THE ARCHAEOLOGY OF SERIOUS GAMES: PLAY AND PRAGMATISM IN VICTORIAN-ERA DINING

2018 ◽  
Vol 84 (1) ◽  
pp. 26-47
Author(s):  
Barbara L. Voss
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
Serious Games ◽  
Southern China ◽  
Related Material ◽  
Victorian Era ◽  
Integrated Methodology ◽  
Full Complement ◽  
The Continuum ◽  
Interpretive Frameworks

This study expands on Ortner's practice-based theory of “serious games” by interpreting artifacts through a continuum of intention: pragmatism and play. Decisions and actions are defined as pragmatic according to their desired outcome, while play, in contrast, is an attitude or disposition toward the action itself. Both pragmatism and play are examined in this study of dining-related material culture (ceramic tablewares) from a nineteenth-century Chinatown. The research reveals that Chinatown residents varied considerably in their approach to dining, some using the full complement of British- and American-produced earthenwares associated with Victorian-era genteel dining, whereas others primarily used porcelain vessels congruent with dining conventions in southern China. Other households blended the two types of ceramics, typically using Chinese porcelain vessels for individual table settings and British- and American-produced earthenwares for serving vessels. Chinese porcelains were typically purchased in matched sets; in contrast, British and American earthenwares were acquired piece by piece, contributing aesthetic variety to Chinatown table settings. Together, these findings indicate that most Chinatown households were establishing their own “house rules” that redefined dining through new practices. The continuum of intention represented by pragmatism and play affords an integrated methodology for bridging functional/economic and cultural/symbolic interpretive frameworks in archaeology.

The line of reason: Hugh Blair, spatiality and the progressive structure of language

2011 ◽  
Vol 65 (1) ◽  
pp. 9-24 ◽  
Author(s):  
Matthew D. Eddy
Keyword(s):  
Nineteenth Century ◽  
Graphic Representation ◽  
Victorian Era ◽  
Hugh Blair ◽  
Early Humans ◽  
Power Of Language ◽  
The Relationship

At the dawn of the nineteenth century, words were seen as artefacts that afforded insights into the mental capacities of the early humans. In this article I address the late Enlightenment foundations of this model by focusing on Professor Hugh Blair, a leading voice on the relationship between language, progressivism and culture. Whereas the writings of grammarians and educators such as Blair have received little attention in histories of nascent palaeoarchaeology and palaeoanthropology, I show that he addressed a number of conceptual themes that were of central relevance to the ‘primitive’, ‘ancient’ and ‘modern’ typology that guided the construction of ‘prehistoric minds’ during the early decades of the Victorian era. Although I address the referential power of language to a certain extent, my main point is that the rectilinear spatiality afforded by Western forms of graphic representation created an implicitly progressivist framework of disordered, ordered and reordered minds.

scholarly journals In the Camp and on the March: Military Manuals as Sources for Studying Premodern Public Health

2018 ◽  
Vol 63 (1) ◽  
pp. 44-60
Author(s):  
G. Geltner
Keyword(s):  
Public Health ◽  
Nineteenth Century ◽  
Material Culture ◽  
Population Level ◽  
Global Perspective ◽  
Medieval Latin ◽  
Vulnerable Communities ◽  
Medical Tradition ◽  
Mediterranean World ◽  
Preventative Healthcare

Historians tend to view public health as a quintessentially modern phenomenon, enabled by the emergence of representative democracies, centralised bureaucracies and advanced biomedicine. While social, urban and religious historians have begun chipping away at the entrenched dichotomy between pre/modernity that this view implies, evidence for community prophylactics in earlier eras also emerges from a group of somewhat unexpected sources, namely military manuals. Texts composed for (and often by) army leaders in medieval Latin Europe, East Rome (Byzantium) and other premodern civilisations reflect the topicality of population-level preventative healthcare well before the nineteenth century, thereby broadening the path for historicising public health from a transregional and even global perspective. Moreover, at least throughout the Mediterranean world, military manuals also attest the enduring appeal of Hippocratic and Galenic prophylactics and how that medical tradition continued for centuries to shape the routines and material culture of vulnerable communities such as armies.

scholarly journals Shaping Toronto: female economy and agency in the corset industry, 1871-1914

2021 ◽  
Author(s):  
Alanna M. M. McKnight
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
The Body ◽  
Fashion History ◽  
Women's Bodies ◽  
The Gaze ◽  
Female Consumers ◽  
Private And Public ◽  
Female Bodies ◽  
The Relationship

In amplifying the contours of the body, the corset is an historical site that fashions femininity even as it constricts women’s bodies. This study sits at the intersection of three histories: of commodity consumption, of labour, and of embodiment and subjectivity, arguing that women were active participants in the making, selling, purchasing and wearing of corsets in Toronto, a city that has largely been ignored in fashion history. Between 1871 and 1914 many women worked in large urban factories, and in small, independent manufacturing shops. Toronto’s corset manufacturers were instrumental in the urbanization of Canadian industry, and created employment in which women earned a wage. The women who bought their wares were consumers making informed purchases, enacting agency in consumption and aesthetics; by choosing the style or size of a corset, female consumers were able to control to varying degrees, the shape of their bodies. As a staple in the wardrobe of most nineteenth-century women, the corset complicates the study of conspicuous consumption, as it was a garment that was not meant to be seen, but created a highly visible shape, blurring the lines between private and public viewing of the female body. Marxist analysis of the commodity fetish informs this study, and by acknowledging the ways in which the corset became a fetishized object itself, both signaling the shapeliness of femininity while in fact augmenting and diminishing female bodies. This study will address critical theory regarding the gaze and subjectivity, fashion, and modernity, exploring the relationship women had with corsets through media and advertising. A material culture analysis of extant corsets helps understand how corsets were constructed in Toronto, how the women of Toronto wore them, and to what extent they actually shaped their bodies. Ultimately, it is the aim of this dissertation to eschew common misconceptions about the practice of corsetry and showcase the hidden manner in which women produced goods, labour, and their own bodies in the nineteenth century, within the Canadian context.

Defaming and Defining ‘Bloody Mary’ in Nineteenth-Century England

2014 ◽  
Vol 90 (1) ◽  
pp. 287-303 ◽  
Author(s):  
Judith Richards
Keyword(s):  
Nineteenth Century ◽  
Catholic Church ◽  
History Textbooks ◽  
Victorian England ◽  
Victorian Era ◽  
John Foxe ◽  
High Profile ◽  
Catholic Faith ◽  
Papal Authority ◽  
Mary Tudor

Although the reputation of Englands first queen regnant, Mary Tudor (died 1558) had remained substantially unchanged in the intervening centuries, there were always some defenders of that Catholic queen among the historians of Victorian England. It is worth noting, however, that such revisionism made little if any impact on the schoolroom history textbooks, where Marys reputation remained much as John Foxe had defined it. Such anxiety as there was about attempts to restore something of Marys reputation were made more problematic by the increasing number and increasingly visible presence of a comprehensive Catholic hierarchy in the nineteenth century, and by high-profile converts to the Catholic faith and papal authority. The pre-eminent historians of the later Victorian era consistently remained more favourable to the reign of Elizabeth, seen as the destroyer,of an effective Catholic church in England.

Stone Tools

2012 ◽  
Author(s):  
Rodney Harrison
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
Stone Tools ◽  
Stone Tool ◽  
History Of Archaeology ◽  
Culture Studies ◽  
Old World ◽  
Material Culture Studies ◽  
History Of

The focus of this article is stone tools. The history of stone tool research is linked integrally to the history of archaeology and the study of the human past, and many of the early developments in archaeology were connected with the study of stone artefacts. The identification of stone tools as objects of prehistoric human manufacture was central to the development of nineteenth-century models of prehistoric change, and especially the Three Age system for Old World prehistory. This article draws on concepts derived from interdisciplinary material culture studies to consider the role of the artefact after being discarded. It suggests that it is impossible to understand the meaning or efficacy of stone tools without understanding their ‘afterlives’ following abandonment. This article aims to complement contemporary metrical studies of the identification of stone tools and the description of their production. A brief history of the stone tools is explained and this concludes the article.

Scottish Nationality in the Nineteenth Century

2014 ◽  
Author(s):  
James J. Coleman
Keyword(s):  
Nineteenth Century ◽  
National Gallery ◽  
National Museum ◽  
Focal Points ◽  
Victorian Era ◽  
National Institutions ◽  
National Monuments ◽  
National Architecture

Measured in terms of the symbols of nationality common across the rest of nineteenth-century Europe, there can be no doubt that the Scots held an assertive sense of themselves as a distinct nation. Rather than giving up their nationality in favour of British-national institutions, the Scots surrounded themselves with all the signs and symbols of a culturally and historically coherent nation. The Scots had a national museum and national gallery, national monuments, a national poet, national dress and national architecture, as well as a pantheon of national heroes, past and present. Indeed, Scotland in the nineteenth century suffered not so much from a lack of focal points for its nationality than from a surfeit. In the Victorian era there existed a collective pride bordering on collective egotism, an imperial arrogance bound up with landscape, industry, education and Presbyterianism.

Gustav Klemm, Cultural History, and Kulturwissenschaft

2017 ◽  
Author(s):  
Peter N. Miller
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
Cultural History ◽  
German Culture ◽  
High Culture ◽  
History Of ◽  
New Material ◽  
Cultural Science ◽  
History Of Culture

This chapter examines a new material-based history of German culture and looks at how a study of material culture had since evolved into “cultural history.” It traces the history of culture in nineteenth-century Germany, at the same time puzzling out the ambiguity of such a category as it was applied during the period. Encompassing both high culture and low, the popular and the elite, cultural history has often seemed borderless and indefinite—leading even its admirers to “search” for it or to see it as a “problem.” The chapter then turns to a study of Gustav Friedrich Klemm (1802–1867), the most important of the cultural historians of the 1840s and 1850s. His General Cultural History (1843–1852) and General Cultural-Science (1855) are both significant works in the field.

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