Annotating Documents by Their Intended Meaning to Make Them Self Explaining: An Essential Progress for the Semantic Web

2006 ◽  
pp. 601-612 ◽  
Author(s):  
Hervé Blanchon ◽  
Christian Boitet
Keyword(s):  
Semantic Web ◽  
Intended Meaning

Aux frontières de l'expérience esthétique: le grotesque baudelairien

2019 ◽  
Vol 58 (2) ◽  
pp. 237-248
Author(s):  
Julien Weber
Keyword(s):  
Aesthetic Experience ◽  
A Priori ◽  
Intended Meaning ◽  
The Grotesque

This article is about the grotesque in Baudelaire. While Baudelaire's famous essay on laughter plays an important role in contemporary theories of grotesque aesthetics, his own poetic production is often left aside. In this article, I discuss how the grotesque manifests itself in works by Baudelaire that seem a priori irrelevant because of their ostensible use of ‘comique significatif’, a sort of antithesis of the grotesque. Through a discussion of Pauvre Belgique! And ‘Le Chien et le Flacon’, I argue that the baudelairian grotesque most powerfully intervenes in the mode of a distortion of the intended meaning, which leads me to distinguish its reading from a properly ‘aesthetic’ experience.

Semantic Web Technologies for e-Learning: Models and Implementation

Informatica ◽  
2015 ◽  
Vol 26 (2) ◽  
pp. 221-240 ◽  
Author(s):  
Valentina Dagienė ◽  
Daina Gudonienė ◽  
Renata Burbaitė
Keyword(s):  
Semantic Web ◽  
Learning Models ◽  
Semantic Web Technologies ◽  
Web Technologies ◽  
E Learning

Comparative Study on Ontology Management Approaches in Semantic Web

2018 ◽  
Vol 6 (1) ◽  
pp. 132-140
Author(s):  
Ranjna Jain ◽  
◽  
Neelam Duhan ◽  
A.K.Sharma . ◽  
◽  
...  
Keyword(s):  
Semantic Web ◽  
Comparative Study ◽  
Management Approaches ◽  
Ontology Management

Directive Speech Act Seen on Family 2.0 Drama Script Written by Walter Wykes

2018 ◽  
Vol 8 (2) ◽  
Author(s):  
Evi Jovita Putri
Keyword(s):  
Speech Acts ◽  
Speech Act ◽  
Declarative Sentence ◽  
Pragmatic Approach ◽  
Intended Meaning ◽  
Descriptive Research ◽  
Directive Speech Acts ◽  
Directive Speech

<p>The research entitled Directive Speech Act Seen on Family 2.0 Drama Script Written by Walter Wykes purposes to describe and uncover the types of form and intended meaning of directive speech act on that drama script. This descriptive research uses pragmatic approach and theory. The collecting and analysing data are focused on the using of declarative, imperative, and interrogative sentences in the text of drama. The forms of those sentences will be analysed to find out the types of form of directive speech act, while the context of those sentences will be used to analyze the intended meaning of directive speech act uttered by speakers. The results of the research are found that, first, there are two types of the form of directive speech acts, direct directive speech acts and indirect directive speech acts. Direct directive speech acts are represented by imperative sentence without subject; imperative sentence with let; and negative imperative sentence. Meanwhile the indirect directive speech acts are represented by declarative sentence statement; declarative sentence if clause; negative declarative sentences; and interrogative sentences. Second, the intended meanings seen on drama script of Family 2.0 are command, prohibition, request, treat, and persuasion. It can be concluded that, the most frequent intended meaning appeared in directive speech acts on this script is command by the use of imperative forms. Then, the declarative and interrogative forms are used to request something by adults charaters; in contrast the kids characters use them to command and prohibit the hearer.<strong></strong></p><strong>Keywords: </strong> family 2.0, pragmatic, speech act, directive, form and intended meaning

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