Vibrations of plates with attached masses distributed over a surface segment

1987 ◽  
Vol 23 (6) ◽  
pp. 578-582
Author(s):  
E. I. Bespalova ◽  
T. N. Kilina ◽  
S. N. Mikhailov
Keyword(s):  
Surface Segment

scholarly journals Evolutionary, Structural and Biochemical Evidence for a New Interaction Site of the Leptin Obesity Protein

Genetics ◽  
2003 ◽  
Vol 163 (4) ◽  
pp. 1549-1553
Author(s):  
Eric A Gaucher ◽  
Michael M Miyamoto ◽  
Steven A Benner
Keyword(s):  
Energy Metabolism ◽  
Energy Balance ◽  
Interaction Site ◽  
Biochemical Evidence ◽  
Functional Differences ◽  
Surface Segment

Abstract The Leptin protein is central to the regulation of energy metabolism in mammals. By integrating evolutionary, structural, and biochemical information, a surface segment, outside of its known receptor contacts, is predicted as a second interaction site that may help to further define its roles in energy balance and its functional differences between humans and other mammals.

Complex Motivic Analysis

2021 ◽  
pp. 219-264
Author(s):  
Brent Auerbach
Keyword(s):  
End Products ◽  
Motivic Analysis ◽  
Surface Segment ◽  
Network Type

Chapter 7 establishes the rules and guidelines for complex motivic analysis (CMA). CMA is the more advanced mode of motivic analysis, which centers around the activity of a larger, network-type motive composed of elements from many domains (similar to Schoenberg’s Grundgestalt). The chapter first provides an introduction to the expanded format for motive, including guidance on which domains to include and the proper format for each. It then guides readers through construction of a complex motive for a short Brahms waltz. The remainder of the chapter is given over to describing the paired end products of CMA, which are (1) an Organic Map illustrating the most significant motivic connections in the manner of an enhanced BMA, and (2) a “Narrative” that tallies and charts the number of Complex elements exhibited by each surface segment of the work. The result of the latter process is a Narrative Curve that charts the work’s fluctuating level of organicism and directly reflects the piece’s CMA archetype. The chapter concludes with demonstration of a full CMA analysis of the Brahms waltz.

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