing them in unsafe housing and health conditions (Hsieh, 2013).  Over forty years, Henry’s Turkey Service relocated hundreds of mentally disabled workers from Texas to Iowa where they were subjected to horrendous living conditions with unlawful, minimal pay—about $65.00 per month, while they worked at a local turkey processing factory in West Liberty, Iowa.  The actual case shows a pattern of violations of the Fair Labor Standards Act of 1938 and Americans with Disability Act, 1990. After a raid of the bright blue, florescent colored, century old school house in Atalissa, Iowa, these employers were brought to justice.  This case study is about one of the largest EEOC settlements in the history of the United States; yet due to federal damage caps was cut to $1.6 million for all of the men and their estates. The graphic account of the inhumane treatment and degradation of the labors presented in this study is not provided for gratuitous or salacious purposes; rather, it places into context what can occur when governmental regulations and laws go unheeded, unenforced and when authorities are apprised of wrongdoing possibilities stand idly by and in this case, do nothing for 35 years. 

“The Principal Russian Church in America”: from the History of Saint Nicholas Russian Orthodox Cathedral in the City of New York

Istoriya ◽  
2021 ◽  
Vol 12 (11 (109)) ◽  
pp. 0
Author(s):  
Vladimir Pechatnov
Keyword(s):  
United States ◽  
New York ◽  
The United States ◽  
Russian Orthodox ◽  
History Of ◽  
Ministry Of Finance ◽  
The Russian Empire ◽  
Foreign Ministry ◽  
The City

Based on previously unearthed documents from the Russia’s State Historical Archive and the Archive of Foreign Policy of the Russian Empire the article explores the history of the first Russian Orthodox parish in New York City and construction of Saint-Nickolas Russian Orthodox Cathedral in the city. It was a protracted and complicated interagency process that involved Russian Orthodox mission in the United States, Russia’s Foreign Ministry and its missions in the United States, the Holy Governing Synod, Russia’s Ministry of Finance and the State Council. The principal actors were the bishops Nicholas (Ziorov) and especially Tikhon (Bellavin), Ober-Prosecutor of the Holy Governing Synod Konstantine Pobedonostsev and Reverend Alexander Khotovitsky. This case study of the Cathedral history reveals an interaction of ecclesiastical and civil authorities in which private and civic initiative was combined with strict bureaucratic rules and procedures.

scholarly journals Collecting locally : Walker Evans's photographs of Alabama in Alabama institutions

2021 ◽  
Author(s):  
Mallory Lapointe Taylor
Keyword(s):  
United States ◽  
Cultural Context ◽  
American South ◽  
The United States ◽  
History Of Photography ◽  
The Arts ◽  
Walker Evans ◽  
History Of ◽  
The American South

Within the United States, the American South can be perceived as its own entity. From the arts to Southern cuisine, the South commands attention with its own history, myths and culture. Within the history of photography, Walker Evans's photographs of Alabama are arguably some of the most culturally significant images taken of the state and its residents. This thesis investigates how photographs of Alabama are collected in the same locality. By examining the collecting practices of four Alabama institutions in regards to photographs in general, and Walker Evans specifically, this case study will expand on the question of how photographs, in a Southern cultural context, work to create a sense of place and attachment to local geography.

The Rise and Fall of Ace Records: A Case Study in the Independent Record Business

1990 ◽  
Vol 64 (3) ◽  
pp. 411-450 ◽  
Author(s):  
Donald J. Mabry
Keyword(s):  
United States ◽  
Middle Class ◽  
The United States ◽  
Record Industry ◽  
Rhythm And Blues ◽  
White Middle Class ◽  
History Of ◽  
The 1950S ◽  
Rock N Roll

The record industry in the United States was controlled until the 1950s by a half dozen major companies, which produced music directed primarily toward the white middle class. The following article uses the history of Ace Records, a small, regional, independent company, to examine the nature of the record industry in the 1950s and 1960s. The article explains the shifts in demography and technology that made possible the growth of the independents, as well as the obstacles and events that made their demise more likely. It also traces the changes that such companies, by recording and promoting rhythm and blues and early rock ‘n’ roll, introduced to the cultural mainstream.

“The Hora Staccato in Swing!”: Jascha Heifetz's Musical Eclecticism and the Adaptation of Violin Miniatures

2012 ◽  
Vol 6 (4) ◽  
pp. 405-431
Author(s):  
JOSHUA S. WALDEN
Keyword(s):  
United States ◽  
New York ◽  
Twentieth Century ◽  
Eastern Europe ◽  
The United States ◽  
Popular Song ◽  
Tin Pan Alley ◽  
Popular Songs ◽  
History Of

AbstractJascha Heifetz (1901–87) promoted a modern brand of musical eclecticism, recording, performing, and editing adaptations of folk and popular songs while remaining dedicated to the standard violin repertoire and the compositions of his contemporaries. This essay examines the complex influences of his displacement from Eastern Europe and assimilation to the culture of the United States on both the hybridity of his repertoire and the critical reception he received in his new home. It takes as its case study Heifetz's composition of the virtuosic showpiece “Hora Staccato,” based on a Romany violin performance he heard in Bucharest, and his later adaptation of the music into an American swing hit he titled “Hora Swing-cato.” Finally, the essay turns to the field of popular song to consider how two of the works Heifetz performed most frequently were adapted for New York Yiddish radio as Tin Pan Alley–style songs whose lyrics narrate the early twentieth-century immigrant experience. The performance and arrangement history of many of Heifetz's miniatures reveals the multivalent ways in which works in his repertoire, and for some listeners Heifetz himself, were reinterpreted, adapted, and assimilated into American culture.

Performing Prestige

2013 ◽  
pp. 619-638
Author(s):  
Nathan Platte
Keyword(s):  
United States ◽  
The United States ◽  
Orchestral Music ◽  
Silent Films ◽  
American Cinema ◽  
Short Films ◽  
History Of ◽  
Orchestral Scores

This chaptertraces the history of orchestral music in silent films in the United States during the period from 1910 to 1958. It provides a case study of short films of symphonic performances from the 1950s to illustrate the role of the orchestra not only in the cinema but also more broadly in American culture. It suggests that while orchestral scores continue to play an important role in certain genres of American cinema, they no longer characterize a particular theater’s exhibition style or studio’s soundtrack.

Buddhism and Race

2018 ◽  
Author(s):  
Adeana McNicholl
Keyword(s):  
United States ◽  
Race And Ethnicity ◽  
The United States ◽  
Religious History ◽  
American Religious History ◽  
Buddhist Studies ◽  
Race And Racialization ◽  
History Of ◽  
Race Ethnicity

This chapter takes a step toward the theorization of discourses of race and racialization within the American Buddhist context. Far from being neutral observers, Buddhist Studies scholars have participated in the racialization of particular American Buddhisms. After mapping the landscape of key works on race, ethnicity, and American Buddhism, this chapter takes as a case study a collection of black Buddhist publications that reflect on race and ethnicity. Thus far, scholarship has ignored black Buddhists, yet black Buddhist reflections on race challenge dominant paradigms for the interpretation of the history of Buddhism and Buddhist teachings in the United States. This chapter concludes with suggestions for future avenues for research, including ways that we may connect the work of black Buddhists to the wider context of American religious history and American engagements with Asia.

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