Platinum-based anticancer agents: Innovative design strategies and biological perspectives

2003 ◽  
Vol 23 (5) ◽  
pp. 633-655 ◽  
Author(s):  
Yee-Ping Ho ◽  
Steve C.F. Au-Yeung ◽  
Kenneth K.W. To
ChemInform ◽  
2003 ◽  
Vol 34 (48) ◽  
Author(s):  
Yee-Ping Ho ◽  
Steve C. F. Au-Yeung ◽  
Kenneth K. W. To

2016 ◽  
Vol 37 (1/2) ◽  
pp. 2-12 ◽  
Author(s):  
Zhixian Yi

Purpose – In the digital age, constant changes in libraries inform contemporary building design. An innovative library building design is a complicated process and can be viewed as a continuous process of the use of tacit and explicit knowledge and innovative tools and approaches. Knowledge management (KM) can bring about the much needed innovation, and transform tacit knowledge to explicit knowledge. For the design of a library to be successful, it is necessary to apply KM to library building design. The purpose of this paper is to look at key change impacts, to explore how to manage knowledge in building design and to identify key design principles. Design/methodology/approach – This paper looks at key change impacts, explores how to manage knowledge in library building design and pinpoints design principles. Findings – This paper finds that KM can be vital to library building design, and it can be used in all stages: to examine the internal and external environments, transform tacit knowledge to explicit knowledge by using portals, and analyze existing and future issues and trends. When effectively used, KM will result in innovative design strategies and also will reduce the time and costs of the building design and plan processes. The main principles of library building design are flexibility, accessibility, safety and security, applicability, adaptability, efficiency, and sustainability. Practical implications – This paper provides a useful overview of how to manage knowledge in library building design and design principles. Originality/value – The views, discussions, and suggestions will be of value to improve the effectiveness of library building design.


ce/papers ◽  
2021 ◽  
Vol 4 (2-4) ◽  
pp. 1021-1030
Author(s):  
Matthias Kraus ◽  
Sharmistha Chowdhury ◽  
Idna Wudtke

2021 ◽  
Author(s):  
◽  
Renee Pescini

<p>This thesis examines the spatial comprehension and perception of architectural interior spaces through the diverse variables of colour, light and volume. The research methodology is through experimentation, adapted from the Stanford design thinking innovative design analysis process. The purpose of this research is to understand the effects of manipulating colour, light and volume in architectural interior spaces. This will be explored through various design strategies and techniques to achieve the desired experience and human emotional response in a positive atmospheric manner. This will allow architects and designers interested in applying colour, light and volume more efficiently within the interior built environment with the purpose to achieve certain atmospheric qualities and experiences. This thesis will be of particular interest to those designing to create atmospheric qualities and human emotional driven responses in interior architectural spaces. Pleasant and stimulating are the key human emotional responses that the research experiments and observations focus on.</p>


Author(s):  
Xinyi Tan ◽  
Chang Yu ◽  
Yongwen Ren ◽  
Song Cui ◽  
Wenbin Li ◽  
...  

This review underlines innovative design strategies for CO2RR system, also distinctively presents the current status and new trend.


Author(s):  
Armand Hatchuel ◽  
Pascal Le Masson ◽  
Benoit Weil ◽  
Daniel Carvajal-Perez

AbstractIn “Grande cuisine” creation and tradition co-evolve in a rich number of ways. Great chefs still use recipes from the 19th century and may also reinvent gastronomy itself. The creation heritage of culinary Art is the paradoxical capacity to both “respect” tradition and “break” its rules. Building on C-K theory, we show that such creative heritage needs multiple and independent layers of knowledge that “speak” of basic fixed objects. These properties correspond to general mathematical structures that we find in Topos theory. Thus, C-K/Topos predicts creative design strategies that can respect tradition in different ways. It also proves a form of “innovation within tradition” - “sheafification” in Topos words- that is not a compromise and builds on tradition itself. These findings fit with the lessons of great books of gastronomy. C-K/Topos has a wide scope of validity: it applies to any innovative design that needs preserving systemic structures, like engineering systems or social and environmental systems. C- K/Topos models with a high generality how local and radical innovation can warrant systems incremental change. C-K/Topos will have implications for teaching and research.


2021 ◽  
Author(s):  
Christine H. Kirby ◽  
Eric I. Hernandez ◽  
J. Warren Green ◽  
Bob Card ◽  
Kevin Tran ◽  
...  

Forests ◽  
2020 ◽  
Vol 11 (12) ◽  
pp. 1277
Author(s):  
Matthew S. Bumgardner ◽  
David L. Nicholls

This research considers the ecosystem services associated with furniture, one of the leading types of secondary wood products manufactured internationally. We review and synthesize the literature surrounding the sustainable design, use, and disposition of wood furniture and related products in global markets. We consider emerging and innovative design strategies for wood (in biomimicry, for example) as well as topics that have been gaining traction in recent years (i.e., green supply chain management and eco/environmental labels and related market communications). An overarching theme is to consider how firm competitiveness can be influenced, or even enhanced, by green practices in design and associated communications with consumers. With a trend toward increasing customization in the secondary wood product marketplace, the role of design might be changing. However, design remains a critical product development function in modern markets, and designers are well-positioned to influence sustainable material utilization and improve furniture product use and lifespan.


2021 ◽  
Author(s):  
◽  
Renee Pescini

<p>This thesis examines the spatial comprehension and perception of architectural interior spaces through the diverse variables of colour, light and volume. The research methodology is through experimentation, adapted from the Stanford design thinking innovative design analysis process. The purpose of this research is to understand the effects of manipulating colour, light and volume in architectural interior spaces. This will be explored through various design strategies and techniques to achieve the desired experience and human emotional response in a positive atmospheric manner. This will allow architects and designers interested in applying colour, light and volume more efficiently within the interior built environment with the purpose to achieve certain atmospheric qualities and experiences. This thesis will be of particular interest to those designing to create atmospheric qualities and human emotional driven responses in interior architectural spaces. Pleasant and stimulating are the key human emotional responses that the research experiments and observations focus on.</p>


2015 ◽  
Vol 5 (4) ◽  
pp. 43-52
Author(s):  
Sergey Alekseevich MALAKHOV ◽  
Eugenia Aleksandrovna REPINA

The article theory of architecture identified with the Genesis of the personal design experience of the architect: how successful, so wealthy theory. Examines the relationship between theoretical and methodological developments of the Department of innovative design aimed at a gradual transition from the corporeal-sensual, compositional experience to contextual and analytical, conceptual, and, ultimately, the environmental approach to solving design problems. In the basis of methodology of the Department of innovative design - the activity of the academic workshop of Sergey Malakhov and Eugenia Repina, the key principles which were published in the monograph from the series «TATLIN MONO» (April 2012). The article determines that the design strategies should focus on the holistic understanding of the environment as basic values of the design profession as an architect and designer.


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