Homological type of spaces of configurations of structurally stable type in C2

1986 ◽  
Vol 39 (1) ◽  
pp. 60-62
Author(s):  
A. I. Barvinok
Keyword(s):  
Stable Type ◽  
Structurally Stable ◽  
Homological Type

The mode conversion of structurally stable vector beams propagating through free space optical channels

2016 ◽  
Vol 29 (6) ◽  
pp. 483-491
Author(s):  
T. I. Arsenyan ◽  
E. A. Babanin ◽  
O. M. Vokhnik ◽  
A. M. Zotov ◽  
A. F. Mardanov ◽  
...  
Keyword(s):  
Free Space ◽  
Mode Conversion ◽  
Free Space Optical ◽  
Optical Channels ◽  
Vector Beams ◽  
Structurally Stable

A Z × Z Structurally Stable Action

1980 ◽  
Vol 260 (2) ◽  
pp. 515
Author(s):  
P. R. Grossi Sad
Keyword(s):  
Structurally Stable

scholarly journals Assessment of structurally stable cubic Bi12TiO20 as intermediate temperature solid oxide fuels electrolyte

2011 ◽  
Vol 31 (16) ◽  
pp. 3119-3125 ◽  
Author(s):  
Yu-Lin Kuo ◽  
Li-Der Liu ◽  
Sung-En Lin ◽  
Chia-Hao Chou ◽  
Weng-Cheng J. Wei
Keyword(s):  
Solid Oxide ◽  
Intermediate Temperature ◽  
Structurally Stable

ISSUES OF ETHNOCULTURAL TRADITIONS DEVELOPMENT IN MODERN ARTISTIC PRACTICE

2020 ◽  
Vol 1 (4) ◽  
pp. 50-54
Author(s):  
K. K. Murataev ◽  
◽  
S. M. Krykbayeva ◽  
Keyword(s):  
Folk Art ◽  
Structural Features ◽  
Artistic Practice ◽  
Creative Development ◽  
Traditional Art ◽  
Spatial Features ◽  
Applied Art ◽  
Main Components ◽  
Structurally Stable ◽  
Figurative Interpretation

The article deals with insufficiently studied theoretical aspects of revealing and analyzing new elements and motives of artistic and compositional means of expression in folk art, as well as topical issues concerning determining principles and possible options for their creative development in modern decorative and applied art, design, and artistic practice in general. The most important structural features of shaping in traditional art in the ontologically interrelated system "nature — man — object" are analyzed. The main structurally stable elements and components in Kazakh folk ornament are distinguished and characterized, these are the circle, S-shaped element, cruciform and triangular components. The evolution of their ideological and figurative interpretation and symbolism is traced, and their role in the genesis of folk art traditions formed over thousands of years is revealed. The selected basic elements of folk ornament, as the main components of means of artistic expression, are proposed to be defined and developed in line with modern interpretations of artistic and aesthetic categories — dynamics, statics, harmony and their decorative variations in accordance with the volumetric and spatial features of form.

Sign in / Sign up

Export Citation Format

Share Document