The central morphology of the giant interneurons and their spatial relationship with the thoracic motorneurons in the cockroach,Periplaneta americana (insecta)

1985 ◽  
Vol 16 (4) ◽  
pp. 249-267 ◽  
Author(s):  
Shaun P. Collin
1988 ◽  
Vol 19 (6) ◽  
pp. 489-497 ◽  
Author(s):  
Alan J. Pollack ◽  
Roy E. Ritzmann ◽  
Joanne Westin

Author(s):  
Ruth V.W. Dimlich

Mast cells in the dura mater of the rat may play a role in cerebral pathologies including neurogenic inflammation (vasodilation; plasma extravasation) and headache pain . As has been suggested for other tissues, dural mast cells may exhibit a close spatial relationship to nerves. There has been no detailed ultrastructural description of mast cells in this tissue; therefore, the goals of this study were to provide this analysis and to determine the spatial relationship of mast cells to nerves and other components of the dura mater in the rat.Four adult anesthetized male Wistar rats (290-400 g) were fixed by perfusion through the heart with 2% glutaraldehyde and 2.8% paraformaldehyde in a potassium phosphate buffer (pH 7.4) for 30 min. The head of each rat was removed and stored in fixative for a minimum of 24 h at which time the dural coverings were removed and dissected into samples that included the middle meningeal vasculature. Samples were routinely processed and flat embedded in LX 112. Thick (1 um) sections from a minimum of 3 blocks per rat were stained with toluidine blue (0.5% aqueous).


1998 ◽  
Vol 10 (1-3) ◽  
pp. 100-108 ◽  
Author(s):  
Alicia Colson ◽  
Ross Parry

This article argues that the analysis of a threedimensional image demanded a three-dimensional approach. The authors realise that discussions of images and image processing inveterately conceptualise representation as being flat, static, and finite. The authors recognise the need for a fresh acuteness to three-dimensionality as a meaningful – although problematic – element of visual sources. Two dramatically different examples are used to expose the shortcomings of an ingrained two-dimensional approach and to facilitate a demonstration of how modern (digital) techniques could sanction new historical/anthropological perspectives on subjects that have become all too familiar. Each example could not be more different in their temporal and geographical location, their cultural resonance, and their historiography. However, in both these visual spectacles meaning is polysemic. It is dependent upon the viewer's spatial relationship to the artifice as well as the spirito-intellectual viewer within the community. The authors postulate that the multi- faceted and multi-layered arrangement of meaning in a complex image could be assessed by working beyond the limitations of the two-dimensional methodological paradigm and by using methods and media that accommodated this type of interconnectivity and representation.


2008 ◽  
pp. 8-13
Author(s):  
Sri Pudji Rahayu

Kecoa merupakan serangga yang suka hidup ditempat terlindung, tertutup maupun lipatan-lipatan sehingga susah diberantas, akan tetapi serangga tersebut mempunyai alat komunikasi yang  digunakan untuk memanggil sesamanya untuk berkumpul yang disebut aggregation pheromone. Aggregation pheromone ini diteliti untuk dimanfaatkan sebagai salah satu cara pengendaliannya. Pada penelitian ini aggregation pheromone diteliti dengan mengekstrak kotoran kecoa dengan berbagai macam pelarut dan hasil ekstraknya diuji secara biologi ditunjukkan dengan banyaknya kecoa yang datang dan berkumpul pada ekstrak AP tersebut. Dalam penelitian ini pelarut methanol merupakan pelarut yang paling baik dalam ekstraksi AP yang ditunjukkan adanya 80% kecoa yang datang berkumpul. Dari ekstraksi tersebut setelah dianalisa dengan alat kromatografi gas diperoleh senyawa aktif yang merupakan Aggregation pheromone dari kecoa Periplaneta americana L.  Senyawa tersebut diduga periplanon A dan periplanon B dengan waktu retensi 25,417 menit dan senyawa B dengan waktu retensi 27,007 menit.


2009 ◽  
Vol 11 (2) ◽  
pp. 139-144
Author(s):  
Feng CAO ◽  
Yunyan DU ◽  
Yong GE ◽  
Deyu LI ◽  
Wei WEN

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