Alternative uses for clay tobacco pipes and tobacco pipe fragments: Some notes

1976 ◽  
Vol 10 (1) ◽  
pp. 124-127 ◽  
Author(s):  
Iain C. Walker
Keyword(s):  
2021 ◽  
Vol 34 ◽  
pp. 131-137
Author(s):  
Jakub Puziuk

The aim of this work is to present the translation of professional terminology concerning tobacco pipes acquired by excavation methods, supplementing the already existing term base of concepts with a Polish-English translation, important in the context of the current research on this subject. This dictionary is a translation of the basic terms used in English-language works (also used in works of researchers from Central and Eastern Europe) concerning descriptions of tobacco pipe remains (based on finds of stub-stemmed pipes, one-piece clay pipes and porcelain pipes) in archaeological research, the production of such paraphernalia and elements of history of tobacco smoking, which were additionally supplemented with terms currently used in Polish archaeological literature. This dictionary should be treated as a contribution to further work on standardisation of European archaeological terminology, which should provide an aid for both specialists and enthusiasts reaching for professional literature on antique pipes.


2020 ◽  
Vol 75 (1) ◽  
pp. 323-378
Author(s):  
David Allen ◽  
Briony A. Lalor ◽  
Ginny Pringle

This report describes excavations at Basing Grange, Basing House, Hampshire, between 1999 and 2006. It embraces the 'Time Team' investigations in Grange Field, adjacent to the Great Barn, which were superseded and amplified by the work of the Basingstoke Archaeological & Historical Society, supervised by David Allen. This revealed the foundations of a 'hunting lodge' or mansion built in the 1670s and demolished, and effectively 'lost', in the mid-18th century. Beneath this residence were the remains of agricultural buildings, earlier than and contemporary with the nearby Great Barn, which were destroyed during the English Civil War. The report contains a detailed appraisal of the pottery, glass and clay tobacco pipes from the site and draws attention to the remarkable window leads that provide a clue to the mansion's date of construction. It also explores a probable link with what was taking place on the Basing House site in the late 17th and early 18th century.


2020 ◽  
pp. 123-150
Author(s):  
Julia Saviello

Smell and taste – of the five senses these are the two most strongly stimulated by smoking tobacco. The article presents an in-depth analysis of the reflection of both these forms of sensory perception in textual and visual sources concerning the early consumption of the herb. In a first step, tobacco’s changing reception, first as medicine and then as stimulant, is traced through the years of its increasing distribution in Europe, starting in the middle of the 16th century. As this overview reveals, at that time the still little known substance gave rise to new forms of sense perception. Following recent studies on smell and gustation, which have stressed the need to take into account the interactions between these senses, the article probes the manifold stimulation of the senses by tobacco with reference to allegorical representations and genre scenes addressing the five senses. The smoking of tobacco was thematized in both of these art forms as a means of visualizing either smell or taste. Yet, these depictions show no indication of any deliberate engagement with the exchange of sense data between mouth and nose. The question posed at the end of this paper is whether this holds true also for early smoker’s still lifes. In the so-called toebakjes or rookertjes, a subgenre of stilllife painting that, like tobacco, was still a novelty at the beginning of the 17th century, various smoking paraphernalia – such as rolled or cut tobacco, pipes and tins – are arrayed with various kinds of foods and drinks. Finally, the article addresses a selection of such smoker’s still lifes, using the toebakje by Pieter Claesz., probably the first of its kind, as a starting point and the work by Georg Flegel as a comparative example. Through their selection of objects, both offer a complex image of how tobacco engages different senses.


1971 ◽  
Vol 1 (1) ◽  
pp. 4-17
Author(s):  
Iain C. Walker
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document