Turkey’s Small Capital, A Player from the Start: Relations with the State and Big Capital

2015 ◽  
Vol 16 (1) ◽  
pp. 74-108
Author(s):  
EMRE BALIKÇI
Keyword(s):  
State Policies ◽  
The State ◽  
Early History ◽  
Business History ◽  
Small Scale ◽  
State Involvement ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
Shed Light

This article aims to shed light on the early history of small-scale capital in Turkey. Turkey’s paradigm of development in the 1960s and 1970s, as in other belatedly industrializing countries, meant active state involvement, generally in favor of big capital. This emphasis on the large players has caused small capital’s influence on the era’s state policies to be largely overlooked. This article argues that small capital, popularized in the 1990s with the concept “Anatolian capital,” has deeper roots in Turkish economic and business history than formerly thought.

Coming Home: Portraying Japanese Baseball on the Silver Screen

2018 ◽  
Author(s):  
Christopher T. Keaveney
Keyword(s):  
Middle Class ◽  
Early History ◽  
Japanese Cinema ◽  
Avant Garde ◽  
Hollywood Films ◽  
History Of ◽  
Baseball Films ◽  
1960S And 1970S ◽  
The 1960S ◽  
Important Marker

Chapter 3 examines the long history of baseball films in Japan, a tradition nearly as old as the history of Japanese cinema itself. After a brief survey of the early history of cinema in Japan, a tradition whose history parallels that of the game of baseball chronologically, the study focuses on early shomingeki films and explores how baseball became an important marker of domesticity and middle class respectability in this genre of film in the 1930s. The chapter then examines several pivotal films in the postwar era, examining how baseball was used alternately to perpetuate a national hero in Suzuki Hideo’s Immortal Pitcher (1955) or to chart the corruption and greed surrounding professional baseball as in Kobayashi Masaki’s I Will Buy You (1956). In the 1960s and 1970s, as young filmmakers arose to challenge the dominance of the great postwar filmmakers and to produce often avant-garde and politically charged films that reflected an international challenge to the hegemony of Hollywood films, the baseball film was again adopted as a means to offer that challenge. Ōshima Nagisa’s Ceremonies, in a film that contests the very concept of the baseball film, uses baseball as a metaphor for the Japan’s abandonment of its citizens during the war. The recent splatter comedy baseball films of Yamaguchi Yūdai likewise play with the familiar tropes of Japanese baseball and of the baseball hero as antihero in problematizing the very concept of the baseball film.

Peasants and Petty Capitalists in Southern Oaxacan Sugar Cane Production and Processing, 1930–1980

1992 ◽  
Vol 24 (1) ◽  
pp. 33-55 ◽  
Author(s):  
Leigh Binford
Keyword(s):  
State Intervention ◽  
Small Scale ◽  
Local Equivalent ◽  
History Of ◽  
Sugar Mills ◽  
Isthmus Of Tehuantepec ◽  
1960S And 1970S ◽  
The 1960S ◽  
Rural Dwellers ◽  
Sugar Source

The documented history of Mexican sugar in the twentieth century begins with the introduction of vacuum-pan technology between 1880 and 1910, subsequently chronicling the progressive expansion and concentration of the industry, and the creeping State intervention which eventually resulted in the nationalisation of most private sugar mills during the 1960s and 1970s.1 Small-scale, labour-intensive rural trapiches producing panela (an unrefined form of semi-crystalline sugar) have largely been left out of this history, despite the fact that trapiches were often predecessors to modern sugar mills and in many areas survived displacement by them. Surveying Oaxaca's Isthmus of Tehuantepec region in 1940, for example, Ybarra recorded three industrialised mills and 37 small, motorised, panela- producing trapiches.2 In 1947, according to Aragón Calvo and Vargas Comargo, panela accounted for an estimated 25% of Mexican sugar production overall, and consumption of panela exceeded that of refined sugar in the states of Veracruz and Guerrero.3Panela continues to be produced and consumed in Mexico today — albeit in reduced quantities. In Panama, Colombia, India and other nations, panela (or the local equivalent) is an even more important sugar source than in Mexico.4Nationally the labour-intensive panela industry pales into insignificance next to the modern sugar sector. However, in particular regions and communities, as I shall attempt to demonstrate, it has been an important source of employment and capital, providing rural dwellers with their first experience of disciplined factory work and numerous small entrepreneurs with profits that were invested back into the communities to expand control over local land and businesses.

scholarly journals Rediscovering the Nineteenth-Century Display of the Museo Egizio’s “Statuario”

2021 ◽  
Vol 5 ◽  
Author(s):  
Giorgia Cafici
Keyword(s):  
Nineteenth Century ◽  
The State ◽  
Early History ◽  
Arabic Text ◽  
State Archive ◽  
Content Type ◽  
History Of ◽  
Shed Light

The article presents the rediscovery and analysis of important documents concerning the early history of the Museo Egizio in Turin, which are currently held in the State Archive in Turin. The study of these papers shed light on a crucial phase in the history of the museum, allowing the author to retrace features of the display of the statue gallery of the Museo Egizio in the 1850s. ملخص يعرض هذا المقال إعادة الكشف ودراسة وثائق مهمة متعلقة بالتاريخ القديم للمتحف المصري في تورينو، تلك الوثائق محفوظة حالياً في أرشيف الدولة في مدينة تورينو. ألقت دراسة هذه الأوراق الضوء على مرحلة مميزة من مراحل تاريخ المتحف، الأمر الذي أتاح للمؤلف استعادة نموزج العرض في قاعة التماثيل للمتحف المصري في الخمسينيات للقرن التاسع عشر.

MINING THE ARCHIVES: A POTTERY SEQUENCE FOR BORNO, NIGERIA

2003 ◽  
Vol 1 (1) ◽  
pp. 39-76 ◽  
Author(s):  
Graham Connah ◽  
S.G.H. Daniels
Keyword(s):  
Large Body ◽  
Archaeological Research ◽  
Independent Data ◽  
Frankfurt Am Main ◽  
Archaeological Pottery ◽  
New Findings ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
Johann Wolfgang Goethe

New archaeological research in Borno by the Johann-Wolfgang-Goethe-Universität, Frankfurt am Main, Germany, has included the analysis of pottery excavated from several sites during the 1990s. This important investigation made us search through our old files for a statistical analysis of pottery from the same region, which although completed in 1981 was never published. The material came from approximately one hundred surface collections and seven excavated sites, spread over a wide area, and resulted from fieldwork in the 1960s and 1970s. Although old, the analysis remains relevant because it provides a broad geographical context for the more recent work, as well as a large body of independent data with which the new findings can be compared. It also indicates variations in both time and space that have implications for the human history of the area, hinting at the ongoing potential of broadscale pottery analysis in this part of West Africa and having wider implications of relevance to the study of archaeological pottery elsewhere.

Tools of Transformation: Appropriate Technology in U.S. Countercultural Literature

2012 ◽  
Vol 44 (2) ◽  
pp. 75-93
Author(s):  
Peter Mortensen
Keyword(s):  
Low Cost ◽  
Appropriate Technology ◽  
Small Scale ◽  
Environmental Transformation ◽  
Buckminster Fuller ◽  
1960S And 1970S ◽  
The 1960S ◽  
Environmentally Sound ◽  
User Friendly ◽  
Second Wave

This essay takes its cue from second-wave ecocriticism and from recent scholarly interest in the “appropriate technology” movement that evolved during the 1960s and 1970s in California and elsewhere. “Appropriate technology” (or AT) refers to a loosely-knit group of writers, engineers and designers active in the years around 1970, and more generally to the counterculture’s promotion, development and application of technologies that were small-scale, low-cost, user-friendly, human-empowering and environmentally sound. Focusing on two roughly contemporary but now largely forgotten American texts Sidney Goldfarb’s lyric poem “Solar-Heated-Rhombic-Dodecahedron” (1969) and Gurney Norman’s novel Divine Right’s Trip (1971)—I consider how “hip” literary writers contributed to eco-technological discourse and argue for the 1960s counterculture’s relevance to present-day ecological concerns. Goldfarb’s and Norman’s texts interest me because they conceptualize iconic 1960s technologies—especially the Buckminster Fuller-inspired geodesic dome and the Volkswagen van—not as inherently alienating machines but as tools of profound individual, social and environmental transformation. Synthesizing antimodernist back-to-nature desires with modernist enthusiasm for (certain kinds of) machinery, these texts adumbrate a humanity- and modernity-centered post-wilderness model of environmentalism that resonates with the dilemmas that we face in our increasingly resource-impoverished, rapidly warming and densely populated world.

Conclusion

2017 ◽  
Author(s):  
Aled Davies
Keyword(s):  
International Monetary System ◽  
The State ◽  
Real Economy ◽  
Social Democratic ◽  
Monetary System ◽  
1960S And 1970S ◽  
Post War ◽  
The 1960S ◽  
City Of London ◽  
The City

The aim of this book has been to evaluate the relationship between Britain’s financial sector, based in the City of London, and the social democratic economic strategy of post-war Britain. The central argument presented in the book was that changes to the City during the 1960s and 1970s undermined a number of the key post-war social democratic techniques designed to sustain and develop a modern industrial economy. Financial institutionalization weakened the state’s ability to influence investment, and the labour movement was unable successfully to integrate the institutionalized funds within a renewed social democratic economic agenda. The post-war settlement in banking came under strain in the 1960s as new banking and credit institutions developed that the state struggled to manage. This was exacerbated by the decision to introduce competition among the clearing banks in 1971, which further weakened the state’s capacity to control the provision and allocation of credit to the real economy. The resurrection of an unregulated global capital market, centred on London, overwhelmed the capacity of the state to pursue domestic-focused macroeconomic policies—a problem worsened by the concurrent collapse of the Bretton Woods international monetary system. Against this background, the fundamental social democratic assumption that national prosperity could be achieved only through industry-led growth and modernization was undermined by an effective campaign to reconceptualize Britain as a fundamentally financial and commercial nation with the City of London at its heart....

Why Diamonds Really are a Girl's Best Friend: Another American Narrative

Daedalus ◽  
2012 ◽  
Vol 141 (1) ◽  
pp. 89-100
Author(s):  
Linda K. Kerber
Keyword(s):  
The United States ◽  
Cultural Practice ◽  
Legal Tradition ◽  
Domestic Relations ◽  
Recent Developments ◽  
American Law ◽  
History Of ◽  
The Republic ◽  
1960S And 1970S ◽  
The 1960S

The old law of domestic relations and the system known as coverture have shaped marriage practices in the United States and have limited women's membership in the constitutional community. This system of law predates the Revolution, but it lingers in U.S. legal tradition even today. After describing coverture and the old law of domestic relations, this essay considers how the received narrative of women's place in U.S. history often obscures the story of women's and men's efforts to overthrow this oppressive regime, and also the story of the continuing efforts of men and some women to stabilize and protect it. The essay also questions the paradoxes built into American law: for example, how do we reconcile the strictures of coverture with the founders' care in defining rights-holders as “persons” rather than “men”? Citing a number of court cases from the early days of the republic to the present, the essay describes the 1960s and 1970s shift in legal interpretation of women's rights and obligations. However, recent developments – in abortion laws, for example – invite inquiry as to how full the change is that we have accomplished. The history of coverture and the way it affects legal, political, and cultural practice today is another American narrative that needs to be better understood.

Early history of the state — West and east

Politics ◽  
1987 ◽  
Vol 22 (2) ◽  
pp. 105-113 ◽  
Author(s):  
Patricia Springborg
Keyword(s):  
The State ◽  
Early History ◽  
History Of

scholarly journals Dyskursywnie o dyskursie

2006 ◽  
pp. 89-96
Author(s):  
Ewa Sławkowa
Keyword(s):  
Modern Human ◽  
Social Practices ◽  
Human Sciences ◽  
Feminist Discourse ◽  
History Of ◽  
Discourse Studies ◽  
Political Speeches ◽  
Characteristic Evolution ◽  
1960S And 1970S ◽  
The 1960S

The article presents a lexical and semantic study of the discourse, one of the most widespread terms of modern human sciences. We begin with etymology, and then demonstrate various stages of the development of the meaning of the term in the history of Polish. The lexem “discourse”, well established in the linguistic tradition of Polish, has undergone a characteristic evolution: first, a borrowing from Latin (discurere – “go in diverse directions”), it then became popular in the 16th through 18th centuries as a rhetorically marked Polish (particularly with the view of political speeches and sermons) to signal a kind of discussion and logical exposition of argumentation. Recent contemporary Polish gives this term a slightly archaic and bookish sense. At the same time, however, “discourse” has become a strictly scientific, scholarly term which carved for itself a special discipline of research (discourse studies). In the 1960s and 1970s the work of such linguists as Emile Benveniste or Roman Jakobsen helped to shape the meaning of discourse as a process of speaking, an interactive and dialogic communicative behaviour which sees language as conditioned by diverse social practices and/or ideologies (e.g. historical, scholarly, or feminist discourse).

American Indian Soundchiefs

Resonance ◽  
2020 ◽  
Vol 1 (4) ◽  
pp. 394-411
Author(s):  
Josh Garrett-Davis
Keyword(s):  
Native American ◽  
American Indian ◽  
Small Scale ◽  
Legal Scholar ◽  
Red Power ◽  
American Media ◽  
Home Recording ◽  
1960S And 1970S ◽  
Sound Media ◽  
The 1960S

American Indian Soundchiefs, an independent record label founded by the Rev. Linn Pauahty (Kiowa) in the 1940s, developed a remarkable model of Indigenous sound media that combined home recording, dubbing, and small-scale mass production. Alongside other Native American media producers of the same era, Soundchiefs built on earlier engagements with ethnographic and commercial recording to produce Native citizens’ media a generation prior to the Red Power era of the 1960s and 1970s. This soundwork provided Native music to Native listeners first, while also seeking to preserve a “rich store of folk-lore” sometimes in danger of being lost under ongoing colonial pressures. Pauahty’s label found ways to market commercial recordings while operating within what music and legal scholar Trevor Reed (Hopi) calls “Indigenous sonic networks,” fields of obligation and responsibility.

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