On The Remarkably Different Role of Salt in the Cross-Coupling of Arylzincs From That Seen With Alkylzincs

2014 ◽  
Vol 53 (17) ◽  
pp. 4386-4389 ◽  
Author(s):  
Lucas C. McCann ◽  
Michael G. Organ
Keyword(s):  
Cross Coupling ◽  
The Cross

On The Remarkably Different Role of Salt in the Cross-Coupling of Arylzincs From That Seen With Alkylzincs

2014 ◽  
Vol 126 (17) ◽  
pp. 4475-4478 ◽  
Author(s):  
Lucas C. McCann ◽  
Michael G. Organ
Keyword(s):  
Cross Coupling ◽  
The Cross

Maintaining harmony across the globe: The cross-cultural role of closeness in interpersonal forgiveness

2011 ◽  
Author(s):  
Johan Karremans ◽  
Camillo Regalia ◽  
Giorgia Paleari ◽  
Frank Fincham ◽  
Ming Cui ◽  
...  
Keyword(s):  
Cross Cultural ◽  
Interpersonal Forgiveness ◽  
The Cross ◽  
Cultural Role

The Role of Sensing Peptides in the Cross-talk between Microbiota and Human Cancer Cells

2018 ◽  
Vol 18 (18) ◽  
pp. 1567-1571
Author(s):  
Anna Lucia Tornesello ◽  
Luigi Buonaguro ◽  
Maria Lina Tornesello ◽  
Franco M. Buonaguro
Keyword(s):  
Cancer Cells ◽  
Cross Talk ◽  
Human Cancer ◽  
Human Cancer Cells ◽  
The Cross

The Power of the Cross and Cruciform Devices in the Carolingian World

2018 ◽  
Author(s):  
Ildar Garipzanov
Keyword(s):  
Final Section ◽  
Ninth Century ◽  
Late Antique ◽  
Manuscript Culture ◽  
The Bible ◽  
The Cross ◽  
Early Byzantine

This chapter shows the unquestionable role of the sign of the cross as the primary sign of divine authority in Carolingian material and manuscript culture, a role partly achieved at the expense of the diminishing symbolic importance of the late antique christograms. It also analyses the appearance of new cruciform devices in the ninth century as well as the adaptation of the early Byzantine tradition of cruciform invocational monograms in Carolingian manuscript culture, as exemplified in the Bible of San Paolo fuori le mura and several other religious manuscripts. The final section examines some Carolingian carmina figurata and, most importantly, Hrabanus Maurus’ In honorem sanctae crucis, as a window into Carolingian graphicacy and the paramount importance of the sign of the cross as its ultimate organizing principle.

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