Geochemistry, Re–Os isotopes and highly siderophile element abundances in the Eastern Pontide peridotites (NE Turkey): Multiple episodes of melt extraction–depletion, melt–rock interaction and fertilization of the Rheic Ocean mantle

2015 ◽  
Vol 27 (2) ◽  
pp. 612-628 ◽  
Author(s):  
Abdurrahman Dokuz ◽  
İbrahim Uysal ◽  
Yildirim Dilek ◽  
Orhan Karsli ◽  
Thomas Meisel ◽  
...  
2006 ◽  
Vol 244 (3-4) ◽  
pp. 606-621 ◽  
Author(s):  
Jason Harvey ◽  
Abdelmouhcine Gannoun ◽  
Kevin W. Burton ◽  
Nick W. Rogers ◽  
Olivier Alard ◽  
...  

2015 ◽  
Vol 56 (9) ◽  
pp. 1797-1828 ◽  
Author(s):  
Brian O’Driscoll ◽  
Richard J. Walker ◽  
James M. D. Day ◽  
Richard D. Ash ◽  
J. Stephen Daly

2019 ◽  
Vol 60 (9) ◽  
pp. 1753-1772
Author(s):  
Eric Snortum ◽  
James M D Day ◽  
Matthew G Jackson

Abstract Highly siderophile element (HSE: Os, Ir, Ru, Pt, Pd, Re), major and trace element abundances, and 187Re–187Os systematics are reported for xenoliths and lavas from Aitutaki (Cook Islands), to investigate the composition of Pacific lithosphere. The xenolith suite comprises spinel-bearing lherzolites, dunite, and harzburgite, along with olivine websterite and pyroxenite. The xenoliths are hosted within nephelinite and alkali basalt volcanic rocks (187Os/188Os ∼0·1363 ± 13; 2SD; ΣHSE = 3–4 ppb). The volcanic host rocks are low-degree (2–5%) partial melts from the garnet stability field and an enriched mantle (EM) source. Pyroxenites have similar HSE abundances and Os isotope compositions (Al2O3 = 5·7–8·3 wt %; ΣHSE = 2–4 ppb; 187Os/187Os = 0·1263–0·1469) to the lavas. The pyroxenite and olivine websterite xenoliths directly formed from—or experienced extensive melt–rock interaction with—melts similar in composition to the volcanic rocks that host the xenoliths. Conversely, the Aitutaki lherzolites, harzburgites and dunites are similar in composition to abyssal peridotites with respect to their 187Os/188Os ratios (0·1264 ± 82), total HSE abundances (ΣHSE = 8–28 ppb) and major element abundances, forsterite contents (Fo89·9±1·2), and estimated extents of melt depletion (<10 to >15%). These peridotites are interpreted to sample relatively shallow Pacific mantle lithosphere that experienced limited melt–rock reaction and melting during ridge processes at ∼90 Ma. A survey of maximum time of rhenium depletion ages of Pacific mantle lithosphere from the Cook (Aitutaki ∼1·5 Ga), Austral (Tubuai’i ∼1·8 Ga), Samoan (Savai’i ∼1·5 Ga) and Hawaiian (Oa’hu ∼2 Ga) island groups shows that Mesoproterozoic to Neoproterozoic depletion ages are preserved in the xenolith suites. The variable timing and extent of mantle depletion preserved by the peridotites is, in some instances, superimposed by extensive and recent melt depletion as well as melt refertilization. Collectively, Pacific Ocean island mantle xenolith suites have similar distributions and variations of 187Os/188Os and HSE abundances to global abyssal peridotites. These observations indicate that Pacific mantle lithosphere is typical of oceanic lithosphere in general, and that this lithosphere is composed of peridotites that have experienced both recent melt depletion at ridges and prior and sometimes extensive melt depletion across several Wilson cycles spanning periods in excess of two billion years.


1988 ◽  
Vol 132 ◽  
pp. 501-506
Author(s):  
C. Sneden ◽  
C. A. Pilachowski ◽  
K. K. Gilroy ◽  
J. J. Cowan

Current observational results for the abundances of the very heavy elements (Z>30) in Population II halo stars are reviewed. New high resolution, low noise spectra of many of these extremely metal-poor stars reveal general consistency in their overall abundance patterns. Below Galactic metallicities of [Fe/H] Ã −2, all of the very heavy elements were manufactured almost exclusively in r-process synthesis events. However, there is considerable star-to-star scatter in the overall level of very heavy element abundances, indicating the influence of local supernovas on element production in the very early, unmixed Galactic halo. The s-process appears to contribute substantially to stellar abundances only in stars more metal-rich than [Fe/H] Ã −2.


2020 ◽  
Author(s):  
William Abbiss

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.


2020 ◽  
Author(s):  
William Abbiss

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.


2016 ◽  
Author(s):  
John W. Whitney ◽  
◽  
Ahmed Banakar ◽  
Abdulla M. Memesh ◽  
Mir F. Karim ◽  
...  

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