Possibility of social critique in an indeterminate world

1994 ◽  
Vol 23 (3) ◽  
pp. 327-366 ◽  
Author(s):  
Benjamin Gregg
Keyword(s):  
Social Critique ◽  
Indeterminate World

Challenging representations of Muslims and cultural métissage in the ethnic comedies L’Italien (2010) and Mohamed Dubois (2013)

2021 ◽  
pp. 095715582110091
Author(s):  
Ramona Mielusel
Keyword(s):  
Public Sphere ◽  
Social Critique ◽  
The Public ◽  
French Culture ◽  
French People ◽  
The Government ◽  
The Public Sphere ◽  
Legislative Measures

In this article, I am looking at two popular ‘ethnic’ comedies, L’Italien (2010) and Mohamed Dubois (2013), that promote dialogue and conviviality between Franco-Maghrebi and Franco-French people in France while questioning the societal feasibility of legislative measures of inclusiveness, visibility and equality of chances promoted by the government in the late 1990s and early 2000s. Considering some challenges in the representations, the comedies offer, at times, a social critique of certain stereotypical views on Islam and the destiny of Muslims on French soil, but they conclude in an optimistic tone supporting the idea that there is cultural métissage in France and that Muslims and Christians do mix in today’s diverse France. The popularity of these comedies attests to the fact that there is a need to bring up the issues of Islam in France and of the cohabitation between Muslims and Christian French citizens in the public sphere. I suggest however that while the Franco-Maghrebi’s ‘essentialist identity’ is challenged in the films, there are still neo-colonialist tensions in the artistic productions that entail ambivalence towards the Muslim characters. In a Franco-French dominated film-consuming culture, the Franco-Maghrebi characters are still subject to mimicry, which consistently maintains their subordinate position in the French culture.

scholarly journals Psychology in an Indeterminate World

2021 ◽  
pp. 174569162095800
Author(s):  
Ludger van Dijk
Keyword(s):  
Human Activity ◽  
Point Of View ◽  
Ecological Perspective ◽  
Ecological Approach ◽  
Material World ◽  
Psychological Science ◽  
Nonhuman Animals ◽  
The World ◽  
Indeterminate World ◽  
Over Time

By sharing their world, humans and other animals sustain each other. Their world gets determined over time as generations of animals act in it. Current approaches to psychological science, by contrast, start from the assumption that the world is already determined before an animal’s activity. These approaches seem more concerned with uncertainty about the world than with the practical indeterminacies of the world humans and nonhuman animals experience. As human activity is making life increasingly hard for other animals, this preoccupation becomes difficult to accept. This article introduces an ecological approach to psychology to develop a view that centralizes the indeterminacies of a shared world. Specifically, it develops an open-ended notion of “affordances,” the possibilities for action offered by the environment. Affordances are processes in which (a) the material world invites individual animals to participate, while (b) participation concurrently continues the material world in a particular way. From this point of view, species codetermine the world together. Several empirical and methodological implications of this view on affordances are explored. The article ends with an explanation of how an ecological perspective brings responsibility for the shared world to the heart of psychological science.

Private Writings

2021 ◽  
pp. 62-75
Author(s):  
Caroline Pollentier
Keyword(s):  
New Technologies ◽  
Daily Life ◽  
Social Critique ◽  
The Social ◽  
Micro Power

This chapter examines Virginia Woolf’s private writings as ethical and political technologies of privacy. In the light of Michel Foucault’s ethics of self-writing, Woolf’s notebooks, letters, and diaries are read as various ‘techniques of living’ rehearsing an elusive tension between immediacy and self-consciousness. The chapter considers in turn the archival impulse of her notebooks, the pragmatics of intimacy at work in her letters, and the aesthetics of daily life outlined in her diaries. Through these daily ‘notes’, Woolf configured various acts of self-making ranging from social critique to psychological immunity. She was also keenly aware of the extent to which her daily ‘scribbling’ or ‘scratching’ was becoming increasingly entangled with new technologies of recording and communication. By relating these archaic media to the social rise of ‘the very private’ in modernity, Woolf mobilized her private writings as untimely techniques of resistance, generating founding, if vulnerable, forms of micro-power.

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