scholarly journals Head and neck cancers associated with exposure to the September 11, 2001 World Trade Center terrorist attacks

2018 ◽  
Vol 142 (12) ◽  
pp. 2485-2490 ◽  
Author(s):  
Jonathan E. Leeman ◽  
Sean M. McBride ◽  
Daniel Spielsinger ◽  
Eric J. Sherman ◽  
Richard Wong ◽  
...  
CNS Spectrums ◽  
2002 ◽  
Vol 7 (8) ◽  
pp. 611-615
Author(s):  
Robert Grossman ◽  
Rachel Yehuda

ABSTRACTAs part of an established traumatic stress research and treatment program located in New York City, we experienced the September 11, 2001, terrorist attacks on the World Trade Center first as New Yorkers, but also as professionals with an interest in both treating the survivors and furthering scientific knowledge regarding the neurobiology and treatment of traumatic stress. This paper gives vignettes of calls to our program and the treatment of World Trade Center terrorist attack survivors.


2016 ◽  
Vol 59 (9) ◽  
pp. 795-804 ◽  
Author(s):  
James E. Cone ◽  
Sukhminder Osahan ◽  
Christine C. Ekenga ◽  
Sara A. Miller-Archie ◽  
Steven D. Stellman ◽  
...  

2016 ◽  
Vol 59 (9) ◽  
pp. 709-721 ◽  
Author(s):  
Jiehui Li ◽  
Robert M. Brackbill ◽  
Tim S. Liao ◽  
Baozhen Qiao ◽  
James E. Cone ◽  
...  

2018 ◽  
Vol 163 ◽  
pp. 270-279 ◽  
Author(s):  
Hannah T. Jordan ◽  
Cheryl R. Stein ◽  
Jiehui Li ◽  
James E. Cone ◽  
Leslie Stayner ◽  
...  

2006 ◽  
Vol 9 (1) ◽  
pp. 52-60 ◽  
Author(s):  
Pilar Ferré Romeu

In this study, I investigated students' memories of the terrorist attacks of September 11, 2001, carried out by Al Qaeda terrorists against the World Trade Center in New York and the Pentagon in Washington. Participants completed on two occasions (2 weeks and 8 months after the events took place) a memory questionnaire that included an assessment of the phenomenal richness of their memories. The results showed that the participants remembered very well the circumstances in which they first heard about the terrorist attacks, that they were very confident about this information, and that these memories were characterized by a high phenomenal richness. Over time, there was a decrease in all of these variables, but people's ratings of phenomenology and confidence were still very high.


2011 ◽  
Vol 45 (4) ◽  
pp. 835-851 ◽  
Author(s):  
HAMILTON CARROLL

This article examines two films, James Marsh's Man on Wire and Spike Lee's Inside Man in relation to the terrorist attacks of September 11, 2001. It looks at both films as examples of the heist genre and explores the ways in which genre conventions enable the production of meaning about the terrorist attacks. The conventions of the heist film, it argues, help make sense of September 11 by producing a different set of relations to time and space that draw on the uncanny, rather than the traumatic, nature of the events. Narrating stories of transgression, both films place the horrors of September 11 in another context. Through the genre conventions of the heist, each film offers a view of New York in which the events of September 11 and the destruction of the World Trade Center stand as the center. Not yet complete in one, already destroyed in the other, the Twin Towers haunt these films. As Man on Wire and Inside Man each attempt to make sense of the world in which the city of New York is marked most powerfully by a profound absence, it is in their uses of the heist genre that they find a representational space in which to mourn the World Trade Center and the victims of the attacks.


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