Friedmann: Globalization and the emerging culture of planning

2005 ◽  
Vol 64 (3) ◽  
pp. 179 ◽  
Author(s):  
J. Friedmann
Keyword(s):  
Emerging Culture ◽  
Culture Of Planning

Socio economic and psychological dimensions of migration-induced exclusion of the elderly in Kerala, India: an empirical analysis

2016 ◽  
Vol 12 (1) ◽  
pp. 51-65
Author(s):  
Damodaran Rajasenan ◽  
M. S. Jayakumar ◽  
Bijith George Abraham
Keyword(s):  
The Elderly ◽  
Policy Framework ◽  
Policy Makers ◽  
Content Type ◽  
Left Behind ◽  
Emerging Culture ◽  
Principal Factors ◽  
Working Groups ◽  
The Government ◽  
Role Of The Government

Purpose – The purpose of this paper is to link the multifarious problems of the elderly in a socio-economic and psychological framework. Design/methodology/approach – The universe of the sample is elderly left behind in emigrant households in Kerala. In total, 600 samples were mustered using multistage stratified random sampling method. The paper, with the aid of factor analysis, χ2 and correspondence analysis, blemish the principal factors responsible for the migration-induced exclusion of the elderly. Findings – The empirical result derived from the study shows that migration-induced exclusion is all pervasive in Kerala. The elderly left behind yearn for the presence of their children rather than the emigration and concomitant remittances. Research limitations/implications – The findings of the study are helpful to the policy makers to understand the issues faced by the elderly and include all stakeholders concerned to find a solution to tackle these problems faced by the elderly due to emigration of their children. Practical implications – The study is practically relevant in developing appropriate policy framework in Kerala as it illumines the role of the government to overcome the exclusionary trend and other manifold problems of the elderly. Social implications – The study sheds light to a new social problem developing in the state in the form of elderly exclusion owing to emigration of the young working groups in regional dimensions, demographic levels, community angles and the emerging culture of old age home in the Kerala economy and society. Originality/value – The study is a unique one and tries to situate the principal factors responsible for the emigration-induced exclusion of the elderly in Kerala with empirical evidence.

The Medieval Economy of Salvation

2019 ◽  
Author(s):  
Adam J. Davis
Keyword(s):  
Charitable Giving ◽  
Western Europe ◽  
Social Significance ◽  
Charitable Organizations ◽  
Local Economies ◽  
Gift Economy ◽  
Lay Women ◽  
Emerging Culture ◽  
Charitable Institution ◽  
New Institutions

This book shows how the burgeoning commercial economy of western Europe in the twelfth and thirteenth centuries, alongside an emerging culture of Christian charity, led to the establishment of hundreds of hospitals and leper houses. Focusing on the county of Champagne, the book looks at the ways in which charitable organizations and individuals saw in these new institutions a means of infusing charitable giving and service with new social significance and heightened expectations of spiritual rewards. Hospitals served as visible symbols of piety and, as a result, were popular objects of benefaction. They also presented lay women and men with new penitential opportunities to personally perform the works of mercy, which many embraced as a way to earn salvation. At the same time, these establishments served a variety of functions beyond caring for the sick and the poor; as benefactors donated lands and money to them, hospitals became increasingly central to local economies, supplying loans, distributing food, and acting as landlords. In tracing the rise of the medieval hospital during a period of intense urbanization and the transition from a gift economy to a commercial one, the book makes clear how embedded this charitable institution was in the wider social, cultural, religious, and economic fabric of medieval life.

scholarly journals Assessing the Harmony of Supply Chain Actors in Live Animal Export: The Case of Gurage Zone, Ethiopia

2020 ◽  
pp. 88-93
Author(s):  
Samuel Gemechu ◽  
Meaza Getnet ◽  
Alemu Tereda
Keyword(s):  
Supply Chain ◽  
Supply Chains ◽  
Live Animal ◽  
Future Improvement ◽  
Common Planning ◽  
Flow Of Information ◽  
Culture Of Planning ◽  
Share Information

This article aims to study the harmony of supply chain actors in Live Animal Export at Gurage Zone, Ethiopia. This problem is relevant and researches in this sense can help policies that aim to improve the functioning of supply chains. Harmony of supply chain is the collaboration level of supply chain participants which is measured in terms of common planning and action guidelines they have, how they share information and generally the overall relations they have one another. Being descriptive in design, the study has targeted main live animals supply chain actors who are 719 producers, 6 traders and 2 exporters in Gurage zone from whom 257 producers were randomly chosen as a sample and all the traders and exporter have been used directly from whom questionnaires were collected from. The findings have proved that there is relatively consistent flow of information throughout the supply chain actors in live animals export in Gurage zone. Additionally there have been seen that there is a culture of planning jointly among the chain actors followed by having common updating means in case of plan fails to meet the expectations even though there exists problems of sitting for evaluation of actions made by the chain elements which is the key for future improvement of the export business. Finally it has been found that the overall harmony of the chain actors is attractive with some reservations.

The Contribution of the Turkish Historical Society to the First Stage of the Governmental Program for the Protection of Monuments in Edirne (1933-1941): Preservation Policies and Ideology in the Representation of Architectural Heritage

Belleten ◽  
2012 ◽  
Vol 76 (276) ◽  
pp. 673-690
Author(s):  
Giorgio Gasco
Keyword(s):  
Point Of View ◽  
Visual Narrative ◽  
Ministry Of Education ◽  
Historical Buildings ◽  
Architectural Heritage ◽  
Historical Society ◽  
Emerging Culture ◽  
Historical Heritage ◽  
Scientific Base

The beginning of restoration works on a scientific base in Turkey dates back on 1933 when a specific committee for the protection of monuments (Anıtları Koruma Komisyonu) was officially appointed by the Ministry of Education. The preliminary working phase, carried on under the direction of this committee, was soon distinguished by the clear attempt to visualize the results in order to cast the monuments as national icons. The present paper's aim is to discuss this process of visualization focusing on the case study of a series of works realized in Edime from 1933 to 1944. Apart from the historical value of monuments included in the protection program, the study explores the ideological side of these works stressing their value as a pioneering enterprise of a modem nation that celebrated its emerging culture in the protection and preservation of monuments as a sign of progress and civilization. Edirne's restoration works in fact arouse a great deal of interest in the national press, becoming the best show-case for the effort of the Ministry. By this point of view the study focuses on the key-role played by the Turkish Historical Society in the construction of a visual narrative in the attempt to disseminate the result of these works. In particular the efforts of the Turkish Historical Society in advertising the scheduled interventions found their outlet in the editing of a set of postcards displaying Edirne's historical buildings. The result is a series of powerful images in which a number of buildings are re-casted as the first cultural-historical assets of the Turkish nation. The construction of this visual material was set according to a powerful aesthetic format, clear and instantly recognizable, in order to assure an immediate public reception of the historical heritage of the country. The collection of these images stands as a prime contribution in the construction of the national identity of the country thanks to the production of a collective visual heritage, that, on the ground of an effective popular aesthetics, was able to feature the idea of nation as a landscape of monuments.

Sign in / Sign up

Export Citation Format

Share Document