Explosive initiation of fast convective combustion in a closed volume

1993 ◽  
Vol 29 (4) ◽  
pp. 516-521
Author(s):  
A. N. Pozhariskii ◽  
A. G. Ivanov
Keyword(s):  
Closed Volume ◽  
Convective Combustion ◽  
Explosive Initiation

Laws of propagation of convective combustion waves in a closed volume

1987 ◽  
Vol 23 (6) ◽  
pp. 669-675 ◽  
Author(s):  
A. A. Sulimov ◽  
B. S. Ermolaev ◽  
A. I. Korotkov ◽  
V. A. Okunev ◽  
V. S. Posvyanskii ◽  
...  
Keyword(s):  
Closed Volume ◽  
Convective Combustion ◽  
Combustion Waves

Holographic closed volume and holographic surface integral

2020 ◽  
Author(s):  
Vitaly Kuyukov
Keyword(s):  
Closed Volume ◽  
Surface Integral

Holographic closed volume and holographic surface integral

Evaluating regime diagrams for closed volume hybrid explosions

2017 ◽  
Vol 49 ◽  
pp. 912-918 ◽  
Author(s):  
Chris T. Cloney ◽  
Robert C. Ripley ◽  
Michael J. Pegg ◽  
Paul R. Amyotte
Keyword(s):  
Closed Volume

A deterministic model of convective combustion of porous systems

1989 ◽  
Vol 24 (5) ◽  
pp. 541-548
Author(s):  
V. N. Vilyunov ◽  
A. N. Ischenko ◽  
Yu. P. Khomenko
Keyword(s):  
Deterministic Model ◽  
Convective Combustion

The Acoustic Analysis of Palladio’s Teatro Olimpico, Vicenza

2012 ◽  
Author(s):  
DAVIDE BONSI
Keyword(s):  
Acoustic Analysis ◽  
Sound Propagation ◽  
Main Idea ◽  
Closed Volume ◽  
Andrea Palladio ◽  
New Era ◽  
Architectural Acoustics ◽  
Greco Roman ◽  
European Culture ◽  
History Of

In the history of theatre buildings, the Teatro Olimpico in Vicenza by Andrea Palladio is often regarded as the archetype of the evolution of spaces for drama and music in modern European culture. Even within the specific subject of architectural acoustics, the Olympic Theatre represents a sort of symbolic beginning of a new era, since the main idea which led to its realisation, that is, the transformation of the Greco-Roman theatre into a closed volume, started to pose problems that had previously been unknown or neglected due to the completely different sound-propagation processes experienced in the open-air theatres of antiquity. This chapter focuses on the recent campaign of acoustic measurements carried out by the author in the Teatro Olimpico. Among the results discussed are the long reverberation time and low clarity, which make the hall more suitable for music than speech.

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