Calculation relationships of the hydrodynamics of a rotor film apparatus

1996 ◽  
Vol 32 (3) ◽  
pp. 261-262
Author(s):  
V. N. Lepilin ◽  
S. A. Liser ◽  
A. G. Saburov ◽  
K. M. Fedorov ◽  
V. V. Klyuchkin
Keyword(s):  
Film Apparatus

An Automated Branching Device for the Assessment and Training of Visual Discrimination

1966 ◽  
Vol 22 (2) ◽  
pp. 488-490 ◽  
Author(s):  
Allan E. Edwards ◽  
Beth Rosenberg
Keyword(s):  
Visual Discrimination ◽  
Search Time ◽  
Random Access ◽  
Stimulus Material ◽  
Slide Projector ◽  
Good Memory ◽  
Film Apparatus ◽  
And Training

An automated device for the assessment and training of visual discrimination is described. The device utilizes a juke-box upon which film apparatus is mounted, as a random access slide projector. Filmed stimulus material is placed around the circumference of plastic discs housed in the juke-box and is projected onto a screen in programmed sequences. The device is inexpensive, has a good memory, is electrically controllable, and has a maximum search time of 11 sec. for 2400 chips of film. It has been used successfully in the assessment and training of more than 200 brain-damaged patients.

Claude Jutra’s Surfacing (1981) through visual spectacles: Framing female body, voyeurism and paranoia

2020 ◽  
Vol 13 (2) ◽  
pp. 111-120 ◽  
Author(s):  
Nausheen Ishaque ◽  
Saba Riaz
Keyword(s):  
Female Body ◽  
Sexual Difference ◽  
Film Theory ◽  
Female Subjectivity ◽  
Female Desire ◽  
Feminist Film Theory ◽  
Visual Pleasure ◽  
Film Apparatus ◽  
Feminist Film ◽  
The Spectator

This article examines Claude Jutra’s 1981 film adaptation of Margaret Atwood’s Surfacing in terms of its focus on female body, voyeurism and paranoia. The psychoanalytic perspective of the feminist film theory, with its emphasis on visual pleasure, narcissism, the male gaze, scopophilia, fetishization of the female, the oedipal nature of the narrative and female subjectivity, provides a pragmatic groundwork for the theoretical underpinning of this study. In the same way, the film apparatus, such as editing and camera work, provides a semiotic impetus to the spectator to identify with the perfect male, and not with the distorted female. With its focus on various scenes, generic codes and aspects of the film, the paper furthermore sees how Jutra’s production validates the prejudices of the classical film narrative in the context of the female image, sexual difference, female desire and stereotyped female paranoia. Despite its narrative focus on the quest of a female protagonist, Jutra’s film conforms to the traditional model of the classical cinema wherein the woman is no more than a signifier ‐ an entity that signifies things in relation to men only.

A Roll-Film Apparatus for Rapid Serial Filming

Radiology ◽  
1951 ◽  
Vol 56 (2) ◽  
pp. 242-247 ◽  
Author(s):  
W. H. Thompson ◽  
M. M. Figley ◽  
F. J. Hodges
Keyword(s):  
Film Apparatus

UV inactivation of microorganisms in beer by a novel thin-film apparatus

Food Control ◽  
2010 ◽  
Vol 21 (10) ◽  
pp. 1312-1317 ◽  
Author(s):  
Gang Lu ◽  
Chaolin Li ◽  
Peng Liu ◽  
Haibo Cui ◽  
Yongjie Yao ◽  
...  
Keyword(s):  
Thin Film ◽  
Film Apparatus

The Film Apparatus

2017 ◽  
Author(s):  
Randall Halle
Keyword(s):  
Social Relations ◽  
Film Studies ◽  
Formal Analysis ◽  
Subjective Effects ◽  
Production Methods ◽  
Projected Image ◽  
Film Apparatus ◽  
The 1960S ◽  
Comprehensive Discussion

This chapter illustrates how the discussion of cinematic apparatus was international and in many instances foundational for the establishment of film studies as a discipline. Apparatus offered a means to consider precisely the study of film as more than formal analysis of the projected image; it sought to arrive at a more comprehensive discussion of cinema. The production of the image was understood not simply as an industrial tale, but as a matter of signification, social relations, modes of production, methods of projection, space of reception, and subjective effects on spectators. In the 1960s, the discourse on the apparatus was connected to the quest for revolutionary forms. By the 1980s, the debates regarding apparatus theory became bogged down by considerations of ideology and an overwhelming focus on psychoanalytic models.

Increasing the mass transfer rate in film apparatus

1970 ◽  
Vol 6 (7) ◽  
pp. 571-572
Author(s):  
V. I. Ermakov ◽  
V. A. Odnokolov ◽  
G. G. Khaibullin ◽  
V. P. Batrakov
Keyword(s):  
Mass Transfer ◽  
Transfer Rate ◽  
Mass Transfer Rate ◽  
Film Apparatus
Sign in / Sign up

Export Citation Format

Share Document